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57 pages 1 hour read

Stephen King

You Like It Darker

Fiction | Short Story Collection | Adult | Published in 2024

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Character Analysis

Vic Trenton

The patriarch in King’s 1981 novel Cujo, Vic Trenton reappears as the protagonist and narrator of the story “Rattlesnakes.” Because the story is a sequel to Cujo, Vic’s character arc builds upon the novel’s events. In Cujo, Vic’s wife, Donna, and young son, Tad, become trapped in their car at an auto mechanic’s yard during a heat wave because the mechanic is away and a rabid, increasingly vicious Saint Bernard is present. Vic is out of town during the incident. His relationship with Donna is strained because he discovered she was having an affair. Vic’s son, Tad, dies of heatstroke in the car. At the moment of Tad’s death, Vic hears Tad’s voice, which becomes the seed of his grief over the next 40 years.

Vic is a dynamic character whose journey forces him to confront lingering emotions related to his family, which thematically underscores Dealing With the Consequences of Death as an overarching theme in You Like It Darker. The story reveals that in the years between Cujo and “Rattlesnakes,” Vic refused to acknowledge his son’s death, leading to his divorce from Donna. Several years later, they remarried but never discussed Tad until the moment Donna had a vision of their son on her deathbed. In “Rattlesnakes,” Donna’s death prompts Vic to stay at his friend’s Rattlesnake Key on Florida’s Gulf Coast. There, he meets Allie Bell, whose characterization mirrors Vic’s: She too lost her family and failed to move on from her sons’ deaths. Unlike Vic, however, she manifests this grief outwardly, pushing a pram and acting as though they’re still alive.

Vic and Allie’s friendship results in his inheriting not only Allie’s estate but also her haunting after she dies. The pram and the ghosts of Allie’s twin boys, Jacob and Joseph, who see him as a replacement for their departed parents, relentlessly haunt Vic. Desperately hoping to escape them, he calls out to the memory of his dead son. This moment represents a crucial turning point for Vic as he acknowledges his failure to honor Tad’s death and realizes how his grief turned him into a monster during his relationship with Donna. Once he admits this, he finds a way out of the haunting. Inspired by Tad’s response, Vic throws the twins’ pram into the whirlpool off Rattlesnake Key where the area’s remaining rattlesnakes escaped, and the ghost boys vanish. Although he resolved the haunting by facing his grief, he fears what may happen if the pram resurfaces.

Phil Parker

The dynamic protagonist of “The Answer Man,” Phil Parker is an ambitious but indecisive lawyer who initially faces the dilemma of choosing where to settle down and practice. His first encounter with the Answer Man helps him choose by providing him with foreknowledge of the consequences. His indecisiveness is thus the major character flaw that the story seeks to resolve.

Phil’s knowledge of the future helps him become a war hero and a prominent local figure, serving farmers and small-town businesses as the community’s first private attorney. However, Phil’s second encounter with the Answer Man reveals that he deeply fears losing his family. He becomes guilty of asking what the man calls “impotent” questions. These questions are intended to assure him of the future, but because they reveal that life doesn’t go the way Phil wants it, they only prompt him to ask more questions.

He overcomes his indecisiveness only after losing his family. He expresses his grief over the death of his wife by demanding to see the Answer Man again, not to predict his future but to make sense of his past. This expression represents Phil’s belief that a dark fate awaits him, supporting the theme of Bad Luck as Destiny. Having lived through his worst fears, Phil devotes himself to his work, relentlessly pursuing a major case that reminds him that while he has lived through unfortunate consequences, other people have endured much worse. Afterward, Phil is resigned to whatever lies ahead of him. He thus feels peaceful during his final encounter with the Answer Man, no longer troubled by his impending death.

Lloyd Sunderland

The dynamic protagonist of “Laurie,” Lloyd Sutherland functions as a counterpoint to Vic Trenton from “Rattlesnakes,” showing how one might overcome the grief of losing a life partner to death by forming a new emotional attachment, further building on the theme of Dealing With the Consequences of Death.

Lloyd is a widower whose grief has led to his lack of self-care. When his sister Beth brings him a puppy to adopt, she arrives at a home in disarray. Lloyd hasn’t mown his lawn in a long time, and Beth must go get him some groceries. Later, Lloyd’s physical state improves through his relationship with the puppy, who he names Laurie. Beth schedules Lloyd’s medical check-ups, and the doctor indicates that Lloyd has been doing well because of his walks with Laurie.

The clearest indication of Lloyd’s development as a character comes at the story’s end. After saving himself and his dog from the alligator, he expresses his gratitude to be alive, a stark contrast to his inability to look after himself in the wake of his wife’s death.

William Davis

The narrator and protagonist of “The Dreamers,” William Davis fought in the Vietnam War, an event that defines him, haunting him so completely that he loses the ability to feel emotion. William tries to restart his life by entering a career in stenography, using skills he developed through his relationship with his late sister. The fact that William derives his talent from this relationship signifies his desire to return to a version of his life before the war. His sister’s death compounds his inability to return to that life, which deepens his trauma.

Elgin’s experiments echo William’s time in the war because they expose him to horrors he can’t understand. His attitude toward the experiments shifts when he learns that something behind the dream barrier knows who he is and is trying to reach him. Though William quickly hides Devereaux’s body after an experiment goes wrong, he doesn’t hesitate to destroy all evidence of Elgin’s work after the tendrils that grew out of Devereaux overtake the scientist. William compares his dreams of the war to the dreams of the red house of Elgin’s experiments, indicating that the latter are his “bad” dreams because they remind him of the beings from another world that know who he is, but can’t be known. William’s fear of them signals the return of his emotions and, with them, his sense of humanity.

Mark Carmody

The narrator of “Two Talented Bastids,” Mark Carmody is the son of Laird Carmody, a novelist who becomes famous in his middle age. Mark previously worked as the superintendent for Castle County School but shifted to working as his father’s assistant in his later years. This career transition hints at Mark’s secret ambitions. His interest in his father’s work suggests that he would like Laird’s writing process to inform his own. When Ruth Crawford points out that his father’s breakout success coincided with that of his best friend, artist “Butch” LaVerdiere, Mark pushes her questions forward to fulfill the same agenda: to discover for himself what lies behind this coincidence.

Mark’s character arc is shaped by the discovery of a letter indicating that his father may have gained his talent from an alien encounter. When Mark goes to his father’s cabin to use the alien device for himself, he invites consideration of whether talent is hereditary. Resigned to the idea that it probably isn’t, Mark finds peace living in his father’s shadow.

Danny Coughlin

Unlike other protagonists in the collection, the protagonist of “Danny Coughlin’s Bad Dream” is a static hero whose journey consists of proving his innocence. A working-class character, Danny Coughlin lives in a trailer park and works as a custodian at Wilder High School. His low social status makes the antagonist, Frank Jalbert, suspicious of him; Jalbert looks down on Danny as someone inclined to violence because of desperation.

In truth, Danny is a sympathetic and morally upright character. He responds to the inciting incident, a vivid dream of a dog digging up a woman’s body near a gas station, by going out of his way to see if it is real. When he finds Yvonne Wicker’s body behind the gas station, he immediately reports it, anonymously, taking care to avoid explaining how he learned of it. The rest of the story thematically develops Reckoning With the World’s Cruelty as Danny wonders why he was chosen to dream of Yvonne’s whereabouts. This never causes his morality to falter, however, even when ethically questionable investigator Frank Jalbert harasses him in the hopes of getting a successful conviction. Danny uses his experience to urge the other investigator, Ella Davis, to believe in stories like his.

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