59 pages • 1 hour read
C. C. HarringtonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Maggie is afraid and mesmerized by Rumpus’s beauty as she reaches out tentatively to touch him. Rumpus begins to bat at her, and she plays with him carefully, putting her mitten back on when his claws accidentally scratch her bare skin. When Rumpus alerts to a noise and runs off, Maggie is suddenly aware of how dangerous it might be if someone other than her discovers his presence in Wildoak.
After she returns to the cottage, she asks Fred what would happen to a snow leopard discovered in Wildoak. Although he reminds her again that this could never happen, he supposes that the big cat would be fortunate to just be sent to a zoo. Then, Fred suggests that Maggie write a letter to her mother, which she is happy to do. He also offers to show Maggie his Winged Wonder, which is the flying car that he is working on. Maggie is delighted by the strange contraption, and Fred offers to take her for a ride in it, explaining that it does not yet fly, but “It might…one day” (152).
From his perch in a beech tree, Rumpus hears a vehicle approaching. Lord Foy and another man get out and discuss cutting the forest. When they walk away together, Rumpus inspects the back of the truck, looking for food. He hears the crack of a gunshot and jumps out of the truck bed, hurrying back into the forest as fast as he can on his injured paw. When the men drive away, he sees the dead and bloody body of the badger in the truck bed.
Maggie writes a letter to her mother. She praises Fred and Cornwall and tells her mother how much she misses her. Maggie thanks her mother for the surprise photograph and asks where the picture was taken, saying that she would like to go back to that place someday. She asks whether her parents might visit her at Cornwall, saying she is sure that Fred misses Evelyn. She signs off after asking her mother to write to her soon. After a moment, she adds a P.S., telling her mother that her stutter is improving. Maggie does not actually believe this is true, but thinking of home has renewed her fears about being sent to Granville.
When she is ready to mail the letter, Fred tells her that she will need to go into town to get a stamp for it. Maggie is frightened at the idea of trying to talk with a shopkeeper, but she desperately wants to get her letter to her mother. So, she agrees to do this. Then, she once again tries to convince Fred that Rumpus is actually a snow leopard, but he refuses to believe her. Maggie feels as if she might cry.
Rumpus’s wound is infected, and he is growing weaker. As he wanders toward the stream to drink, he encounters a woman walking her small dog. They are all frightened by the meeting, and the woman screams. Rumpus flees back to the security of the ancient oak. He falls into an exhausted sleep.
Maggie is very anxious as she goes into town and enters the post office. As she struggles to request a stamp, the clerk interrupts impatiently, supplying Maggie’s words for her. Maggie is embarrassed and frustrated. She feels even worse when a woman comes in and announces that someone called Doris, who was out walking her dog, has encountered “a monster.” Maggie is terrified about what this might mean for Rumpus’s safety.
She heads into Wildoak with some chicken for Rumpus, noticing how difficult it is for him to climb down out of the tree to eat. She lies down with him on the forest floor, cuddling him for a moment. Then, she rises, concerned about his lethargy. Inspecting him more closely, she realizes that his wound is badly infected. Desperate to think of a way to help Rumpus, she stills herself to think. She suddenly feels intimately connected to the forest again and realizes that Wildoak itself might offer her a way to heal the cat.
Rumpus wakes a little later as Maggie returns to his den in the old oak tree. She tells him that she has been at Fred’s, reading about how to use forest plants as medicine, and that she will gather the plants she needs and return to help him. He does not understand her words, but he understands her gentle tone. He lies back down to sleep as his fever climbs.
Maggie uses reference books she finds in Fred’s cottage to struggle through the process of gathering plants and transforming them into the poultices and tinctures that she needs to help Rumpus. When she hears Fred’s vehicle outside, she quickly hides her jars of medicine in an old basket under the table. Fred is surprised and amused at the state of the kitchen, but he willingly accepts Maggie’s explanation that she is trying to make a new kind of tea. He tells her that he has had a hard day; part of what made it hard is learning that Lord Foy has begun cutting down the forest. Maggie worries that someone will cut the ancient oak while Rumpus is still inside it. She protests that there must be a way to stop Lord Foy. However, Fred gently explains to her that the reality of the situation is that Lord Foy cannot be stopped and, in any case, many people support him because of the jobs that mining will bring to the area.
Two days pass while Rumpus hovers between life and death, unaware of Maggie coming and going as she tries to treat his infection.
Maggie arrives at the tree and applies the last of her medicines. Rumpus does not look any better to her, and he does not stir except to swallow weakly when she tries to give him some tincture mixed with milk. As she hears the rumble of trucks belonging to the crews cutting down the forest, she thinks for the first time that Rumpus may not make it and that even the forest is running out of time.
That night, Rumpus’s fever reaches its highest point; however, by the next morning, it has broken. Rumpus opens his eyes.
Maggie sits at breakfast, disconsolate about the imminent loss of Wildoak. Fred tells her that although they cannot save Wildoak, this does not mean they should give up on fighting for what they believe in. Maggie sees a headline about the villager’s meeting with Rumpus in the local paper; she struggles with whether to try to talk to Fred about it, but he is already heading to work.
Afterward, Maggie heads for the clearing, but Rumpus is not there. Worried, she calls out to him. A scruffy, bearded man grabs her shoulder and asks why she is not in school. When she struggles to answer him, he is shocked at her stutter and the physical motions that accompany it, and he rudely asks: “What the ’ell is wrong with you?” (194). Maggie runs back to the cottage and calms herself by holding the jar with her two snails in it. Suddenly, she is afraid that the man in the forest might be a danger to Rumpus, and her feeling of shame turns to a fierce determination to protect Rumpus.
Rumpus, still stiff and sore, moves through the forest looking for food and water. He is uneasy about the new smells in the forest around him: gasoline, rubber, and cigarette smoke. He sees a place where the trees have been cut, and the destruction increases his feeling that something is wrong. After getting a drink, he heads for the village, hoping that he can find food where the humans are. He knocks over a trash can but finds little that seems edible. He begins to eat a small bit of raw bacon but is interrupted when a car stops nearby. As he tries to run away, he rattles the trash can and a woman comes around the side of the building to investigate. When she sees Rumpus moving away as fast as his wounded paw will allow, she screams, drawing even more attention to Rumpus from other villagers in the area. Once again, someone screams that Rumpus is a “monster.” Rumpus finally makes it back to the clearing in the forest. He is delighted to see Maggie sitting still in her spot, patiently waiting for him. He runs to her, rubbing against her and making chuffing noises to greet the equally delighted girl.
Maggie tells Rumpus how happy she is to see him up on his feet. She distracts him with a stick to play with while she looks over his wound, and she is pleased to see that it looks much better. They play for a while and then she unsuccessfully tries to offer him some leftover cottage pie, but he will not eat the cooked food. When she begins to worry again about the villagers discovering Rumpus, she touches the roots of the ancient oak and once again experiences the calming sense of connection with the forest.
The rising action of this section of the novel escalates the tension around Rumpus’s safety and survival. Maggie cannot get Fred to believe her claim that Rumpus is a snow leopard and is therefore in danger, and soon afterward, although Maggie does not know it yet, a local woman spots Rumpus. The alternating dual perspectives in the book’s third-person narration create dramatic irony by giving the reader information that Maggie does not know, therefore increasing tension surrounding the big cat’s safety. When Maggie does learn about the villager’s sighting of Rumpus, her worries are intensified by the diction people use to describe him. In the post office encounter and in the newspaper headline, the word “monster” is used repeatedly, a motif that demonstrates how little the world outside of Maggie understands Rumpus’s true nature. When Maggie discovers that Rumpus’s wound has become infected, the crisis escalates further. Although the immediate danger to Rumpus’s health is resolved, throughout this section of the novel, there are other escalating crises, as well: namely, the villagers discovering Rumpus’s presence, and the destruction of the forest.
Maggie’s response to Rumpus’s vulnerability demonstrates that she is a dynamic character who is Growing Into Self-Acceptance. Instead of giving up because she cannot convince Fred that Rumpus is a snow leopard and needs their help, she finds her own solutions to problems. When he becomes very sick from his infected leg, Maggie is thrown out of her comfort zone as she looks up recipes for natural medicines and tinctures to treat him. Still, she perseveres and overcomes this challenge, and she manages to help Rumpus recover. She even overcomes her fear and shame related to the rude bearded stranger who accosts her in the forest because she is so determined to protect Rumpus. Maggie’s connection with the big cat helps her to think outside of the close confines of her own fears, and while helping him heal, she also grows in self-confidence.
Maggie’s determination to save Rumpus and her close relationship with Wildoak highlight The Importance of Environmental Conservation. The snow leopard’s struggles—all of which are caused by cruel, selfish human decisions—mirror the destruction that people can wreak on the natural world. However, Maggie’s care and concern for the big cat show that humans are also capable of kindness and empathy, if they so choose. When Maggie is worried about Rumpus’s health, she stills herself and listens to the forest, and at this time, she experiences a kind of melding that helps her understand herself as a part of the forest. This moment highlights the magic and power of the natural world, and Maggie realizes that the forest itself can help her save Rumpus. However, Maggie must face the impending problem of Lord Foy cutting down Wildoak. As she tries to grapple with her feelings about this potential loss, Fred offers wise advice about the importance of continuing to fight for her beliefs regardless of the fact that she will sometimes lose the fight. This advice will become important later, once it is clear that the fight for Wildoak is lost, but when there is still a chance to save Rumpus from the villagers. Maggie could easily give up at this point, but she does not, because she remembers the words of her grandfather, whom she loves and trusts: Individuals have the power to make a difference if they keep on fighting.
Lord Foy, the novel’s antagonist, has no concern for the environment, and the novel’s portrayal of him builds him up as a cruel and dangerous character that Maggie should be wary of. He appears in a “whiff of burning carbon” and immediately begins making disparaging comments about the “ridiculous” committee and the “mad doctor” that oppose his plans (153.) The smell of “burning” cigarette smoke that clings to him emphasizes his own destructive nature, while his rude speaking style shows that he has no empathy for other people or the natural world. He carries a gun everywhere he goes and pointlessly kills the kindly badger that helped Rumpus while he was ensnared and injured. Lord Foy’s portrayal shows that he is bent on cruelty and destruction and that he cannot perceive the beauty and wonder of nature.