59 pages • 1 hour read
C. C. HarringtonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Maggie ventures into Wildoak forest and finds the enormous ancient oak that, unbeknownst to her, is Rumpus’s recently vacated sleeping spot. She climbs up into the tree and sits dangling her feet over the hollow in its center, feeling strangely connected to the old oak, as if it were another living being. When she begins worrying again about being sent to Granville, she has the strange sensation that the tree is somehow speaking to her, telling her “Be gentle with yourself. It is hard to be human” (81).
However, Maggie is suddenly spooked by a snapping sound and a rippling motion at the clearing’s edge. She hurries out of Wildoak and back to Fred’s house. She finds that Fred has left her a plate of her favorite sandwiches and a note asking her to come find him, saying he has something to show her. She finds him in the shed that he uses as a workshop, and he proudly shows her one of his inventions: a sled pieced together from bike, car, and other parts. Fred takes Maggie out to try out the sled. The downhill run is terrifyingly fast but thrilling, and Maggie rides the sled over and over again.
Rumpus continues playing, practicing stalking, and looking for food in the forest. He saw Maggie earlier, when she was in the tree; she caught a glimpse of him at the edge of the clearing, but since she was not carrying meatballs, he ignored her. In the afternoon, he hears a rumbling noise and scrambles into a tree to hide as two men drive by in a truck. He decides the tree in the clearing is safer and heads back. Along the way, he hears Maggie whooping as she rides the sled; he wonders if the girl is in danger. He does not see the metal trap until it is too late, and one of his paws gets trapped. He writhes in agony, but he is firmly anchored to the ground by the trap. Near evening, Rumpus finally passes out from the pain.
Back inside Fred’s cottage, Maggie and Fred warm up by the fire, and Fred tells Maggie about some of his other inventions. He tells her that his most ambitious project is a flying car that he is working on building. Maggie is excited by the idea, but gradually, she finds she is too tired to keep talking. She writes Fred a note, thanking him for the fun she had sledding and wishing him goodnight. Fred tells her how much her visit means to him, and they hug goodnight.
In the morning, she brings her snails downstairs so that Fred can look at Hurricane—Maggie thinks the snail is looking ill. Fred does what he can for the snail and then announces that he must leave for work. Maggie is uncomfortable about being left alone, especially because if she needs anything, she will have to contact Fred by telephone. She thinks about going to play in the clearing by the old tree, but then she remembers the feeling she had of someone watching her there.
Rumpus moves in and out of consciousness. A badger—a creature Rumpus has never seen before—comes close. Rumpus knows that he cannot defend himself in his weakened state, but the badger does not attack. Instead, she licks his wound as clean as she can. Rumpus passes out again.
Maggie returns to the ancient oak, which seems like an old friend. She wanders around looking for sticks, thinking she will make a fort in the tree. Suddenly, she realizes that she has wandered too far and is lost. As she desperately searches for signs of anything familiar, she spots blood on the snow. She finds Rumpus and realizes with a shock that he is the creature she saw from her bedroom window; she also sees that he is gravely wounded. She cries when she sees the steel trap his leg is caught in, and she decides she has to find a way to free the big cat. Relying on blind instinct, she runs until she finds a path she recognizes. She marks the spot and returns to Fred’s house, where she finds some large metal shears and some first aid supplies. Maggie rushes back to Rumpus, but the metal shears are useless against the trap and she cannot free him. She forces herself to calm down and think. When she eventually finds the mechanism that opens the trap, she presses it as hard as she can, and the jaws of the trap begin to open.
Rumpus is roused by cold water being splashed on his face. He finds that his paw is bandaged, and he tries to rip the cloth off with his teeth. But the girl is there, talking calmly to him, and he relaxes as she offers him water to drink. Still skittish around her, however, he awkwardly moves away when she makes a sudden movement. The panic in her voice as she begs him not to leave upsets him further, and he runs off through the woods toward the clearing and the old oak. It is difficult for him to climb up, but eventually, he manages to settle himself inside the hollow at the center of the tree and fall asleep. He wakes sometime later to the sound of the girl throwing pebbles against the tree. Maggie leaves a plate with a pheasant from Fred’s larder near the base of the tree, and Rumpus is hungry enough to risk emerging from the tree to eat.
Maggie watches Rumpus eat, amazed at the sight of him. He is too large and unusually colored to be any kind of cat she has seen before. She thinks he seems somehow halfway between kitten and cat, halfway between domesticated and wild. She decides he is out of place in this forest, lost and confused, and thinks that if she makes it clear that she is not a threat, he might be willing to trust her. She sits down and stays very still. Rumpus watches her, eventually lying down at a distance. Eventually, he goes back up into the tree hollow and Maggie stands, stiff and numb from sitting in the cold for so long.
As dusk falls, she has the strange sense of communion with the forest again, as if it is vibrating around and through her. When she returns to the house, the door is ajar, and she realizes that someone is in the house. Peeking through a window, she sees a man rifling through Fred’s papers. The man sees her, and Maggie runs. With the man chasing behind her, Maggie makes it to the lane. She spots Fred coming down the road from work, and she knows she is safe. Although it takes her some time to communicate what is happening, Maggie eventually uses a combination of speaking, gesturing, and note-writing to let Fred know what has happened. He gently squeezes her shoulder and tells her that he thinks he knows exactly who the man was.
Rumpus sleeps in the hollow of the ancient oak, dreaming of playing with Rosie in their enclosure at the Pet Kingdom. Suddenly, Rosie disappears, and no matter how he searches for her, she is simply gone.
After dinner, Fred explains to Maggie about his neighbor, Lord Foy, who owns all the land that Wildoak forest sits on. Lord Foy wants the woods cleared for a copper mine. Fred, who loves nature, is very distressed about this idea. He believes that Lord Foy broke into the cottage and stole the medical records Fred has been trying to use to rouse public opinion against the proposed mine. He tells Maggie that Lord Foy has also been starting rumors that Fred suffers from dementia. Maggie is upset that there seems to be no way to stop Lord Foy.
Then, she impulsively tries to tell Fred about Rumpus. Fred tells her that Rumpus is certainly not a leopard and that what she saw was likely a large farm cat, but he is upset at the idea of the cruel trap and agrees to come with her first thing in the morning to see what she is talking about. When they arrive at the old oak the next morning, Rumpus is not there, but Maggie shows Fred the trap and the bloodstains. After Fred leaves for work, Maggie uses an encyclopedia to look up information about leopards, and she realizes that the cat she saw is a snow leopard. She takes more meat from Fred’s larder and heads out. Along the way, she finds the broken collar. Now she knows that the big cat has a name: Rumpus.
Rumpus continues to try to explore his new surroundings, but everything is more difficult because of his injury. He is very hungry, and he is glad when he sees Maggie coming with food. She sits very still in the same spot she occupied on the day she rescued him from the trap. He watches her while he eats, and when he finishes, he is brave enough to approach her, coming close enough to smell the edges of her mittens. He sees that she is nervous, but her soft eyes tell him that Maggie is not a threat. He lays down close to her. After a while, Maggie takes off her mitten and reaches out to gently touch him.
Early chapters of the novel establish that many people can be cruel and selfish, causing suffering without remorse. Maggie, by contrast, is caring and considerate, and she thinks a lot about how others feel and what they need. For instance, she worries about the rift between her father and grandfather and how it has likely affected her mother. She also cares for small animals in her cupboard at home. She wonders how her father lost the happy spark that he seems to have once had, based on the evidence of the photograph her mother hides for her in her luggage. Despite her difficulties with communication, she tries to make sure that Fred knows she cares about him and is grateful for his efforts to make her comfortable. Accordingly, when Maggie encounters Rumpus stuck in the trap, she is immediately distraught at his pain and determined to help him.
While Maggie has led a lonely life thus far, her burgeoning relationships in this section highlight the novel’s theme of The Importance of Communication and Connection. When Maggie is face-to-face with the big cat, she gets the sense that they are communicating without words. Rumpus studies her closely and instinctively feels that he can trust her, noting her soft eyes and the gentle set of her mouth. Since Maggie struggles to express herself in words, she appreciates animals because they understand her without the need for speech. However, despite her dislike of expressing herself through speech, Maggie nevertheless has a deepening relationship with her grandfather, Fred, who will become an important ally in her quest to find her own voice and use that voice to speak for Rumpus and the rest of the natural world. Fred shares his passion for inventing with Maggie, leading to an afternoon of pure joy as she sleds down the hill, and to a moment of awe when Fred shares his “Winged Wonder,” the flying car he is trying to create. This car will function as a symbol of the lessons that Fred can offer Maggie: He emphasizes that while she must accept the real constraints of this world, it is important to preserve a sense of wonder, to dream of what is possible, and to stand up for one’s individual vision. Maggie’s relationship with Fred will continue to deepen as she grows into her own vision and voice.
Maggie also feels very connected with the forest, Wildoak, which amplifies the novel’s claims about The Importance of Environmental Conservation. When Maggie spends time in the woods, the novel includes lyrical passages that describe how active and beautiful the forest is. Through the use of personification, the novel gives Wildoak a sentient, quasi-human quality. The forest is described as being “awake,” and the oak is an “old giant” that “[seems] to welcome [Maggie]” (106). Maggie takes note of these details and appreciates the forest as a vast, interconnected web of living things. She thinks of the ancient oak in the forest clearing as a friend and even has a sense that it can speak to her and comfort her. Maggie’s intensifying relationship with the forest is threatened by a secondary crisis that arises in this section of the book: Lord Foy’s intention to destroy Wildoak and sell the land to a mining company. With this crisis, too, human selfishness and cruelty are shown to cause the destruction and suffering of innocent lives, paralleling Wildoak with Maggie and Rumpus.
While Maggie still has trouble finding the courage to verbally communicate her own desires, she is making real progress with Growing into Self-Acceptance since she is quick to understand Rumpus’s needs and take action on his behalf. When she first encounters Rumpus, Maggie is lost in the woods and worried for her own safety. Still, she screws up her courage and trusts herself to find her way to the cottage so that she can get supplies to free Rumpus and treat his wounds. Later, despite the freezing cold, she sits still for hours, watching over Rumpus and trying to gain his trust. Even though she is instinctively a little afraid of Rumpus since he is a large predator, she throws pebbles at the tree trunk to bring him out so that he can eat the frozen steaks she has brought him. These actions demonstrate that, because of her relationship with Rumpus, Maggie forces herself to overcome her fears. This is the first courageous step she takes toward advocating for herself and the issues she cares about.