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The next day, Gabe helps Jo and Ursa in the field. Jo carefully marks the data, crediting Gabe for the discovery of several nests. Eventually, they make it to the final study area, which is Ursa’s magic forest. Gabe tells Ursa he feels the magic, and the two trade stories about the magical creatures they’ve seen. Their enthusiasm endears Jo.
While Jo and Gabe eat sandwiches, Ursa swims. Jo and Gabe talk about Ursa’s lack of discipline. Gabe thinks Ursa is too smart to need discipline. Jo thinks Ursa should tell them where she’s from. He argues that maybe she has. He’s beginning to believe her stories because of how different she is from other children. Jo says she still can’t find Ursa on any missing children pages, but she worries that if she does, Ursa will have to return to bad people. They have a serious discussion about how much longer they can keep Ursa before they must involve the police.
Gabe tells Jo about his morning. Before their research outing, he went home to change clothes and encountered an angry Lacey and a surprised mother. Jo tries to console him, observing that Lacey and Katherine won’t allow Gabe time off to recover. Gabe explains that his illness isn’t something one recovers from and adds that Jo’s understanding of it is “optimistically misguided” (128).
Ursa invites Jo and Gabe to swim with her. Gabe removes his shirt and wades in. Jo admires Gabe’s body. At Ursa’s urging, Jo removes her shirt and joins them. It’s the first time she has let a man see her chest after her double mastectomy. She feels like she must prove to Gabe she understands how to “recover and move on” (129). The three play and swim in the creek until Jo hears thunder. They get out of the water and pack their things. The storm quickly catches them, and the wind and lightning batter them as they run through the woods.
A tree branch strikes Ursa on the side of her head, and she falls unconscious. Gabe carries her to the car, and they head for the nearest hospital. Ursa has a gash but wakes up and seems fine. She screams and fights them about going to a hospital, asserting that she was pretending, begging them not to take her to the hospital. She fears the police will take her away. Jo and Gabe worry about that too. At a stop sign, Ursa bolts out of the car and runs into the woods by the road. Jo and Gabe try to chase her down, but Ursa doesn’t emerge until Jo promises not to take her to a hospital. Her gash has stopped bleeding. They return to Jo’s.
Ursa acts energetic to prove she’s not hurt. Jo sends her inside for a bath and asks Gabe to come back after he cleans up too. She worries Ursa could have a concussion and would feel better having Gabe there overnight. Jo and Ursa wash up, and Jo cleans Ursa’s wound. When Jo finishes her shower, Gabe is already cooking dinner in the kitchen. He explains that Lacey threatened to call the cops when she heard Ursa got hurt in their care. Lacey plans to leave tomorrow.
At dinner, Ursa says that she made the branch hit her head. It was a bad thing that happened so that a good thing could happen, which Ursa explains is Gabe spending the night with them. She describes her powers: “People from Hetrayeh give off these invisible specks, kind of like quarks” (136), which cause good things to happen to earthlings. Gabe wonders if he’ll wake up to a million dollars, but Ursa explains that the quarks know what people really want in their hearts. Ursa asks for Motrin, causing Jo to suspect that she took it before. Ursa’s head still hurts, but she assures them that she’ll be fine with Motrin. Ursa falls asleep quickly, so Gabe puts her in Jo’s bed.
Jo and Gabe stay up talking. They have similar pasts because their parents were both involved in academia and taught in colleges nearby. Jo admits to having misjudged Gabe, not realizing how similar they are. She invites Gabe to sleep in the bed with her and Ursa. Jo asks Gabe to tell her more about his family sometime. Gabe alludes to some issues in his upbringing but doesn’t elaborate.
In the morning, it’s storming, so everyone sleeps in. When Ursa wakes, she observes that she’s like a baby bird in a nest. After breakfast, Gabe works on the leaking kitchen sink. Lacey comes over and makes rude comments about Gabe fixing the sink, saying he should ask George Kinney for a job. She asks Ursa about her injury and tries to pry information from her about her parents. Before leaving, Lacey scolds Gabe for letting their mother’s eczema cream run out and not going to the store for supplies.
Gabe stays with Ursa while Jo goes to town to do laundry and pick up groceries. While eating lunch in town, Jo contemplates what will happen with Ursa and what might have happened at the hospital. Jo used to think about the past during her quiet lunches, but now she focuses on the present and the future. She considers her feelings for Gabe, realizing she’s attracted to him but worried he doesn’t feel the same since he hasn’t made any moves.
Shortly after Jo gets home, Gabe and Ursa return from the creek. Gabe taught Ursa about aquatic insects, knowledge he gained from George Kinney. Little Bear starts barking outside as a police car pulls up. Ursa disappears. The officer is older than the first one. Gabe realizes Lacey called them.
The officer, Jo, and Gabe talk about Ursa. They explain they’ve been caring for her—but not the extent of their involvement. No one has reported her missing. Jo relays what happened with the previous officer and says Ursa has run away again. The officer searches the home. He knows about the cut, which Jo tells him is from a tree branch. With no signs of Ursa inside or around the house, aside from a drawing on the fridge, the officer leaves. He asks them to contact him if they see Ursa again.
Gabe decides he needs to go home so that Lacey will leave. Before he goes, he and Jo search the woods behind the house, walking along the creek. They finally find Ursa, who greets them tearfully, wondering if she’s being taken away. Jo tells her the officer left. Gabe explains he doesn’t know when he’ll see them again. He returns home to wait for everything to blow over.
Several days go by. Jo takes Ursa to her nesting sites. They don’t see or hear from Gabe at all. Ursa wonders if he’s sick again. Jo explains how brain chemicals, genes, and hormones can cause people to be sick like Gabe. Ursa thinks Lacey makes Gabe sick, adding that Lacey made her feel sick too.
On Thursday, Jo visits sites near Gabe’s egg stand to check on him. When they visit the egg stand, Ursa wants to stay with Gabe and hang out on his farm, but Gabe acts distant. He tells her she can’t come over anymore and dodges Ursa’s questions about the kittens. He warns her that the sheriff could return and take her away. Jo realizes Gabe is shutting them out to protect his own emotions.
Ursa is unusually quiet during their research outing, obviously hurt by Gabe’s coldness. When they return home, Gabe is waiting in the driveway. He apologizes for his behavior and invites Jo and Ursa to see the kittens. While Ursa visits the kittens, Gabe takes Jo aside for a serious discussion about Ursa. Gabe is worried because Ursa is very attached to him, Jo, and Little Bear. He thinks Jo is making things worse by not calling the police. When Jo moves, Ursa will be homeless and heartbroken, and Little Bear will starve. Gabe and Jo agree that it already hurts to be so attached to Ursa.
Jo recalls how she handled her mother’s diagnosis. Instead of distancing herself, knowing that she’d be hurt, she grew closer to her mother, wanting to cherish all the time they still had. She knew it would make everything worse when her mother passed, and she still feels like a part of her died with her mother. However, she doesn’t regret this approach at all. Jo then expresses interest in becoming Ursa’s foster parent. Gabe is skeptical because the law considers what they’re doing kidnapping.
Jo retrieves Ursa. Gabe declines Ursa’s dinner invitation. At home, Ursa wonders if Gabe is mad. Jo explains Gabe’s concerns about getting in trouble with the police. Ursa thinks she can just tell the police she’s from the stars. Jo replies that Ursa is smart enough to know the police won’t believe her, adding that she wishes Ursa trusted her enough to tell the truth. Ursa begins to say something but stops. She asks if Jo believes in aliens. Jo says she does. Ursa insists she’s an alien. Jo cries, thinking about something so horrible happening to a child that it makes the child wish not to be human. Ursa doesn’t see Jo cry.
Jo can’t find Ursa the next morning, so she goes to Gabe’s house, where he’s already awake and working. They find Ursa in the barn, sleeping with the mother cat and the kittens. When Ursa wakes, she explains that she was afraid she wouldn’t get to see Gabe or the kittens again. Ursa wants to stay with Gabe, but Jo says people on Earth don’t always get what they want. Ursa replies that Jo and Gabe don’t know what they want.
On their research outing that day, Ursa stays quiet. When they get home, Jo finds that still no one has reported Ursa missing. That night, Jo struggles to sleep, and when she gets up to check on Ursa, the girl has run away again. Jo fears Gabe or Katherine will call the police if they catch Ursa there again.
Jo goes to Gabe’s and searches the barn with the kittens. Ursa isn’t there, so Jo decides to wake Gabe, afraid he’ll wake up and shoot her if he thinks she’s an intruder. She taps on Gabe’s window and informs him of the situation.
Gabe comes outside to help Jo search. He thinks this is getting out of control. He leads Jo to an old tree house his father built on the property. The tree house is large and extravagant, with a spiral staircase. Ursa liked to spend time in it. Jo and Gabe talk about how Ursa’s “quarks” have affected their abilities to use common sense.
Gabe touches Jo’s waist as they ascend. Jo wonders if he’s interested in her or if he’s just being a gentleman. Ursa isn’t there, but some of her drawings are on the desk. One drawing features a grave with the words “I love you” and “I am sorry” written on either side. Under the dark shaded-in “dirt,” Ursa drew a woman. Gabe and Jo speculate about the woman’s identity and Ursa’s past, adding that the apology part is creepy. He says Jo should’ve taken Ursa to the police immediately.
Jo argues with Gabe about his sudden change of heart regarding Ursa. Gabe says they’ll get in big trouble if they continue to keep Ursa and thinks Jo is avoiding the problem. Jo thinks he’s avoiding the problem by shutting them out of his life. She also thinks he’s avoiding a conversation about their relationship.
Gabe confesses he’s never been with or even kissed a woman. He thinks he’s too messed up to be with anyone. Jo accuses him of using his illness to create walls between them. He avoids the discussion and insists they find Ursa. Jo accuses him of being afraid that getting close to people means he could get hurt. They go silent for a moment before Jo gets Gabe’s consent to give him his first kiss.
Gabe and Jo embrace in the darkness. They share a kiss. Jo loves how Gabe smells. After a moment of closeness, Jo laments that they can’t stay like that because they must find Ursa.
On a hunch, Gabe leads Jo by the hand to a spare cabin on his property. Inside, they find Ursa asleep in one of the beds. They decide not to address the grave drawing yet. When they wake her, Ursa is happy to see them together. Gabe carries Ursa to Jo’s car, and they drive to Jo’s place together. Ursa notices his positive change in demeanor.
Once they’ve deposited Ursa on the couch, Jo walks Gabe out and they kiss goodnight. He comments that he used to hate coming to George Kinney’s house, but now he’s happy when he’s there. Jo asks about his complex relationship with his former neighbor. He explains that George had a complicated friendship with Gabe’s dad, Arthur. Arthur tried to one-up George regularly. Gabe invites Jo to the graveyard tucked back into the woods between their houses. He says it’s haunted, and he wants to show her.
Gabe leads Jo through the dark forest to the old graveyard behind their properties. Little Bear follows them. Gabe explains how his family spent summers, and some weekends during the school year, in the area. George Kinney lived in the house with his wife year-round. Gabe’s family spent time with George and his wife when they were in town. When Gabe was 11, he noticed his mom and George had a secret code. Gabe’s mom would say a sentence with the word “hope” in it and follow it up with another sentence where she used the phrase “love it” (180).
Gabe shows Jo a gravestone for a woman named Hope Lovett. He stumbled upon the headstone the year after he noticed the secret code. The next time he heard his mom use the code, he staked out the headstone. That night, he witnessed his mom and George Kinney having a sexual affair over the grave. Running would have alerted them that he was nearby, so he watched the whole thing in silence.
When Katherine and George finished, they stuck around to chat with each other. George told Katherine that he’d taught Gabe about aquatic insects that day, to which Katherine remarked that she was happy George got time with his son. That was how Gabe found out that he was an affair baby. His mother, father, and sister all seemed to know as well. Gabe thinks this is why Lacey hates him: He’s a product of their father’s failure. Gabe’s father and George remained friends despite the affair between George and Katherine. Gabe has never told anyone about it before.
Jo wonders why Gabe didn’t talk to his psychologist about what he saw. Gabe explains he vomited after seeing his mother and George being intimate and spent the next few days after that in bed. Jo thinks this is when he began using his bed as a sanctuary to escape the world. Gabe becomes upset at Jo’s suggestion that what he witnessed brought on his illness. He walks off, but Jo follows him, trying to explain what she meant. He thinks Jo doesn’t understand his illness. She accuses him of showing her the grave so that he could have another excuse to push her away.
Gabe disappears, so Jo returns home. It’s almost four in the morning, so she decides not to set her alarm. However, she struggles to sleep, thinking about the work she let herself become behind on while caring for Ursa and bonding with Gabe.
Chapters 15-21 expand on the themes of healing and recovery and delve deeper into the mysterious pasts of Ursa and Gabe. In addition, these chapters explore the concept of magic, in the form of Ursa’s quarks, as a minor force driving the story.
The themes The Process of Recovery and The Healing Power of Love are closely tied in the narrative, and the novel explores their links through the developing relationships between the three main characters, all of whom seem to have some residual trauma. Chapter 15 addresses recovery when Jo suggests that Gabe’s having Lacey around prevents him from being able to “recover and move on” (128). Gabe responds that his illness isn’t something he can “recover and move on” from (128) and says that Jo’s “view of depression is optimistically misguided” (128). This interaction highlights the differences in how Jo and Gabe view recovery. Because Jo has had cancer, from which she’s still recovering, she sees recovery as something that begins at a designated point. However, Gabe, who has a mental health condition, sees recovery as ongoing, likely without a designated beginning and ending. He doesn’t think he’s capable of moving on from something that plagues him in an ever-present way. These differing views on recovery create conflict between Gabe and Jo when he shows her the gravestone where his mother had an affair. Upon hearing that Gabe has never told a therapist what he witnessed, Jo speculates the incident in the graveyard was when Gabe began “using [his] bed to shut out the world” (185). Gabe thinks Jo is downplaying the toll his illness takes on him and retaliates with the suggestion that Jo “never had cancer” and “cut off [her] breasts just to make [herself] miserable” (185). Gabe’s sensitivity to Jo’s misunderstanding of his illness shows the way recovery for Gabe is non-linear and ongoing.
Despite their differences, however, Jo and Gabe heal one another when they’re together. After their discussion about the difficulties of recovering and moving on, Jo decides to swim in the creek with Gabe and Ursa, baring her chest “because she wanted to show Gabe that she knew something about how to ‘recover and move on’” (129). Jo has battled self-consciousness about her post-cancer body since the beginning of the book, so the act of removing her clothes to expose her chest while swimming with Gabe and Ursa shows how their presence helped Jo heal and become more confident about her body. The idea of Gabe helping Jo heal returns when she contemplates Gabe’s interactions with Ursa. She feels “[t]he kind of inner warmth she used to feel when she was attracted to a man” and is “relieved her body could still feel that way” (146). Being around Gabe and witnessing his interactions with Ursa makes Jo feel emotions toward a man that she hasn’t felt since before her treatment, showing how her feelings for Gabe help her heal. Likewise, Jo and Ursa’s presence help Gabe heal from his most recent bout of illness. Despite his fragile emotional state, Gabe happily joins Jo and Ursa on their field outing that day, not worrying about his farm work. This change in Gabe reflects how Jo and Ursa help him heal and feel better.
These chapters expand on the theme Taking the Good with the Bad; Ursa’s “quarks,” as she describes them, act as a motif to communicate this theme. She characterizes them as part of her special ability to make good things happen to the humans she likes. Ursa claims that her injury resulted from her quarks, adding that “sometimes a bad thing has to happen to make a good thing happen” (136). Ursa’s good thing, in this instance, is Gabe choosing to stay overnight with her and Jo again—which saves Gabe from Lacey’s presence and encourages Jo and Gabe to grow closer. Ursa’s quarks operate on the principle that bad things can lead to good things, communicating the idea that one must accept the bad as well as the good. The concept of good and bad coming together recurs when Jo and Gabe have a serious discussion about how attached they’ve grown to Ursa, knowing they can’t keep the girl indefinitely. Jo explains that she made the choice to grow closer to her mother after her mother’s cancer diagnosis, despite knowing it would bring her great heartbreak when her mother died: “We shared everything and loved each other like we never had when death was some distant thing” (160). Although this led to a difficult recovery for Jo once her mother passed, Jo has no regrets. This moment exemplifies Jo’s embracing hardship to experience joy. In addition, Ursa’s disappearance gives Jo and Gabe an opportunity to work through some of the tension between them and leads to their first kiss. This unity between them, spawned from their shared panic and worry about Ursa, shows how negative situations can create positive outcomes.
These chapters increase the stakes for Jo, Gabe, and Ursa. Several events help highlight the increased risks for Jo and Gabe as well as the mysterious past of Ursa. Jo and Gabe ask themselves, “How much longer are we going to wait until we involve the sheriff again?” (127), and eventually decide that they’ll find a way to get Ursa to the sheriff. However, shortly thereafter, Ursa’s reaction to her head injury and a potential visit to the hospital signals that she won’t go quietly. She screams and struggles, begging to “go home! Don’t go to the hospital” (131). Ursa’s desperate and violent rejection of the hospital hints at a darker past than she revealed, indicating that Ursa knows the people at the hospital will separate her from Jo and Gabe. This implication grows stronger when Ursa asks for “that medicine Earth people call Motrin” (137). Despite her careful wording, Ursa’s awareness of Motrin makes Jo suspicious: “She must have had that remedy in the past” (137). The signs that Ursa is simply a runaway or lost human girl become impossible to ignore when Jo and Gabe discover her drawing of a grave. Next to the drawing, Ursa has written “I love you” and “I am sorry” (170), indicating that she lost someone close to her. This haunting drawing forces Gabe and Jo to confront the likely reality of the situation: Ursa is a human girl who has experienced trauma. Additionally, Ursa’s grave drawing represents a trauma in Ursa’s past just as Hope Lovett’s grave represents trauma in Gabe’s past: Graves become a symbol of trauma for both characters.
These chapters elaborate on the novel’s main themes and build the relationships between the characters as well as the stakes that each character faces as the plot unfolds.