47 pages • 1 hour read
Ashley WoodfolkA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
The novel’s primary conflict originates from the evolution and dissolution of Cleo Baker’s friendship with Layla Sorenson. When Cleo starts to lose her best friend, she begins a complex emotional journey towards self-discovery, which inspires the novel’s related thematic explorations. Throughout both the narrative past and the narrative present, Cleo tries to make sense of why her relationship with Layla has begun to change. Because the characters have been friends since childhood, multiple places in New York remind Cleo of her best friend, and she begins to see Layla as the ghost who is now haunting her. Determined “to unhaunt [her] whole life” (7), Cleo soon realizes that she has learned to define herself according to her connection with Layla and is therefore unsure how to rid her life of her friend without compromising her own identity. Layla was always the person who helped Cleo when she needed advice or support. Therefore, when Layla starts to make new friends and to pull away from Cleo, Cleo starts to question who she is and what she has without her friend.
The gradual dissolution of Cleo and Layla’s friendship complicates Cleo’s journey towards self-discovery. Because When You Were Everything is a coming-of-age story, the narrative focuses on Cleo’s attempts to redefine her world as she grows up and matures. Without Layla, this internal work feels lonelier and more difficult. The friends not only spent all of their time at school together, but Cleo has many memories of fun sessions with Layla at the diner, Dolly’s, and without these friendship-based traditions, she feels suddenly set adrift from all of the patterns that made her life feel safe. Cleo particularly feels her friend’s absence because the devolution of their friendship coincides with her parents’ divorce, her disappointment over the London program, the rumor about her father, and her complicated dynamics with Dom Grey and Sydney Cox. In the past, Cleo would have sorted through these challenges with her best friend’s help, but without Layla, she must confront life’s changes on her own. Therefore, the end of Cleo and Layla’s friendship compels Cleo to examine herself and to reinvent who she is as a person and a friend. These complex emotional dynamics all stem from the evolution and dissolution of the girls’ friendship, offering a deep emotional examination of the coming-of-age journey.
In the midst of Cleo’s attempts to redefine herself, she must come to terms with a stressful confluence of major life changes. Gigi’s death, the end of Cleo’s friendship with Layla, and her parents’ divorce challenge her to cope with loss and to move forward in a mature, adult manner, and it takes a while before she is able to accept the necessity of this approach. Although her grandmother died four years prior to the narrative present, Cleo constantly “hear[s] Gigi’s voice in [her] head,” and her “memories of [Gigi] still hit [her] in waves” (4). These descriptions indicate that Gigi was Cleo’s support system, and she also helped Cleo to navigate her complex relationship with her mom. Upon losing Gigi, Cleo also loses her archetypal guide, leaving her with no clear path through the challenges that are now set before her. As a result, her feelings of alienation redouble when she realizes “that Layla is really lost to [her]” (5), and she starts to realize how easy it is to lose the people she loves and how difficult it is to face these losses on her own. Bereft of her original support system, her first attempts to move on involve building a new one, and this is why she turns to Dom and Sydney. These new friends offer her a way to escape her loneliness, and they gradually bolster Cleo’s spirits and give her the courage to confront her losses and heal from her sorrow.
Although Cleo does make some progress in this regard, her parents’ divorce complicates her journey towards emotional healing. Throughout the novel, Cleo’s encounters with loss make her realize that it is possible to “lose someone in slow motion” (207), and this revelation further destabilizes her confidence in the people around her. She also feels this dynamic in her own family. When Cliff Baker and Naomi Bell tell Cleo that they are separating, Cleo finds it difficult to accept her parents’ split because she has always thought that “[i]f you love someone you’re supposed to love them forever” (213). Cleo’s emotional response to her parents’ divorce is therefore complicated by her youth and her ongoing search for understanding. She is still trying to make sense of her own intimate relationships and has yet to learn how to say goodbye to loved ones and let them go. Her parents’ split challenges her to reinvent her understanding of friendship, love, and truth, and ultimately, their divorce helps Cleo to realize that she cannot control others or prevent life’s losses. Once she reconciles with these facts, she is better able to make peace with the people she has lost and to move forward with her life on her own terms. Her friendships with Dom and Sydney are particularly influential in this regard, as both friends prove themselves to be loyal to Cleo and eager to support her through her loss and grief.
Cleo’s experiences with loss challenge her to reflect upon the ways in which her memories shape her understanding of her relationships. This exchange between Cleo’s past and present is set in the very beginning of the novel, when Cleo moves through the city, studying the snow and reminiscing about her past. Because Cleo has recently lost Gigi and Layla, she feels desperate “to shake off the weight of [her] past” (6) and to rewrite her memories before they ruin her emotional stability. She has learned to define herself according to her relationships with her grandmother and best friend, and she therefore does not know who she is in their absence. Tired of feeling pain, she decides to reinvent her past by “mak[ing] some new memories” (10). This project grants Cleo the temporary illusion of control over her past life. She wants to be able to alter her memories of the past in order to control the changes that she faces in her present. However, the project also serves as a form of avoidance by keeping Cleo from acknowledging the full extent of her complex emotions. By believing that she can simply erase or overwrite her memories with Layla, she fails to confront the truth of what they shared and take responsibility for her part in the dissolution of their friendship.
Over the course of the novel, Cleo must make peace with her past in order to understand her complex relationships in the present, and the dual-timeline structure of the narrative facilitates this facet of Cleo’s internal experience. The consistent shifts between the two timelines capture her attempt to reconcile the ways in which her past actions have created her present circumstances. Ostensibly, Cleo “just want[s] to move on with [her] life” (118), but she is afraid of focusing on her memories with the unflinching honesty necessary to accomplish this healing work. Specifically, she is afraid of remembering everything that she shared with Layla, because those memories cause her too much pain, and she also struggles with acknowledging the aspects of her own behavior that have been hurtful to her friend. However, by the end of the novel, she realizes that acknowledging the full story of her friendship with Layla is the only way for her to let Layla go and move on. The monologue that she delivers at the diner’s open-mic night in the epilogue conveys her new willingness to confront her memories, claim them as her own, and articulate the truth of her relationships. Once she frames her history with Layla in her own words, she can make sense of it and make peace with its devolution.
By Ashley Woodfolk