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30 pages 1 hour read

Kurt Vonnegut Jr.

Welcome to the Monkey House

Fiction | Short Story | Adult | Published in 1968

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Literary Devices

Satire and Humor

Content Warning: The story discusses suicide and contains depictions of rape and group violence against a single person.

The satire in “Welcome to the Monkey House” creates a distinction between the elements of the dystopian future and of Vonnegut’s present, allowing for social commentary without becoming too obvious or controversial. The story’s humor, instead, radicalizes the moral ideas and make them seem more absurd than they would in a conventional story or a news article. This allows the narration to make bold statements—“The pills were ethical because they didn’t interfere with a person’s ability to reproduce, which would have been unnatural and immoral. All the pills did was take every bit of pleasure out of sex. Thus, did science and morals go hand in hand” (31)—without directly preaching the morals of the author.

The humor also ameliorates the acts of violence throughout the story. For example, after Nancy is beaten by Billy’s gang when she enters the museum, she wonders why they are acting in such a way, commenting that “Nothingheadedness alone couldn’t begin to explain it. They had to be drugged besides” (42) with one of the most powerful and vile drugs known to modern pharmaceuticals: “gin” (43). As the reader would be aware that gin is a type of alcoholic beverage, this humor helps to alleviate the cruelty of what has just happened to Nancy, allowing the audience to continue with the story.

Irony

As an extension of satire, irony helps to accentuate the points the author is trying to make. A large irony in the story is that the moralists do not believe in having sex for anything but procreation and say they do not believe in interfering with the creation of life in a chemical way, but they do not seem to have an issue with chemically extending life or ending it in the suicide parlors. This irony reveals that the government does not, in fact, have as much interest in protecting life as they do in preserving social order.

Another instance of irony is the over-sexualization of the virgin suicide hostesses. As bringers of death, they might have a more calming appearance, and it is unclear as to why they need to be virgins. By including these ironies, the audience can see the disharmony between what exists in this world and what might make sense.

Simile

The narrator uses simile in describing Billy’s cabin on the boat to show that the boat is perhaps not the environment the audience might be expecting: “It was about as voluptuous as a lower-middle-class dining room in Akron, Ohio, around 1910” (45). Even without context for what such a dining room might feature, the reader can imagine it, and it isn’t visually appealing. The contrast of the word “voluptuous,” which generally refers to a curvy and sensual woman, with the simile of the bland dining room in a bland household in a bygone, bland era also creates humor for the situation where Nancy is most certainly about to be raped.

A simile that helps the audience to connect with Nancy’s situation after the rape is: “Big as she was, like a double bass wedged onto that narrow shelf, she felt like a little thing” (47). By comparing Nancy’s actual size to her psychological size, the audience can feel empathy for Nancy’s struggles while also understanding that she has been reduced from a strong Amazonian woman to nearly nothing.

Metaphor

The ethical birth control pills are a metaphor for how humans often willingly give away their freedoms for something easier or something that might only seem to make sense. When Nancy’s pill wears off and her body wakes up, this is a metaphor for regaining the freedoms lost.

When Nancy’s ethical birth control is wearing off, the narrator uses metaphor to describe the sensation of bees and mosquitos, which connects the reader to a familiar feeling of their legs or arms waking up after lost circulation. This metaphor extends into another, since Nancy’s body waking up is a metaphor for a mind’s awakening after succumbing to either willful or involuntary ignorance.

Nancy refers to “the chemical clock of her body” (41) when she pinches herself to see if her legs are still asleep. A common term for women is reference to her biological clock, which indicates when a woman might feel ready to have children. Nancy’s chemical clock, on the other hand, would indicate when she is ready to feel the sensations that might allow her to want children. Additionally, the extinction of the birds and bees in the story is likely a metaphor for the extinction of sexual pleasure, as the birds and the bees are a common metaphor for sex.

Allusion

“A Juno like yourself” (48) is an allusion to the wife of Jupiter (or Zeus) who was the Roman goddess of the home and family. This allusion shows the respect Billy has for Nancy, as he calls her Juno twice, once in the sewer when he is disparaging her beliefs, and once at the end when he tells her she belongs with someone better than him.

The story alludes to the traditional wedding night, which was becoming less common by 1968. Billy must explain this scenario to Nancy, which means that what might have once been sacred to many—a night of private transformation and expressions of love and connection—is now another sacrifice on the altar of the status quo. Billy’s return to the traditional wedding night allows the reader to connect with the sorrow of what has been lost.

The allusion to the Benny Bell song and the Elizabeth Barrett Browning poems harken back to a more fun and romantic past, demonstrating that the fun and beauty is virtually gone from this present reality. Though the Bell song brings humor to the story, and the Barrett Browning poem offers a gentler touch, both demonstrate what this society has lost and does not value.

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