42 pages • 1 hour read
Saidiya HartmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Saidiya Hartman is a scholar and professor in the Department of English and Comparative Literature at Columbia University. Situated in African American studies, her research covers Black life in the 19th and 20th centuries, including the history of slavery and the trans-Atlantic slave trade. Hartman’s work is interdisciplinary, drawing from fields such as law, literary criticism, history, film, photography, and performance studies.
A great deal of Hartman’s research involves the use of archival material, which includes but is not limited to letters, documents, photographs, records, sketches, and other ephemera. Drawing from such archives, Hartman’s work often aims to tell and centralize the stories of “minor figures.” These would be people neglected in historiographies, such as enslaved people (as in her 1997 book Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America) or poor Black women (as in Wayward Lives).
Ida B. Wells-Barnett (1862-1931) was a well-known activist and journalist whose efforts were directed primarily at combating racial and gender injustice faced by African Americans. Her writings specifically addressed issues such as lynching in the South, civil rights, mob violence, and women’s rights. Her carefully researched publications served the purpose of publicizing the truth of these issues.
As Hartman recounts in Chapter 3 of Wayward Lives, Wells was forcibly removed from a first-class train car in Tennessee in 1883. The following year she sued the Chesapeake, Ohio & Southwestern Railroad Company, and her case was successful in the local court. However, the verdict was later overturned at the federal level.
In Wayward Lives, Wells serves as a subtle foil to the various women Hartman writes about in the book. Where Wells is scholarly, higher class, and organized, the other women are uneducated, poor, and wayward. Wells provides balance to Hartman’s narrative in that she demonstrates other ways Black women fought for their rights, yet her neat activism helps the reader see an equally powerful parallel in the practices of free love, queerness, and enjoyment.
William Edward Burghardt Du Bois (1868-1963) was an African American sociologist, writer, civil rights activist, and socialist. He earned his PhD from Harvard University, the first Black American to do so. As a prominent intellectual in the 19th and 20th centuries, he helped found the NAACP, served as the editor of The Crisis, and wrote both fiction and nonfiction on the question of race and blackness in the United States and elsewhere.
The inclusion of Du Bois offers Hartman an opportunity to examine his studies of the very same population featured in Wayward Lives. His graphs and tables are significant for understanding the 20th-century panic over the “Negro problem” and the various ways that Black and white society responded to it. The figure of Du Bois also invites a consideration of class within the Black community. Du Bois’s judgmental attitude toward the Black lower class and his anxieties around sexuality represent the Black middle class’s larger misgivings toward the subjects of Hartman’s book. His presence reminds the reader that not all Black people felt the same way then, as is the case even today.
Gladys Bentley (1907-1960) was a queer pianist and blues singer during the Harlem Renaissance. Born in Philadelphia, Bentley moved to New York City to pursue a career in entertainment, where Bentley was known for dressing in men’s formal attire. Bentley is notable for an on- and off-stage life that flouted gender and sexuality norms during a time when gender and sexuality were increasingly free yet also increasingly policed.
Bentley plays an important role in Wayward Lives, as Hartman aims to explore Black sexuality both in terms of freedom and nonmonogamy and in terms of identity and queerness. Because of the evolution of terminology used by queer folks to identify themselves and the fluidity of labels during that era, Bentley is referred to in some places as a crossdressing woman and in others—such as Wayward Lives—as a transgender man. Bentley’s transgressive character attracted admiration and intrigue yet also immense scrutiny. Through Bentley, Hartman illustrates the height of Black refusal to be governed while also accounting for the discriminatory forces that worked to stifle it.
Black History Month Reads
View Collection
Books on U.S. History
View Collection
Contemporary Books on Social Justice
View Collection
Feminist Reads
View Collection
LGBTQ Literature
View Collection
National Book Awards Winners & Finalists
View Collection
Popular Study Guides
View Collection
Pride Month Reads
View Collection
Women's Studies
View Collection