82 pages • 2 hours read
Henry David ThoreauA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Thoreau wakes with the sensation that he has “some question” (479) to ask Nature, a question his dreams have not answered. He looks out over the frozen landscape, where the snow lies “deep on the earth dotted with young pines, and the very slope of the hill on which my house is placed” (479). He feels this frozen scene is telling him, “Forward! Nature puts no question and answers none which we mortals ask” (479).
Every morning, Thoreau collects drinking water by chopping through the pond’s ice. As he bends down to drink, he observes “the quiet parlor of the fishes, pervaded by a softened light as through a window of ground glass” (480). Marveling at this underwater beauty, Thoreau reflects, “Heaven is under our feet as well as over our heads” (481).
Ice fishermen gather on the pond, and Thoreau watches as they catch exquisitely colored pickerel. He also ponders the strange life-cycle embodied in the process of fishing: “The perch swallows the grub-worm, the pickerel swallows the perch, and the fisher-man swallows the pickerel; and so all the chinks in the scale of being are filled” (482).
Thoreau questions the depth of Walden Pond, half-wondering whether it is as vast as locals believe or if “all ponds [a]re shallow” (486). Using a fishing line and stone, he measures the pond’s depth. Though the pond’s ice is sixteen inches thick, it “undulates […] like water” (496) under a slight wind. He finds that the pond is just over 100 feet deep. Moving over the pond, he makes other measurements, finding that the point of greatest depth is also the point of greatest breadth and length.
Even as he makes these practical, objective measurements, Thoreau continues in his poetic observances. He notes: “Sometimes […] when the ice was covered with shallow puddles, I saw a double shadow of myself, one standing on the head of the other, one on the ice, the other on the trees or hill-side” (497). He extends this metaphor to humans at large, musing that a person’s behavior determines the depths of his soul.
As spring warms the water on Walden Pond, the ice begins to “honey-comb” and crack apart with “booms” and “thundering” (510) sounds. Thoreau describes this violent shifting and settling of the pond as an exciting rupture, a heralding of change.
All around the pond, life begins anew. Trees bud, and their buds burst into leaves. Sand flows through the streams and rivers, and Thoreau poetically compares “the silicious matter” to “the bony system” of the human body, “the still finer soil and organic matter” to “the fleshy fibre or cellular tissue” (520). He asks, “What is man but a mass of thawing clay?” (520).
Thoreau returns to his regular practice of fishing on the pond. He also admires the woods and the animals, including the majestic hawk circling above him. The whole world seems to be teeming with life, as Thoreau remarks: “The change from storm and winter to serene and mild weather, from dark and sluggish hours to bright and elastic ones, is a memorable crisis which all things proclaim” (527).
Thoreau closes this chapter by explaining that his second year on Walden Pond ends similarly to the first. He leaves Walden on September 6, 1847.
Thoreau opens with the platitude, “To the sick the doctors wisely recommend a change of air and scenery” (541). He posits that a change of scenery means nothing unless accompanied by a change of soul.
Thoreau explains that he is leaving Walden Pond to seek out new experiences. He advises readers to “advance confidently in the direction of [their] dreams” (547), and cast off excess possessions, luxuries, and material aspirations that get in the way of pursuing dreams. He concludes, “It is life near the bone where it is sweetest” (556), that the most profound human happiness can be found in simplicity. “Rather than love, than money, than fame,” he writes, “give me truth” (560).
To illustrate his point, Thoreau describes grand parties he used to attend where “rich food and wine [were] in abundance […] but sincerity and truth were not” (560). He left these parties feeling spiritually hungry, only managing to satisfy this hunger by paring away the layers of his life. In Thoreau’s imagination, these parties—and the excessive consumption they represent—are like a murky bog. He reflects that one must independently seek the rock bottom of his own spiritual bog. He wryly muses, “Most have not delved six feet beneath the surface” (562).
The book closes with a final urging from Thoreau to recharge our senses and cultivate awareness of the natural world around us: “Only that day dawns to which we are awake” (565).
As spring arrives, Thoreau’s rhetoric changes once again, shifting—like the now-melting ice of Walden Pond—back toward language of rebirth. The warming, blooming, internally rupturing environment of Walden Pond serves as an objective correlative for spiritual growth and healing. With images such as the “double shadow of [himself]” (497) Thoreau sees on the ice, he suggests man’s dual nature and potential for change throughout the metaphorical seasons of the psyche.
Thoreau reaffirms his commitment to the pursuit of depth, meaning, and beauty through simple living and through an existence that compels one to look deeper. He again uses the pond as an image of spiritual renewal, suggesting that its violent change—heralded by the cracking and melting of ice—serves as a model for greater, societal change. The line “What is man but a mass of thawing clay?” (520) most vividly suggests this comparison between the transitions happening upon Walden Pond and the potential transitions within a human soul. Furthermore, Thoreau believes these internal transitions are essential for humanity’s healing.
By Henry David Thoreau