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56 pages 1 hour read

Svetlana Alexievich

Voices from Chernobyl: The Oral History of a Nuclear Disaster

Nonfiction | Book | Adult | Published in 1997

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Part 3, Chapters 10-18Chapter Summaries & Analyses

Part 3: “Amazed by Sadness”

Part 3, Chapter 10 Summary: “About the Shadow of Death”

Viktor Latun was studying history at university and working in a factory when he was conscripted as a construction worker in the Zone. The military bosses celebrated the workers’ heroism but didn’t know anything about radiation, he recalls. Everyone drank to excess at night, and “vodka was more valuable than gold” (195) because supplies were scarce in the chronic-shortage economy. But Soviet consumers knew how to compensate for unavailable goods: “Everything in the villages around us had been drunk: the vodka, the moonshine, the lotion, the nail polish, the aerosols” (195). Viktor recalls how their nightly drunken conversations inevitably became philosophical debates about “the fate of the country and the design of the universe. […] Are we a great empire, or not, will we defeat the Americans, or not?” (195). They rarely discussed concerns about personal safety and the lack of protective gear, he says, suggesting that many liquidators didn’t prioritize self-preservation.

Part 3, Chapter 11 Summary: “About a Damaged Child”

Nadezhda Burakova (a doctor) and her husband decided to return to their village after the evacuation because elsewhere they were feared and treated like “lepers.” She explains, “Here, we’re all Chernobylites. We’re not afraid of one another” (198). Comparing their fate unfavorably with that of the war generation, she argues that winning the war “gave them a very strong life-energy […]. They weren’t afraid of anything, they wanted to live, learn, have kids. Whereas us? We’re afraid of everything. We’re afraid for our children, and for our grandchildren, who don’t exist yet” (199). In other words, this “war” will continue to affect future generations in unknown ways given the persistence of radiation. Chernobyl has changed Russia’s “national character,” she laments, instilling widespread “doom,” which sharply contrasts with the collective triumphalism of the postwar years.

Part 3, Chapter 12 Summary: “About Political Strategy”

This is the only monologue by a Communist functionary: Vladimir Ivanov, who was First Secretary (the top official) of the Stavgorod Regional Party Committee at the time. Ivanov seeks to exonerate himself and his colleagues for participating in the cover-up. They were only following orders and would have been expelled from the Party if they hadn’t, he explains. Furthermore, superior officials themselves didn’t comprehend the disaster’s severity because they “didn’t understand that there really is such a thing as physics” (201); their career success was a product of ideological conformity rather than practical expertise. More fundamentally, he acknowledges, “We were all part of that system. […] We believed in the high ideals, in victory! We’ll defeat Chernobyl!” (201). In other words, he and people like him still believed in the legitimacy and competency of the Soviet regime.

Part 3, Chapter 13 Summary: “By a Defender of the Soviet Government”

This anonymous speaker laments the collapse of the Soviet Union, which he considered a “great empire” that other nations feared or envied. In its place, he claims, democracy has provided ordinary people with nothing but a sharply increased cost of living and foreign aid of a demeaning character: “They send us Snickers and some old margarine, old jeans, like we’re savages who just climbed out of the trees” (205). He accuses Gorbachev of collaborating with the CIA, and speculates that “the CIA and the democrats […] are the ones who blew up Chernobyl” (205). His comments reflect the sort of conspiracy theory that Soviet propagandists have peddled for decades.

Part 3, Chapter 14 Summary: “About Instructions”

Irina Kiseleva, a journalist, recalls that at first she didn’t believe neighbors who had heard reports of the accident on Western radio or from relatives in Minsk: “I was absolutely certain that if anything serious happened, they’d tell us. They have all kinds of special equipment—special warning signals, bomb shelters—they’ll warn us. We were sure of it! […] We were very trusting” (207). As soon as she started visiting villages in the Zone, however, she was shocked by the obvious cover-up: “The dosimeter is shaking, it’s gone to its limit, but the kolkhoz [collective farm] offices have signs up from the regional radiologists saying that it is all right to eat salad […]. What do those radiologists say now?” (208). Villagers told her that officials had tried to convince them to stay and that “[e]ven when they evacuated a village, they still brought people back in to do the farming, harvest the potatoes” (208). She saved copies of various “top-secret instructions” (209), including one on how to handle contaminated chickens at a processing plant:

If there are a certain number of curies, you need to boil it in salt, pour the water down the toilet, and use the meat for pate or salami. If there’s more curies than that, then you put it into bone flour, for livestock feed. That’s how they fulfilled the plans for meat. They were sold cheaply from the contaminated areas—into clean areas. […] This was criminal! Criminal! (209).

Part 3, Chapter 15 Summary: “About the Limitless Power One Person Can Have Over Another”

In 1986, Vasily Nesterenko was the director of the Institute for Nuclear Energy. Like his colleague Borisovich (See: Part 3, Chapter 7), his first memories are of the oppressive weight of government surveillance. On the first day, when he tried to place phone calls on a government line, he realized that Soviet officials were already blocking communications, because as soon as one started talking about the accident, the line went dead, indicating that they were listening. In the circumspect Soviet manner, he refrains from explicitly accusing the KGB: “I hope it’s clear who’s listening—the appropriate agency. The government within the government” (210). Leaders focused on shutting out “Western voices” instead of listening to scientists, he says: “They needed to talk about physics, about the laws of physics, but instead they talked about enemies” (213).

These officials weren’t criminals, however, Vasily concludes—they were simply behaving as the Soviet system had conditioned them to behave, which meant conformance. Had officials truly cared about citizens’ well-being, he says, they could have taken protective measures without causing panic, like by introducing iodine into the freshwater reservoirs and adding it to milk, but they didn’t because “people feared their superiors more than they feared the atom. Everyone was waiting for the order, for a call, but no one did anything himself” (214).

Vasily tried to compel ministry bureaucrats to take action, but they refused to meet with him. The Institute’s radiation-measuring equipment was confiscated, and he started getting threatening phone calls at home. He was warned (presumably by the KGB) that he could be committed to a psychiatric hospital—a common punishment for Soviet dissidents—or be a casualty in a car “accident.” He adds, “They could drag me into court for anti-Soviet propaganda. Or for a box of nails missing from the Institute’s inventory” (216). In other words, decades after Stalin’s death, the state could still target Soviet citizens for political “crimes” or on obviously trumped-up charges, which is ultimately what happened to him: “[T]hey dragged me into court. And they got what they wanted. I had a heart attack” (216). His comments suggest that he felt defeated by the state (216).

Part 3, Chapter 16 Summary: “About Why We Love Chernobyl”

At the time of the disaster, Natalya Roslova, an engineer and self-described member of the “local intelligentsia,” was already cynical enough to mistrust government propaganda. Although she and her friends were initially unconcerned about radiation, the official denials made them suspicious: “You turned on the television, they were saying, ‘Don’t listen to the provocations of the West!’ and that’s when you knew for sure” (218). However, she recalls, with apparent shame, that she nevertheless voluntarily attended the May Day parade. A group of East Germans working at her factory immediately demanded protective measures and, when their request was denied, promptly left the country. Instead of following their lead, Natalya and her colleagues mocked the Germans as hysterical cowards and not “real men” like the Russian liquidators “up on that melting roof with their bare hands, in their canvas gloves (we’d already seen this on television)” (219).

She now sees this selfless Soviet heroism as “a form of barbarism, the absence of fear for oneself. We always say ‘we,’ and never ‘I’” (219). After Chernobyl, the omnipresent fear of illness and death, and the awareness of the government’s betrayal, has made her more focused on self-protection: “We’re beginning to learn to say ‘I’” (219). At the same time, she confesses, “we love Chernobyl” (219) because it gave meaning to their lives and their suffering and brought international attention: “Like a war. The world found out about our existence after Chernobyl. It was our window to Europe. We’re its victims, but also its priests” (219). Natalya now heads the local Women’s Committee for the Children of Chernobyl.

Part 3, Chapter 17 Summary: “Children’s Chorus”

This chapter features excerpts from 17 boys and girls between the ages of 9 and 16. The older ones share childish memories of the accident and evacuation. A girl and her brother, then ages six and eight, began confessing their “sins” after their grandmother told them to start praying because the explosion was “God’s punishment”; these sins involved a broken jar of jam and a ripped dress, misdeeds that are achingly innocent in comparison to the official actions that caused the disaster and the government’s response to it. One child simply recalls the possessions left behind in their buried village: “My plants are there and two albums of stamps, I was hoping to bring them with me. Also I had a bike” (223). Others remember noticing changes in the natural world:

The sparrows disappeared from our town in the first year after the accident. They were lying around everywhere—in the yards, on the asphalt. They’d be raked up and taken away in the containers with the leaves […] The May bugs also disappeared, and they haven’t come back (222).

One boy recalls how his schoolmates were jealous when he bragged about his father, who had just returned from serving as a liquidator; he then adds, tersely, “A year later he got sick. […] My mom and I are alone now” (224). The speaker in the final excerpt recalls, “I used to write poems. I was in love with a girl” (224), adding matter-of-factly, “In seventh grade I found out about death” (224). Several of his friends subsequently died; one died by suicide. With heartbreaking poignancy, he says, “The whole sky is alive for me now when I look at it, because they’re all there” (225).

Part 3, Chapter 18 Summary: “A Solitary Human Voice”

Here Alexievich recycles the prologue title for the monologue of Valentina Panasevich, another widow of a liquidator. Like the prologue, it’s a moving account of her husband’s slow and gruesome death and their deeply loving relationship. She wonders why they felt no fear when he was sent to Chernobyl in October. After he became ill, she hustled to procure gifts for the medical staff, a common practice in a society plagued by low wages and chronic shortages. Her husband was the last of his team to die, after a yearlong ordeal of bodily decay: “Something black grew on him. His chin went somewhere, his neck disappeared, his tongue fell out. His veins popped, he began to bleed. From his neck, his cheeks, his ears” (233). Toward the end, she used a syringe to inject vodka in a last-ditch effort to relieve his excruciating pain. A pair of orderlies from the morgue told her, “The way the Chernobylites die is the most frightening of all” (236).

Part 3, Chapters 10-18 Analysis

This section continues the themes from the first half of Part 3. In Chapter 15, Vasily Nesterenko offers perhaps the most explicit critique of the Stalinist ethos of paranoia and mistrust that continued to pervade Soviet officialdom in the 1980s. He finds it remarkable that the KGB felt compelled to block even communication between an accomplished institute director and a top-ranking Party official. In Chapter 10, Viktor Latun sees his fellow liquidators’ lack of concern for their personal safety as a product of the fatalistic, self-sacrificing Russian/Soviet mindset: “Our politicians are incapable of thinking about the value of an individual life, but then we’re not capable of it either. […] We’re just not built that way,” he says (194), suggesting that Soviet citizens have been conditioned to prioritize the good of the country over personal concerns, a worldview that reflects the book’s theme of Collectivism Versus Individualism. Party Secretary Vladimir Ivanov, in Chapter 12, describes himself as a true believer in that worldview: “No matter what they write now, there was such a thing as a Soviet person, with a Soviet character” (203). His comment suggests that this collective sense of duty inspired dozens of people to spontaneously volunteer for work in the Zone.

In Chapter 14, Irina Kiseleva expresses her extreme disillusionment with the government because of its deceitful post-disaster response. She asks rhetorically, “What do they say now, the secretaries of the regional committees? How do they justify it? Whose fault do they say it is?” (208). Kiseleva implicitly blames those officials but also acknowledges that she was “very trusting” of official rhetoric at the outset. Looking back now, she sees how much the disaster changed her consciousness: “[I]t’s as if there are two people inside me, the pre-Chernobyl me and the post-Chernobyl one. And it’s very hard now to recall with any certainty what that ‘pre-’ me was like. My vision has changed since then” (207). She now struggles to understand how her previous self could have been so trusting of a state that behaved with such negligence toward its citizens. Similarly, Natalya Roslova, in Chapter 16, feels foolish for having voluntarily attended the May Day parade and for having mocked her German colleagues as cowards, and she describes how the disaster changed her perspective on unquestioning allegiance, again underscoring the book’s theme of Collectivism Versus Individualism: “We’re beginning to learn to say ‘I’” (219).

The “Children’s Chorus” serves as a sort of counterpoint to the preceding monologues, replacing disillusionment and deceit with poignant innocence. Their comments demonstrate that early death has become an ordinary feature of life for these children—and that some of them have enough self-awareness to realize how unusual this fact is. Chapter 18 serves as the closing bookend, mirroring the Prologue with another heartbreaking account of gruesome death and lost love. The widowed Valentina Panasevich says she has read that the graves of the Chernobyl firefighters who died in Moscow, like Lyudmilla Ignatenko’s husband, are widely considered still radioactive: “[P]eople walk around them and don’t bury their relatives nearby. Even the dead fear these dead” (236). Her comments figuratively convey how profoundly this unprecedented disaster set the people it affected apart from the rest of society.

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