59 pages • 1 hour read
Thomas PynchonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Elvissa, Zoyd’s neighbor, borrows his car. In turn, Zoyd borrows a car from another neighbor named Trent. This borrowed car is a truck with a cedar cabin camper shell. Zoyd drives to Phantom Creek, where he will meet a pair of crawfish farmers named RC and Moonpie. Zoyd takes their crawdad catch and sells the crayfish to Vineland restaurants.
Zoyd met RC and Moonpie on the same day in the 1970s when he and Frenesi divorced. In the years that followed, he spent his days working on construction sites and his nights playing gigs with the Corvairs. He relates to the surfers of California, likening himself to them because they are both carried along by a force greater than themselves, the “terrors and ecstasies of the passive” (37). They are carried by God’s oceans, and he is carried along by the motor of his car. Just as the surfers lose friends to the ocean, Zoyd has lost friends to faulty cars and drunk driving. As he drives, his mind flits back to the past. He recalls his wedding day, as he frequently does. He tells only Prairie about these fond memories.
Zoyd meets Moonpie, who tells him that a television-obsessed man resembling Hector visited the Lost Nugget to ask about him. The Lost Nugget is the bar where Zoyd is a regular. On the night in question, however, Zoyd had met with Van Meter at the Steam Donkey. Moonpie and Zoyd talk about Frenesi. They remember when she was still studying filmmaking at Berkley College. She was “really freaked out” (41), Zoyd remembers, when she became pregnant with Prairie. Friends, fearing that she would no longer be politically active, suggested that she should seek an abortion. At the time, however, anyone who was not rich and connected enough needed to go to Mexico for such a procedure. At this time, Frenesi was not faithful to Zoyd. She was also sleeping with a federal agent (later revealed to be Brock Vond).
Zoyd begins to deliver the crawdads to the Vineland restaurants. Wherever he stops, he is told about Hector, who has asked about him. Pausing his deliveries, he calls Dr. Deeply and complains that Hector has been stalking him. Deeply assures Zoyd that the NEVER team will take care of Hector. At the “legally ambiguous” Rick and Chick’s Born Again auto shop, Zoyd meets with Rick, Chick, Cleveland “Blood” Bonnifoy, and Eusebio “Vato” Gomez. They tell him about a federal agent who has been asking about Zoyd. Increasingly nervous, Zoyd drives to the Bodhi Dharma Pizza Temple, where Prairie works. He tells her to keep quiet during the evening, though she reminds him that she has planned to go camping with Isaiah and warns her father about “pothead paranoia.”
Hoping to change his appearance and receive his pay, Zoyd heads to the house of Millard Hobbs, his boss. Hobbs is a former actor who now runs a landscaping franchise named The Marquis de Sod. Millard’s wife Blodwen says that Elvissa called, asking for Zoyd, as Zoyd’s car has been impounded. Millard pays Zoyd with cash stuffed into an envelope. Returning the truck, Trent tells Zoyd that a group of armed men searched his house. Trent assures him that the men were not from the Campaign Against Marijuana Production (CAMP), as it “ain’t quite the season yet” (49).
Back at the Bodhi Dharma, Hector is standing on a table as people gather around him, chanting mystically. Prairie has locked herself inside after Hector promised to take her to meet her mother, Frenesi. Zoyd calls Deeply to tell him about Hector, then speaks to Hector, who reveals that the armed men who searched his property are from the Justice Department. They are led by Brock Vond, the federal agent who lured Frenesi away from Zoyd many years earlier. Vond has now impounded Zoyd’s home “under civil RICO” by lying about the quantity of marijuana found at the property (50). Zoyd assures Prairie that they will eventually recover their things.
Hector also wants to find Frenesi as he plans to film a documentary about narcotics in the 1960s, which he dubs the “real threat to America” (51). A Hollywood producer named Ernie Triggerman has offered to help him, though Hector has not run the idea by Vond. The NEVER agents storm the building and seize Hector, just as Isaiah and his band pull up. When Zoyd tells them what is happening, Isaish promises to “protect” Prairie while Zoyd deals with Hector and Vond; she agrees to go to the Wayvone wedding with Billy Barf and the Vomitones while Zoyd plans his next move. They will keep in touch through Sasha, Frenesi’s mother.
Before Prairie leaves with Isaiah and the band, Zoyd hands her “a strange Japanese business card” for Takeshi Funimota Adjustments (56). Frenesi comes from a wealthy family that never approved of her marriage to Zoyd. Her mother, Sasha, was particularly strident in her dislike of Zoyd but now she and Zoyd are both “on the same side of the law” regarding Prairie (57). They tolerate one another because she is a communist and he is a marijuana user; any judge who investigated Prairie’s living arrangements would have her taken away.
In the past, Sasha helps Zoyd track down his missing wife. Zoyd wants Frenesi back, though he suspects that she has run away to Hawaii with Brock Vond. He finds Frenesi at the Dark Ocean Hotel in Hawaii and urges her to return with him to California. Frenesi refuses but, that evening, she returns to Los Angeles and leaves Zoyd in his hotel room in Hawaii, fantasizing about her while watching television.
Still in Hawaii, Zoyd wakes up alone and stuck in Hawaii. He goes from bar to bar and learns that Kahuna Airlines is looking for entertainers for a “gig of death” (61). Zoyd is hired by the airline to play “lounge synthesizer,” which is notable for its Hawaiian theme, replete with fire dancing, live music, and a bar. During the flight, a UFO passes beside the plane. Zoyd is told by a server named Gretchen that this happens frequently, but only to Kahuna flights. Kahuna Airlines is the only airline that does not have insurance against these UFOs. A band of “grim shielded troopers” boards the flight (65).
The passengers are interrogated while the captain uses the PA system to reassure the people onboard the flight. The band plays on. The captain encourages the passengers to cooperate and to not believe everything that they hear. From below, someone calls to Zoyd. The man introduces himself as Takeshi, a Karmic Adjuster who is dressed as a hippie to hide from his pursuers. Takeshi wants to hide with the band, so Zoyd hands him a ukulele. When the troops disembark the plane, Takeshi offers his card to Zoyd as well as his thanks. Takeshi tells Zoyd to call him if he is “ever in a jam” (67). In 1984, Zoyd realizes that he was always supposed to give this card to Prairie.
Though she is daydreaming about Prairie, Frenesi is with her boyfriend, Flash Fletcher. They met through the witness protection program and a “reeducation camp” run by Brock Vond. Frenesi and Flash have a son named Justin, though they both have difficulty remaining faithful in relationships. They receive support from the witness protection program, though very little, which causes Frenesi to doubt the viability of the program. She feels haunted by her past.
Frenesi dated Vond but, when she tried to break up with him, he reacted very badly. Brock has a reputation as someone who is too uptight and needs a vacation. During the Nixon era, he worked in Washington DC, but his file has since been deleted. This era was something of a golden period for members of the “snitch community” like Frenesi and Flash, though Watergate brought that time to a close.
Frenesi’s parents both worked in the film industry, though they were forced to stop when they were banned. Her mother, Sasha, worked as a script reader while her father, Hub, was a gaffer. Since they were banned, Frenesi grew up in an atmosphere of paranoia and darkness. Sasha faced similar struggles. Her father—Frenesi’s grandfather—was Jess Traverse. Jess attempted to organize the loggers at his workplace, but he was sabotaged and injured by Crocker “Bud” Scantling on behalf of the Employers’ Association. Sasha’s mother Eula sympathized with Jess’s vision for society as a massive union, adopting his socialist/anarchist ambitions. She claimed that he “introduced [her] to [her] conscience” (76). They enjoyed an energetic but dark romance across a series of mill towns, including an incident when they were under fire from Pinkerton agents, even though she was the daughter of a Pinkerton man.
Watching CHiPs on the television, Frenesi thinks about how she inherited her mother’s attraction to men in uniform. Her stipend check is delivered by a US Marshall from the Witness Protection Program. Frenesi flirts with him for a while. Calling the house, Flash urges her to cash the check as soon as possible. He has learned that many people “ain’t on the computer anymore” (85). They are now gone. Justin arrives home. He is dropped off by Barbie, the mother of his friend Wallace. Frenesi talks to Barbie, asking to borrow money. Barbie complains that her credit card no longer works, so she cannot help. She says that she has not been given her vouchers, as they were allegedly lost by the computer.
Returning home, Flash becomes paranoid. He worries that he and Frenesi have been removed from the computer and the Witness Protection Program due to budget cuts. Justin suggests that the budget cuts are caused by Ronald Reagan. Frenesi tries to cash her check at a store, only to find many people attempting to do the same thing, so she is turned away. At a different liquor store, the same thing happens again.
Frenesi visits a string of stores until a manager tells her that payments have been stopped. Frenesi is confused, but the manager explains that the banks may be closed but the computer “never has to sleep” (91).
Vineland plays with the quasi-Nixonian stereotype of hippie culture and explores The Failures of Counterculture, in which the hippies were regarded as lazy young people who wanted nothing but drugs and sex. Zoyd, one of the last true hippies left alive, is slandered with this stereotype from many sides. Though the town of Vineland is largely composed of people from similar backgrounds, few have held onto their ideals for as long as Zoyd and, as a result, he is something of an outlier.
Nevertheless, while Zoyd does embody the hippie stereotype in many ways, he is not a simplistic or lazy man. He not only performs his annual ritual of public absurdity but also works several jobs just to support his daughter. That he can pick up money owed to him by the Marquis de Sod suggests that he is a hard worker whose flurry of activity is not a recent development. Furthermore, he works particularly hard on raising his daughter. As is shown later in the novel, Zoyd was not expecting to be a father but, following Frenesi’s depression and then departure, he had to become Prairie’s primary caregiver. His entire life is centered around providing for her. The reality of Zoyd’s lifestyle and values suggests that the stereotype of the hippie as a nihilistic person who contributes nothing to society is built more on prejudice and politics than truth.
After the opening chapters, the narrative of Vineland becomes increasingly fragmented. The opening chapters are linear, beginning in 1984 and covering several days in the lives of Zoyd and Prairie. Gradually, however, the linearity of the narrative begins to slip. The potential return of Brock Vond and Prairie’s desire to learn more about her mother drags forth several painful memories from the past. These memories come to dominate the characters’ minds. As Zoyd delivers the crawdads, for example, the mention of Frenesi sends his mind into a reverie full of memories. The structure of the narrative thus emphasizes how the characters are haunted by their pasts and The Search for Meaning. There is no simple structure because these characters’ present lives are so shaped by their complicated pasts.
The narrative switch to Frenesi provides a point of juxtaposition. Against the warmth and intimacy of Zoyd and Prairie’s bond, Frenesi and Frank’s relationship is muted and miserable. Their relationship is a matter of convenience. They have been brought together by Vond’s informant program, receiving regular payments (similar to Zoyd’s disability checks) for their services as informants. They are being paid the bare minimum for past betrayals and this shared willingness to betray others seeps into their own relationship, as they both struggle with fidelity and trust. The two situations are mirror images of one another: Zoyd is the holdout of an era long past, while for informants like Frenesi and Flash the death of the counterculture and the paranoid chaos of the Nixon era was a relative goldrush. Since leaving Zoyd and Prairie, Frenesi has settled for Flash and his faults, which is the source of her own alienation.
By Thomas Pynchon