53 pages • 1 hour read
Rachel VailA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Truly doesn’t know Hazel logged into her email account and forwarded Natasha’s email to Brooke, so she doesn’t understand why Brooke tells Natasha to sit somewhere else at lunch. Truly thinks of Natasha as her “protector” and worries that she’ll be the next person to leave the table.
Natasha feels “dumped” and blames Truly. She feels like Truly plotted against her. She compares Truly taking her seat at the cafeteria table to her “temporary stepfather” taking her father’s seat at the kitchen table. Truly was supportive during that “crap storm,” but now she’s a foe. Natasha feels like Truly’s taking everything from her, including Clay. Natasha mocks Truly’s “perfect flat chest,” and she reviles Truly’s house with its plentiful toilet paper, paper towels, and cereal. Natasha’s banishment makes her think of Marilicia, who got kicked out of the popular group last spring after refusing to dress like everyone else on a field trip. Marilicia also “dissed” Natasha.
Clay writes an email to his brother. He tells him about his dramatic relationship with Natasha and the recent conflict between Natasha and the other popular girls. Clay recently got a 62 on an algebra quiz. While eating with his family, Clay noticed a “chunky guy” ordering a waffle “loaded” with cheese, eggs, syrup, potatoes, and bacon.
Truly’s parents worry about her knee while Truly remains anxious and uninformed about Natasha’s exile. Brooke alludes to what Natasha said, but after Truly asks for details, Brooke changes the topic so she doesn’t upset Truly.
Lulu asks Truly if she likes Clay or Jack. Natasha told Truly that Clay was an aggressive kisser with bad breath, but Truly doesn’t like Clay or Jack. She’s not even sure how a crush would “feel.”
In the morning, the girls work on their History Day project at Evangeline’s house. When Evangeline goes to the bathroom, she leaves her computer unguarded, so Lulu makes a silly, scatological post. Evangeline sees the post and writes a witty comment under it. Instead of working on their project, the girls create a jokey dance for a song they’re singing in chorus. They take pictures, and Truly posts them on social media and notices an increase in likes.
Hazel writes Truly another letter that she won’t send. She meditates on a quote from the canonized 20th-century poet T. S. Eliot about humankind’s unceasing capacity for “exploration.” She tells Truly that she buried the ballet dancer box with Sweet Pea inside of it. She compares the death of Sweet Pea to their “murdered friendship.” Maybe she’ll write about the symbolism of the buried box for English. She might also write about her grandmother, who is spiteful but not unredeemable. The letter ends with Hazel bragging about posting a photo on Truly’s social media account.
Natasha believes Truly, not Hazel, posted the photo of the girls invited to her house tomorrow, which includes Natasha. From Truly’s account, Hazel then deletes that photo and posts another one without Natasha. Natasha notices that the captions contain numerous errors, which makes her suspicious, as Truly could be “AutoCorrect.” Hazel then takes down the second photo as Natasha unlikes every post she ever liked from Truly.
Natasha doesn’t know why people think she’s “mean.” Her father, Daddy, attributes it to her height and blond hair. He thinks Natasha’s friends are jealous of her looks. Natasha’s mother wishes she would “tone down” her style, but she also thinks Natasha’s father is “sexist.” Natasha remembers various photos with the popular group members. In some, her eyes looked haunted. She wonders how to manage her new situation when she has to see her “ex-friends” every day in school.
Clay’s chapter is a text exchange between him and Natasha. Clay doesn’t want to go out with anyone, and he wishes he and Natasha could return to talking about substantial issues, like his dreams of being a scientist or botanist. He thinks banishing her was mean, and so were the social media posts about who was coming over to Truly’s house. Ultimately, Clay doesn’t care. He wants to play video games and not think about algebra.
On the way to Truly’s house, the girls go by Big Pond. A few years ago, kids were playing on it and fell through the ice, leading to hospitalization. Now, no one can play or skate on it. Lulu mentions the social media posts about Natasha, and Brooke reminds Lulu that Truly took them down after they told her to.
Brooke thinks Truly’s house is “pretty normal.” For the project, there are markers, colored pencils, and M&M’s in a glass bowl. Natasha’s mother calls Truly’s mother, and Truly’s mother speaks to Truly privately. Natasha’s mother thinks the posts were “purposely cruel,” but Truly claims she didn’t post them. Brooke thinks Truly is lying and should “own” her mistakes the way that her parents “owned” the demise of their bookstore.
According to Natasha’s mother, Natasha is crying and won’t come out of her room. Truly suggests inviting Natasha, and Brooke agrees. Brooke doesn’t like the extra drama, and she wishes she was confident and independent like Hazel.
During a fifth-grade sleepover at Natasha’s house, Natasha’s mother told Truly that she loved Truly like a daughter. In the present, Truly calls Natasha’s house phone since Natasha didn’t answer her phone. Truly speaks to Natasha’s mother, who refuses to let Truly speak to Natasha.
Bewildered, Truly wonders how the photos got posted to her accounts. She thinks she might be “psychotic” and considers hiding her computer from herself. She dunks her head in a sink of cold water until she’s gasping for breath. In the mirror, she whispers, “Pull yourself together.”
In fifth grade, Jack was the “fat kid,” and due to his body size, Russell, his best friend, didn’t invite him to his birthday party. Jack was worried about his mother, and his mother was concerned about him, so she took him to a doctor, who told him to exercise and eat healthier. Jack and his family moved, and Jack’s “jiggly belly” vanished.
Jack acknowledges that he’s in the popular group, but he doesn’t think there’s an intense division between the popular kids and the nonpopular students. Jack doesn’t want anyone to feel left out.
Jack likes Truly, but he isn’t sure if she likes him. He buys Truly a bracelet for $16.99, and the salesperson puts it in a white box for free. However, Jack’s mother doesn’t think Jack should give her the present, so he hides the bracelet in his sock drawer.
During recess, Jack and Truly discuss their experiences with stitches. Jack had to get stitches because he fell out of his bed when he was four. Jack’s father gave him a lollipop, and Jack wishes he could give Truly a lollipop.
In math class, there’s a substitute teacher, Mrs. Gerstein, so Natasha and Lulu discuss Truly. Natasha calls Truly a “weasel,” but Lulu wonders if Truly’s posts were a misguided attempt at humor. Lulu thinks Truly can’t be that bad—otherwise, Natasha wouldn’t have invited her to the table. Natasha realizes most of the popular kids are probably on “Team Truly.”
Mrs. Gerstein continually hushes Lulu and Natasha, so they start passing notes. Natasha claims Truly never called her and apologized. Natasha warns Lulu: Truly might start searching for a new target. Natasha has another plan for Truly.
On tellmethetruth.com, Natasha asks why everyone hates her. The post receives comments that confirm her belief, and it gets comments that claim people don’t hate her. Lulu describes one spiteful comment as “cyberbullying.”
The multiple narrators work together to explain the ongoing situations and conflicts, which present varied perspectives but remain truthful in direct addresses. It is known that Hazel posted the photos to Truly’s account because Hazel boasts about it, “And then I posted your photo, your words which I was making up, all as if I were you […] It was a rush” (193). Natasha thinks Truly posted the photos because neither Natasha nor any of the other characters are aware that Hazel has access to Truly’s social media accounts, let alone the exciting “rush” she feels from it. Natasha states, “Truly didn’t have to post that photo to show who was invited to her house tomorrow. She didn’t need to post what their plans were” (195). The plot relies on the characters’ misunderstanding to further the conflict. The characters don’t know what’s going on or who’s doing what, in contrast to the narrative style of direct address from multiple perspectives. This dramatic irony creates empathy for Truly, who is oblivious to the extent of Hazel’s betrayal and Natasha’s growing animosity. The exception is Natasha’s obtuse email about Truly’s siblings: The text shows digital exchanges, social media posts, and Hazel’s unsent letters to Truly, but it doesn’t present Natasha’s email. Truly asks Brooke for details, but Brooke, not wanting to trigger Truly, changes the subject. This narrative choice leaves the audience and Truly in the same position: They’re not sure how bad it was. This omission creates suspense, mirroring Truly’s anxiety as she struggles to piece together what went wrong, and it highlights the idea that the details of cruel ableism do not matter, as the act itself is condemnable. In this sense, the narrative choice to omit the email suggests that the content should not be repeated, highlighting The Harmful Impact of Digital Communication.
The male characters continue to display forethought and awareness. Clay tries to pull Natasha out of petty conflicts by telling her, “It was better anyway when we used to be friends and we would talk about actual stuff. Like how you want to be a scientist. Was it a botanist? Biologist?” (204). Jack continues to link the popular clique to affability. Jack admits, “I guess I’d say I’m in the popular group,” adding, “I’m always on the lookout for somebody being left out” (231). Clay wants substance and Jack practices inclusiveness. Their focus on meaningful connections and kindness sets them apart as emotionally mature, contrasting sharply with the fraught dynamics of Natasha and Hazel’s interactions with Truly. At the same time, Jack and Clay’s distance from the main conflict reinforces problematic gender norms, presenting the main girl characters as dramatic and manipulative and the two boy characters as sober and relatively rational. This dichotomy raises questions about how society often frames female relationships as inherently contentious, even in narratives that aim to subvert stereotypes, which sometimes leads to The Fluidity of Relationships. The boys’ problems instead stem from identity but do not significantly overlap with their social lives; instead, they turn to other distractions, like Clay’s video games.
The Harmful Impact of Digital Communication emerges as the dominant theme. First, Hazel uses email to get Natasha banished from the popular table. Then, Hazel posts the photos on Truly’s social media, increasing the turmoil in the popular crowd. Natasha’s posts on tellmethetruth.com add to the conflict, with the popular crowd believing that Truly is behind the particularly hateful comments. Hazel and Natasha aren’t knowingly working together, but they’re a duo nonetheless. They both use email and social media to hector Truly. These actions underscore the way digital platforms amplify misunderstandings and escalate interpersonal conflicts, particularly among young people who are still developing their emotional and ethical frameworks. The intersection of a deeply social element like digital communication can be dangerous.
Due to the hyperbolic diction, eighth grade continues to intersect with political warfare. In other words, the cinematic vocabulary lifts the conflict into the realm of a national or global power struggle. Hazel joins together “the dead bird and the murdered friendship” (192). She thinks in terms of violence and death, two central elements of war. Natasha presents herself as a usurped royal or a congressperson who lost an election to an unworthy opponent. Natasha explains, “I thought I was playing Truly—but all the time she was using me. As soon as her position at the Popular Table was set, boom! Good-bye, me” (172). Natasha assumed she had the power, but now she believes Truly outmaneuvered her and waged a more cunning political campaign or war strategy. This comparison reveals Natasha’s insecurity and her perception that popularity is not a social designation but a battlefield requiring constant vigilance. Natasha feels defeated by Truly, but, like Hazel, Natasha doesn’t surrender: She plans counterattacks. The political metaphors highlight how the students’ interpersonal struggles feel monumental to them, mirroring the stakes of real-world conflicts in their intensity and emotional weight.
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