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50 pages 1 hour read

Veronica Rossi

Under the Never Sky

Fiction | Novel | YA | Published in 2011

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Character Analysis

Aria

Aria is the female protagonist and first narrator of the dual-point-of-view novel. Aria has hair “dark and shiny as a raven’s feathers” (27), thin eyebrows, and smooth skin. Upon first meeting, Perry is confused by her clear skin; though she seems to be his age, “with skin like that he wasn’t sure” (28). In their first meeting, Aria’s scent is not as pervasive as that of the other Dwellers to Perry but is still rank and decaying. This first impression hints at her part Outsider origin and the lurking issues within Pod societies that cause their citizens to reek of the dying. As Aria adapts to the Outside, her scent transforms into that of violets—a much livelier scent.

Aria begins the novel as a Reverie inhabitant conforming to the nature of all Dwellers. Conformity Versus Individuality is introduced through Aria’s disgust with Perry and other Outsiders because of their differences and her obsessive desire to remain identical to and unchanging like her fellow Dwellers. Aria hates her singing talent, which is her most unique quality in the Pods. It’s something she believes her mother genetically modified her to have and “usually kept her voice private, something strictly between herself and her mother” (8). Aria believes her gift to be a waste because no one in the Pods relates to the stories or emotions the lyrics speak of. At first, Aria prefers to be the same as everyone else in Reverie. Aria’s never had a monthly cycle, and her nails didn’t grow, but without her Pod regulating her body and preventing changes, these things begin to change. Aria’s character arc develops alongside her physical changes as she learns to survive the Outside. Eventually, Aria learns to appreciate her differences and value the qualities that keep her alive Outside.

Aria is heavily dependent on her Smarteye and feels like a piece of herself is missing without it. Like everyone in the Pods, Aria prefers the safety and ease of the Realms over “real life,” believing wholeheartedly in the Smarteye’s “Better than Real” slogan. Aria uses the Smarteye and Realms as a mental crutch to avoid tough situations rather than persevering through them. Her over-reliance on the Smarteye creates emotional and physical distance between her and others. The senses aren’t as potent in the Realms, which is why Aria is uncomfortable with physical touch. Through testing the limits of her senses and growing closer to Perry, Aria is able to shed the loneliness that’s plagued her for months and learn The Significance of Intimacy.

Peregrine

Peregrine is the male protagonist and second narrator of the novel. Perry is a rare Marked, possessing two Senses: the ability of a Scire (enhanced scent) and Seer (enhanced sight). Even his Seer ability is unique, giving him nocturnal vision. Perry is first introduced as having snarled blond hair, tattoos on his arms, and reflective eyes like an animal. Aria’s perception of him is colored by what she’s been taught about “Savages” her entire life. She sees him as a “beast” and compares him to the horses of the Equestrian Realms, which “showed a chorus of lean muscles rolling and shifting beneath skin” (110-11). She views his skin as blemished because of his scars and tattoos and believes his teeth are too canine. Perry is the opposite of the perfection Dwellers value and teaches Aria to value imperfections over time, such as their matching bruises, the scars along his body, and the crooked nose that’s been broken several times. A nose she once might have viewed as “ugly” is soon seen as “a nose fit for a gladiator” (119).

Perry is first introduced as impulsive and aggressive. He fights a need “as real as thirst” (33) to challenge his older brother, Vale, for Blood Lord of their tribe. Vale and Perry are opposites; though they both want what’s best for the Tides, Vale believes it’s in staying put and laying low, while Perry believes in making changes and taking “the risks his brother avoided” (33). Vale constantly infantilizes Perry, implying his childishness to everyone in the Tribe, which fosters Perry’s self-consciousness of his mistakes and characteristic rash decisions. The longer Perry waits to challenge Vale for Blood Lord, the more restless and on-edge he becomes, and “if there was a scuffle to be had, Perry found a way to mix himself into it” (59-60). The only thing that keeps Perry grounded is his compassion for his family. Though he and Vale have their differences, he doesn’t wish to leave Talon fatherless.

Perry’s character arc remains static throughout most of the novel. Perry adheres to his impulsiveness but also to his bravery and selfless love for his family. Yet, the consistent moments of violence and his decision to drink Luster, provoke a fight, and murder his brother at the end of the novel hint at the similarities between him and his abusive father and a potential negative character arc to come.

Perry’s Family

Vale is the Blood Lord of the Tides, Perry’s older brother of seven years, and the father of Talon. Like Perry, Talon, and Liv, Vale is a Scire. He and Perry grew up with an abusive father with an alcohol addiction, and Vale spent most of their childhood protecting Perry from his violence. In adulthood, while Luster relaxes and opens up Perry, it turns Vale “rabid, just like it had their father” (38). Since Mira’s death, Vale has turned to Luster more often, causing a strain on his relationship with Perry. A further cause for strain is Perry’s increasing defiance of Vale’s command of the tribe. Their arguments over how best to lead the tribe, in addition to Vale’s drinking, have led to a recent instance of physical violence against Perry.

Vale wants what’s best for the tribe, but his fear and complacency keep him stagnant. He’s too afraid to risk leaving the valley, so he over-hunts the land to feed the Tides, decreasing the population too quickly and, therefore, making it harder for them to find food as time draws on. When times get tough, Vale sells Clara—then, a year later, his own son—to Dwellers in exchange for food for his community. Instead of challenging Perry outright to keep his Blood Lord title, Vale arranges for Perry to be killed by the Dwellers who come to take Talon, illustrating his cowardice. In contrast, Perry views stagnancy and cowardice as shameful qualities. These personal and moral divides foreshadow Vale’s betrayal and the ultimate end to their relationship from the beginning.

Talon is Perry’s seven-year-old nephew with a “gap-toothed grin” (277), green eyes, and dark brown hair “that fell in the same twisting locks” (275) as Perry’s. Perry is rendered to Talon, meaning they’re deeply bonded, and Perry feels what Talon feels and vice versa. In many of Talon’s descriptions, he’s more heavily compared to Perry than his father. Aria notices his “commanding voice for such a young boy. A voice full of fire and daring” (275), which are similar words used to describe Perry’s fearless and assertive nature. Talon is to Perry what Lumina is to Aria; these inherent similarities in situation and family importance help give both Dweller and Outsider common ground for connection.

Roar and Cinder

Roar is Perry’s childhood best friend who’s in love with Perry’s sister, Liv. As an Aud, Roar is blessed with enhanced hearing and can hear a person’s thoughts through physical touch. Roar also acts as Perry’s foil. Unlike Perry’s rugged first impression on Aria, “everything about [Roar] look[s] refined” (173). He’s described as lean with sharp features, dark hair, and fitted clothes with no frays or holes. His facial features are “all straight lines and perfect proportions, (183)” and, in contrast to Perry, he has no facial hair. As Aria begins to know Perry and Roar better, she notes further differences. Perry is taller and broader than Roar, whereas Roar’s slender frame moves with “light-footed grace” (295). Perry is confrontational and fearless, whereas Roar is charming and cautious. Roar’s personality is talkative and flirtatious, making him much easier for Aria to speak to than Perry, who is laconic and taciturn. In the tribe communities, Scires mate with Scires and Auds with Auds. The reveal that Aria is an Aud makes her better-suited for Roar in their society, further contrasting Perry with his best friend and highlighting the conflicts he might face in pursuing a relationship with Aria.

Roar closes the seemingly unbridgeable gap between Outsiders and Dwellers. Roar’s polished near-perfection is almost “too handsome to be real” (73) and reminds Aria of the people she sees in the Pod Realms. Yet despite his similarities, she notes Roar has a “prince’s looks but a pirate’s eyes” (173), illustrating the inherently Outsider nature that lurks behind physical first impressions. By seeing Roar as similar to a pirate instead of an animal, Aria is beginning to see the cunning and instinct Outsiders hone for survival instead of the brute violence the Dwellers falsely accuse them of. Aria immediately takes a liking to Roar, showing how Outsiders and Dwellers can get along despite the lies and prejudice each community holds for one another.

Cinder is a young boy, around 13 years old, who is in the wilderness on his own after a mysterious conflict with his tribe. Cinder is incredibly thin, with skin almost as pale as Aria’s, and “his collarbones stuck out like sticks” (178). He is in bad shape and starving, with mounting desperation that prompts him to trail Roar. Perry describes Cinder as “a boy with Aether in his blood” (201) when he displays his unprecedented ability to wield the Aether. When the boy uses his abilities, his eyes grow bright with blue flame, and blue veins crawl up his neck and face. Cinder is the only person Perry truly relates to. Cinder’s fear of his destructive abilities mirrors the fear Perry faces when he is unable to protect those around him and feels as though he is to blame for their misfortunes.

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