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51 pages 1 hour read

Virginia Woolf

Three Guineas

Nonfiction | Essay / Speech | Adult | Published in 1938

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Part 1 (Pages 1-18)Chapter Summaries & Analyses

Part 1

Summary: Pages 1-6

Woolf begins by addressing an unnamed letter writer. Three years ago, the person asked her a question—“How in your opinion are we to prevent war?” (3)—which neither she, nor anyone else, has yet resolved. Though many have posed answers, these have been unsatisfactory: Each answer requires lengthy explanation and provokes certain “difficulties so fundamental” (3) as to make them incomprehensible. But Woolf wishes to provide an answer, especially given the question’s uniqueness: Never, she states, has an educated man asked a woman for her opinion on this matter. Even if the response is doomed to fail, she must try.

Woolf describes the person to whom she addresses her letter: a balding, middle-aged man whose hair is turning grey. The man is moderately successful and fairly well educated. Both he and Woolf come from “the educated class” (4), but there exists a “gulf so deeply cut” (4) between them that Woolf has been thus far unable to respond to him. She outlines the difference in funds available to educate daughters versus sons, especially Arthur’s Education Fund (a reference to a novel by William Thackeray that Woolf uses to represent the great efforts families make to educate sons). Because of this disparity, she and the correspondent see the world very differently—and one must consider this difference when approaching the question of how to prevent war.

Despite the vast education available to men, Woolf argues that a need to understand human nature has led the correspondent to seek help from Woolf, a woman. Fighting has “always been the man’s habit” (6), and men have killed the vast majority of humans and animals. On a psychological level, men gain excitement from fighting in a way that women do not. She suggests that this incompatibility of mindsets might be resolved through engaging with literature, in particular biographies and autobiographies, “in order to attempt to understand what war means to you” (7).

Summary: Pages 7-12

Woolf quotes from soldiers’ biographies. The extracts reinforce her case that men enjoy fighting. Men view war as a profession, a source of excitement, and an outlet for “manly qualities” (7). She also provides a dissenting opinion from Wilfred Owen, who talks of the “inhumanity of war” (8). Her conclusion is that “the great majority of your sex are to-day in favor of war” (8), with opposing perspectives overruled by calls to patriotism.

A quote from the Lord Chief Justice of England describes this patriotism: He argues that “Englishmen are proud of England” (8), a love taught by a string of institutions. Patriotism, however, has a different definition for women, who lack access to these institutions. Such a difference in definitions makes the question of how to prevent war unanswerable, as there is no “absolute point of view” (9).

To examine this question of objective morality, Woolf turns to the clergy, which also fails to provide a clear answer to whether war is right or wrong. Differences of opinion among bishops are referenced, wherein their “divided counsel” (9) is “distressing, baffling, confusing” (9). Thus, the clergy offers no insight into how to prevent war.

As well as biographies, photographs might provide insight into the question at hand, Woolf notes. She describes photographs as “not arguments addressed to the reason [but] simply statements of fact addressed to the eye” (10). She speaks of the pictures she has received from Spain, mostly of dead bodies, including dead children. Whatever a person’s background, Woolf suggests, he or she will react to the pictures in the same way: with disgust. Thus, there is an agreement among everyone to stop this “barbarism” (10). Woolf then suggests that they “give up” (10) trying to answer the core question through psychological or political means, as the “emotion is too positive to suffer patient analysis” (10).

The correspondent has proposed three practical strategies for preventing war: 1) write letters of protest to newspapers; 2) join an anti-war society; and 3) donate money to anti-war causes. These are easy enough, Woolf admits, but do little to appease the raw emotion stirred by the photographs of dead children. Strong emotions demand strong responses.

Woolf explores what these strong responses could entail. Taking up arms in Spain, for example, is not an option available to women. Being involved in the Stock Exchange is also not an option for women, nor is involvement in Church leadership. Men control the press and therefore decide what women publish. While men would be able to unite in an anti-war movement and have an impact, this is not true of women. An anti-war general strike by women would make “no difference to the laws of England whatsoever” (11). Working-class women may be able to have some impact, but “educated women” (11) have little to no recourse.

However, “the daughters of educated men” (12) can exert their influence on educated men. Woolf lists famous female literary figures who held great political influence through their work, but she notes that the names of famous men are “sprinkled on every page” (12) of their work. Women’s influence exists only in relation to men, not on their own terms.

Summary: Pages 13-18

Woolf discusses “the franchise” (13), by which she is referring to women’s suffrage. On this political matter, women have exerted their influence, though it took them a long time and “cost [educated women] over a century of the most exhausting and menial labor” (13). Even so, women’s influence is “only fully effective when combined with rank, wealth and great houses” (13). For most women, such influence is out of reach.

Once women were permitted to enter the workforce in 1919, they might have been able to address this financial imbalance, thus gaining influence and the ability to prevent war. The money women began to earn was theirs, providing them with financial freedom. Accordingly, “the educated man’s daughter has now at her disposal an influence which is different from any influence that she has possessed before” (15). Now, “it is beyond the power of [a woman’s] family to punish her financially [if she expresses] her own opinions” (15). At last, a woman possesses “an influence that is disinterested” (15); she can express genuine ideas without having to curtail herself to anyone else’s interests.

Nevertheless, men and women do not possess equal influence in society, Woolf explains. If they did, she could end the letter now, as they would simply have to work together. Instead, she explains, women are disadvantaged in terms of the history of education and property ownership. Therefore, “though we see the same world, we see it through different eyes” (16). Any help women provide in terms of preventing war “must be different from that [men] can give [themselves]” (16).

Woolf then details the differences between the way men and women see the world. She lists “impressive” (16) landmarks and institutions that, when entered, “make us gasp in astonishment” (17); but closer examination reveals the strangeness of the men’s clothes, which are governed by seemingly arbitrary rules. After detailing the “symbolic splendor” (19) of men’s clothing, Woolf takes aim at the ceremonies that these institutions host.

Analysis: Pages 1-18

The opening pages of Three Guineas set the structure, themes, and tone of the essay. From the introductory words, Woolf makes it clear that this is a correspondence borne out of frustration and annoyance. The sarcasm, hyperbole, and cynicism she employs later in the essay appear here in her description of the “remarkable” (3) letter, which she decidedly does not find uniquely noteworthy. Rather, she replies to the letter only as a means of exploring her own thoughts and arguments on the subject.

As a correspondence, then, the text is inherently ironic. Woolf posits Three Guineas as a discussion between two people, though she includes only her perspective. She quotes selectively from the man’s letter, framing it in a way she believes will make the most impact. The essay’s structure enhances the veracity of Woolf’s arguments, while the man has no space to respond or reply. Given what Woolf has said about the man (and her thoroughness in exploring all sides of an argument), however, it seems unlikely that he could have provided as comprehensive or as detailed a reply.

Woolf also introduces the fundamental tension of the essay: that man’s perspective robs him of the ability to understand the prevention of war from a woman’s perspective. She is unwilling to ally with men in preventing war, simply because she sees in all men’s arguments an inherent patriarchy that also underlies fascism. Until society can rectify the inequality between the sexes, there is little point in trying to prevent war, as it remains almost inevitable. 

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