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55 pages 1 hour read

Rick Riordan

The Tower of Nero

Fiction | Novel | Middle Grade | Published in 2020

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Chapters 17-24Chapter Summaries & Analyses

Chapter 17 Summary

Apollo mentally christens the leader of the trogs “George Washington.” George Washington asks Nico if Apollo and his friends are the sacrifices he promised. Will offers him the skink instead. Pleased by the offering, the trogs take the group to their corporate headquarters so they can discuss a trade with Nico. The group is assigned a tent in the headquarters, which is in an abandoned subway station. Rachel tells Apollo to buy time when he meets Nero so the others can enter the Greek fire storage area. The only way to do this is to ask Camp Half-Blood to attack the Tower of Nero. Fighting them will distract Nero from his plans to set New York city ablaze. Apollo hates the idea of putting the campers in danger. Rachel is moved by Apollo’s empathy. She requests that he trust her. Apollo agrees to send a message to Camp Half-Blood.

Chapter 18 Summary

The group eats the skink soup prepared by the trogs. Apollo pretends to like the soup but is secretly nauseated. Nico asks the trogs to tunnel into Nero’s Greek fire reservoir and eat the fire, which they can digest. The trogs are divided about accepting Nico’s request for help. “Crust-dwellers” (180) or mortals have choked the earth with waste and look down on other life-forms such as the trogs. The trogs have no reason to risk their own lives to help mortals. In a moment of divine inspiration, Apollo sings to the trogs about the necessity of different species helping each other out and the sacrifices people like Jason Grace have made for the larger good. The trogs are persuaded and decide to take Apollo and Meg to the Tower of Nero and the rest to the Greek fire reservoir. Just then the cows descend into the trog headquarters.

Chapter 19 Summary

Apollo gets a trog child out of the way of a rampaging bull. One of the trogs asks him and Meg to follow him into the subterranean river by the headquarters. They swim to a dead end and emerge on a ledge. The trog begins to dig at the base of the facing rock wall they face till he’s cleared out a passage. He leads them to steps that will emerge right across from Nero’s tower.

Chapter 20 Summary

The tower looks like any other sleek corporate building. Meg and Apollo walk in, are approved by a guard, and take an elevator to Nero’s imperial amphitheater. Nero’s adopted children, Germani guards, and baristas (close to potted plants) mill about. Next to Nero on the throne is Lu standing on crutches, her neck and leg encased in braces. Nero greets Meg with tenderness. He wonders what made Apollo surrender at this particular point in time. Nero turns to Lu and reveals he suspected a betrayal from her all along. Lu’s fall was staged. Nero knows of the campers’ plan to march on his tower. He asks one of his stepsons, Cassius, to punish Lu for her treachery by chopping off her hands. A horrified Cassius is forced to bring down his sword and amputate Lu’s hands.

Chapter 21 Summary

Nero has Lu and Apollo thrown into the holding cell. He is sure they cannot get to his fasces as Lu is so badly injured. Meg is with Nero. Apollo can see Lu needs urgent medical aid. He notes that the guards have taken his bow and arrows from his backpack but not the medicines Will had stocked. Apollo sedates Lu with chloroform and cauterizes her wounds with a burst of divine energy. He feeds her ambrosia, the food of the gods, and divine nectar. Apollo passes out from exhaustion.

In his dream, Apollo is at a picnic table near Camp Jupiter with Jason Grace. Apollo apologizes to Jason for his death, but Jason tells him it was his own choice to stand up for the right and battle Caligula. Jason asks Apollo to beware the servant of Mithras, the caretaker of Nero’s fasces. There is a price that must be paid for bargaining with the guardian of the stars. Apollo wakes up, confused about Jason’s words. He finds Lu awake and looking better.

Chapter 22 Summary

Gunther, a Germanus, taunts Lu and Apollo that Nero plans to burn down New York City tonight. After he leaves, Apollo tells Lu about his dream. Lu explains that Mithras is a fearsome Persian god. Nero probably got the guardian for the fasces from Mithras. The guardian has a lion’s face. Lu asks Apollo to tap into his gift for prophetic visions to reach out to Meg, Nico, and the others. Apollo goes off to sleep again.

Chapter 23 Summary

In his slumber, Apollo rides a dream-chariot and arrives in Meg’s room, which she is trashing in protest. Nero enters the room and tries to pin Lu’s punishment on Meg. Lu is suffering because Meg rebelled against Nero. Despite Meg’s “mistake” (236), Nero promises never to abandon her. He also warns her that if she doesn’t accept her place in his household, he will unleash “the Beast” (237), his dark, punishing side. Before Apollo can gauge Meg’s response to Nero’s manipulation, the dream-chariot drops him inside the vault where Nero’s fasces is being guarded. The extraordinary energy pulsing from the axe makes Apollo realize it may have absorbed the powers of the slain emperors Commodus and Caligula, making Nero thrice as hard to kill. The guardian of the fasces is a leontocephaline created by Mithras. He a human with the face of a lion, his body encircled by a snake without head or tail. Apollo remembers Jason’s advice about bargaining with the guardian. Communicating with Apollo wordlessly, the leontecephaline indicates that Nero has promised him immortality for guarding the fasces. If Apollo can give up his immortality instead, the guardian will release the fasces. Apollo wakes up. He sees Lu has managed to tape a fork and a knife to the stumps of her hands, creating temporary weapons.

Chapter 24 Summary

Apollo tells Lu that to destroy Nero he has to give up the immortality he has been chasing the last six months. Lu replies they will do whatever it takes to defeat Nero. Apollo and Lu taunt the Germanus Gunther as he passes by their cell. He takes the bait and steps in, slipping on the burn ointment Apollo has deliberately spread on the floor. Gunther faints, his body wedging the doors to the cell open. Apollo and Lu escape in the hall, knowing they are being watched by cameras. Lu tells Apollo to seek out Meg while she goes to the vault. Since Lu too may be immortal, as she has been alive for millennia, she may be able to bargain with the guardian. Apollo sprints away and finds his quiver and other weapons stashed in a room meant to hold the belongings of prisoners. He enters another room, which happens to be a control room crowded with Germani and technicians.

Chapters 17-24 Analysis

The theme of The Importance of Recognizing Different Perspectives is developed further in this section through the demigods’ interaction with the troglodytes or trogs. Troglodyte refers to a cave-dwelling human, pejoratively considered prehistoric and barbaric. Riordan takes this trope and turns it on its head, forcing his characters to revisit their preconceived notions. At first, Apollo is shown to rubbish the idea that trogs even exist. Nico wryly reminds him that they live in a world filled with gods and demigods. Why is the existence of trogs then so unlikely? When the trogs are introduced, they are every bit as strange-looking as depicted in popular media. Additionally, they have laughable quirks, such as wearing several hats at the same time. They live in underground dwellings, speak in a strange accent, and like odd food such as dried lizards. When Nico asks them for help, the trogs question his entitlement in expecting they would readily agree. The trogs remark that unlike humans, they do not “breed and breed and choke the world with our waste” (181). Thus, their lives are more precious than that of humans and must not be risked. The trogs also question the assumption that they are uncivilized since their primitive way of living saves resources.

The narrative does not portray the trogs as wrong; however, through Apollo’s music, it shows the trogs that no one species can survive without helping others. The trogs may survive the burning of New York City, but Nero and Python’s growing control over the world will ultimately affect them as well. Apollo raises the important point that the only way to be civilized is for various species and people to aid each other.

Apollo’s song to the trogs illustrates the theme of Humanity Versus Divinity. Apollo’s persuasion of the trogs is also symbolic of his own growing powers. In earlier books, his music was not as accomplished, but now he can command it masterfully. It is ironic that through suffering as a human, Apollo is regaining his godly powers. The irony suggests that if experiencing humanity (sacrifice, loyalty, friendship, etc.) is the crucible that hones and strengthens Apollo’s authentic nature or divinity, then mortals’ experiences of sacrifice, loyalty, and friendship strengthen and define their authentic selves as well.

Apollo finally encounters Nero’s tower in this section. Interestingly, the tower looks like any other office building in Manhattan, showing that evil is often ordinary or nonthreatening in appearance. Not all monsters have fangs and tails. The conflation of evil with the greed of corporations is a motif in the novel. Symbolizing this connection, Nero’s empire works as a corporate enterprise, his building replete with tech rooms and screens. The metal and concrete structure is juxtaposed with the absence of greenery, symbolizing the corporate takeover of natural spaces. Nero has even imprisoned dryads, or tree spirits, forcing them to work for him by putting their plants in mortal danger. The scene in Nero’s throne room where Nero has Lu’s hands amputated is shocking and graphic and works to underscore his reckless cruelty. That the violent action is performed by Cassius, an adopted child of Nero’s whom Apollo describes as a “little boy” (211), illustrates the depth of Nero’s malice. Nero’s speech about the righteousness of his actions can be read as a commentary on political leaders who work through dividing people and turning them against each other. Nero justifies his murder of Christians in prehistoric times because the Christians were “terrorists, out to undermine traditional Roman values” (207). The rhetoric about terrorism and a nation’s true values contains topical resonance.

After Lu’s hands are amputated, Apollo manages to relieve her pain to an extent with a mixture of modern and divine remedies. When Lu wakes up from her rest, she looks better, making Apollo believe that his powers are returning. The accelerated return of Apollo’s godly powers foreshadows the success of his quest and his passing his trials. Lu jokes around with Apollo after she awakens, which makes Apollo again realize that he judged her poorly at first. This interaction reinforces the theme of the need to develop a more nuanced perspective. The humor also serves to illustrate the need to keep moving ahead despite adversity. Lu has undergone a terrible trauma but is still ready to fight.

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