43 pages • 1 hour read
Yasmina KhadraA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrator compares a whirlwind in the empty desert outside Kabul to a sorceress dancing, noting how the Afghan countryside is torn by battle. Kabul is deteriorating, and the people in and around it have lost faith in the possibility of change.
Atiq Shaukat struggles to get through the crowded streets of Kabul, using a whip to lash at those in his way. He notes how people of all ages populate the market, begging for alms or trying to sell rotting wares. Atiq is late; he whips his way to a less crowded side street, where he finds Qassim Abdul Jabbar standing with a gun. Atiq’s excuse is that he needed to take his wife to the hospital, but Qassim is doubtful. Atiq enters the temporary prison set up by the Taliban, signaling to two militiawomen in burqas to prepare the prisoner for execution. The prisoner is a woman in a burqa, accused of sex work and sentenced to be stoned to death.
Mohsen Ramat joins the crowd waiting for the execution, noting how executions used to make him sick. Mohsen reminisces on earlier days, before the Soviet invasion, when people lived with “friendliness and goodwill” (10). Women, specifically, danced in their long veils, spreading perfume. Now, the women wear burqas to protect themselves from men’s violence, and the streets are barren and unpleasant.
Mohsen was 10 when the Soviet invasion occurred. He remarks on how Soviet war machines destroyed the beauty of the Afghan sky, scaring away the swallows. Mohsen watches Atiq Shaukat approach in the armored vehicles bringing the woman to her execution, and the mullah, or Muslim theologian and expert on sacred law, pronounces her judgment. Mohsen joins the crowd in throwing rocks at the woman, and Mohsen is elated to see one of his stones hit her in the head. People continue to throw stones after the woman is dead.
Atiq goes for a walk to take a break from working as a jailer in the empty prison. He knows he cannot return home to face his wife, who is sick with a disease that causes her constant pain. Mirza Shah, Atiq’s childhood friend, invites him to tea. Mirza says Atiq looks sad, and Atiq reflects on growing up in a poor area with Mirza, who joined the military at the age of 18, while Atiq took odd jobs. During the Soviet invasion, Mirza joined the mujahideen, or guerilla fighters, and Atiq served under Mirza until he was injured. Mirza rejected political positions after the Soviets were repelled, choosing a delicate balance between serving the government, then the Taliban, and the black market. Mirza offers Atiq jobs periodically, which Atiq refuses.
Mirza asks Atiq what is wrong and jokes about Atiq’s leading a coup. Atiq notes that they cannot joke in Kabul anymore. Mirza says nothing has changed, as new groups take power and inflict the same abuses on people. Atiq says that his wife has a rare and uncurable blood disease and no family to help her, and Mirza tells Atiq to divorce her, adding that women are useless. Mirza says he has four wives and does not trust any of them; he claims that women are fundamentally impossible to understand. Atiq explains his devotion to his wife, who saved his life, but Mirza says God saved Atiq through his wife. Mirza insists that Atiq divorce his wife and marry a virgin. Mohsen approaches the two men, and Mirza brandishes his whip. Atiq and Mirza are uncomfortable, knowing their conversation was inappropriate.
Mohsen Ramat returns to his home, lamenting the death of his only confidant the previous year. Mohsen feels that everyone keeps their troubles to themselves to avoid taking on the troubles of others. His house is almost empty, as he sold his belongings to survive shortages, and his windows are boarded shut on orders from the Taliban. Mohsen’s wife, Zunaira, brings him water, and he thinks about how beautiful she is. Zunaira massages Mohsen’s feet, and he asks her if he has changed. Zunaira says everything around them has changed, and Mohsen tells her to tell him if he becomes unkind. In a panic, Mohsen tells Zunaira about stoning the woman to death. Zunaira does not believe him, saying Mohsen is educated. Mohsen confirms his actions and feels ashamed. Zunaira is shocked, retreating from Mohsen, who regrets telling her.
Atiq stops at a mosque, thinking about how he hates the elderly. A small man approaches Atiq, and Atiq twists his arm. Atiq regrets his irritation in the mosque. Atiq stands outside the mosque listening to the former soldiers sharing war stories. One man, Goliath, talks about how the dead bodies stank. Another man, Tamreez, interrupts, insisting that the dead bodies of the mujahideen did not stink, because they were sacred. The crowd sides with Tamreez, so Goliath leaves. Tamreez describes how he met the angel of death on the battlefield. Atiq leaves, nervous to return home, and recalls how his wife saved him after he was injured in battle, nursing him back to health and bringing him out of the war zone.
Atiq finds his home clean and suspects his sister may have returned from Baluchistan. Musarrat, Atiq’s wife, comes out from behind a curtain and offers Atiq some food. Atiq is surprised to see Musarrat walking and talking like she is not ill. Musarrat insists she is not giving up on life. Atiq and Musarrat argue about their relationship, which is struggling under the war and Musarrat’s illness. Musarrat asks Atiq to repeat what the doctor said about her disease. Atiq leaves the house, and Musarrat cries.
Mohsen lies in bed waiting for Zunaira. Their dinner was awkward and silent, and Mohsen regrets telling Zunaira about the stoning. Mohsen finds Zunaira lying on a pallet in another room, and he goes to sit outside their house. Mohsen recognizes Atiq storming down the street.
The novel’s opening uses a metaphor, where something is compared to something else without using “like” or “as.” In this case, it characterizes the Afghan countryside as “a sorceress flinging out her skirts in a macabre dance” (1). This instantly aligns the abstraction of Afghanistan with a feminine persona and provides an ominous beginning to the novel. The sorceress is trying to “blow the dust off the calcified palm trees thrust against the sky like beseeching arms” (1). This personifies Afghanistan’s palm trees with sentient, human qualities—in this case, the ability to “thrust against the sky.” The image suggests that Afghanistan has been thrust into turmoil and is seeking relief. Mohammed Moulessehoul sets the stage for the novel, highlighting the desperation of the Afghan people in the 1990s. Critically, the sorceress appears as a possible avenue to salvation. However, she is restricted to the countryside, while the action of the novel takes place in the city of Kabul, keeping salvation at a distance.
In Chapter 1, Moulessehoul reveals the meaning of the work’s title. The text notes how “the terrified swallows dispersed under the barrage of missiles. War had arrived” (11). This refers to the Soviet Afghan War of 1979-89, as well as the Afghan Civil War of 1992-96. The swallows, unlike the “calcified palm trees,” left Kabul during the war; they represent humanity and hope in the context of the novel and allude to Love and Beauty as Forms of Resistance.
Atiq liberally uses a whip to clear the crowds of people desperately buying, selling, and begging in the bazaar. This emphasizes the departure of hope and identifies Atiq as a representation of Kabul after the swallows’ departure. Thinking of the days before war, Atiq wonders: “Could [those days] be nothing but pure fabrication?” (10). This underscores the harsh changes brought on by war.
The toll of warfare comes up in greater detail outside the mosque, with Tamreez and Goliath arguing over the conditions of the Soviet–Afghan War. When Goliath talks about the stench of dead bodies, Tamreez is offended: “All mujahideen are blessed by the Lord.” (44). Tamreez’s position evokes religious fundamentalism and The Psychological Impact of Living Under Totalitarian Rule. Goliath requires accuracy, including the smell of his dead comrades; discussing his past is necessary for his own mental recovery. All the men present have injuries from the war, and telling stories about these experiences is a way to grieve them and the subsequent social ills they have experienced. By overwriting Goliath’s story with an insistence on sainthood, Tamreez is stifling Goliath’s ability to grieve. This highlights a broader issue in Kabul, later embodied in Mohsen Ramat.
Tamreez broaches extremism by denying physical reality. While many men agree with Tamreez, Atiq does not, and Goliath leaves rather than listen to Tamreez’s story. In this early section of the novel, Tamreez’s perspective is critical to understanding the different perspectives in Kabul under Taliban rule, in which people are divided into those who disagree with religious fundamentalism, those who merely pretend to agree with the Taliban, and those who truly believe in the Taliban’s faith and cause. Tamreez falls in the final group, while Goliath does not seem capable of pretending, and Atiq appears to be willing to pretend to avoid trouble.
When Mohsen Ramat is introduced, it is as a thin, unhealthy-looking young man who gets swept into the crowd at the execution. His excitement at hitting the woman in the head with a stone reflects his integration into the psychology of the mob. As Atiq notes, public executions serve as one of the few outlets allowed to the people of Kabul. At home, Mohsen tries to explain to Zunaira: “All my life, I’ve thought of myself as a conscientious objector. Some people made threats and other people made promises, but none of them ever convinced me to pick up a weapon” (37). Mohsen’s internal conflict highlights The Complexities of Moral Choice and Personal Responsibility, suggesting that there are limits to an individual’s abilities to withstand totalitarian rule. Zunaira, with her refusal to wear the burqa, is also a conscientious objector.
Mohsen is now finding out how years of suppression are wearing down his resolve. Most importantly, Mohsen feels alone. He feels that he has no way of communicating his struggles to anyone, and even Zunaira struggles to support him after his admission.