75 pages • 2 hours read
Michael A. SingerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Singer visits his ex-wife Shelly in California and discovers the image of an Indian yoga master, Baba Muktananda. The deep peace and energy he feels while meditating in front of Baba’s pictures strikes Singer profoundly. Returning to Florida, his neighbor Rama Malone, also a follower of Baba, insists that Singer invite him to Gainesville during his upcoming U.S. tour. Though reluctant and embarrassed by the idea, Singer surrenders to the flow of life and mails the invitation.
Months later, a representative of Baba’s group visits Singer to discuss hosting a weeklong event. Despite the challenges of organizing such an event with limited resources, the possibility of Baba’s visit energizes the spiritual activities in Singer’s life, including his teaching at Santa Fe Community College and the growing Sunday meditation group. A woman named Donna Wagner, who becomes increasingly involved in organizing the Sunday gatherings, ultimately moves into the woods near Singer’s house. Singer reflects on how life, unbeknownst to him at the time, is guiding him towards falling in love, marrying Donna, and starting a family, even though he has always been focused on his spiritual path of solitude.
Singer describes the intense experience of preparing for and attending Baba Muktananda’s retreat, which transforms his understanding of spiritual surrender. Determined to bring Baba to Gainesville, Singer and Donna, organize retreats and make countless calls to gather enough participants. Despite his lifelong belief that solitude and meditation are key to his spiritual journey, Singer finds himself increasingly pulled into the flow of life’s events, realizing that the flow is now guiding him entirely.
During Baba’s retreat in Atlanta, Singer initially struggles with meditation, feeling disconnected. However, on the final day, he decides to fully surrender to the experience and begins chanting Baba’s mantra. As he meditates, Baba’s presence intensifies. When Baba touches him during the final session, Singer experiences a profound surge of energy from the base of his spine, which he describes as “ten thousand volts of electricity” (90). The energy dislodges him from his usual sense of self, creating a terrifying but transformative out-of-body experience. Baba eventually calms him by rubbing his back and heart, restoring his physical state.
This overwhelming spiritual encounter makes Singer deeply respect Baba’s power as a Siddha master. He realizes that Baba’s touch has brought about more change than years of his own meditative discipline, humbling him profoundly.
Singer reflects on the transformative events surrounding Baba Muktananda’s visit to Gainesville. After experiencing shaktipat in Atlanta—a powerful spiritual awakening—Singer is told that people are often drawn to a living master. Despite his confusion, he surrenders to the flow of life, reaffirming his connection to Yogananda during a profound spiritual moment. When Baba arrives in Gainesville, the energy surrounding his presence draws large crowds everywhere, and Singer arranges for Baba to visit a maximum-security prison. The inmates respond warmly and Baba’s prison visits inspire future global prison work by his organization.
The weekend retreat becomes the largest on Baba’s world tour at that point. While preparing for the event, Singer unexpectedly reconnects with his ex-wife Shelly’s brother, Ronnie Friedland, now a successful attorney. Singer is surprised to learn that Ronnie has also formed a deep bond with Baba, despite their vastly different lifestyles. By the end of the chapter, Singer marvels at how both his and Ronnie’s lives have taken such unexpected, yet spiritually profound, turns—culminating in Ronnie becoming the president of Baba’s newly formed American organization.
Singer describes the shift of his life from solitude to service after Baba’s visit to Gainesville. The spiritual community around Singer expands rapidly, with 40 to 50 people attending his Sunday services and many having to sit outside. Despite this, Singer’s resistance to building a temple on his land remains strong until Mataji, an Indian saint, visits and declares that a great temple will one day stand there. Singer realizes that following this path of service is essential to his spiritual growth.
The community begins raising money and offering labor for the temple, and Singer designs the structure himself with a unique butterfly roof. As construction progresses, money appears in miraculous ways, often just as they are about to run out of materials. With volunteer labor and timely donations, the temple is completed in about three months.
In September 1975, they hold their first Sunday service in what becomes known as the “Temple of the Universe” (98). The temple is adorned with items representing various religious traditions, including a Buddha statue, a picture of Jesus, and Singer’s own cherished photo of Yogananda. The temple symbolizes universal spirituality, embracing all religions and the boundless nature of the cosmos.
Singer describes the ways his journey continues to evolve toward serving others spiritually, following the visit of a teacher named Amrit Desai. Amrit, who had lived in the U.S. for years and attracted large crowds, deeply impacts Singer by opening his heart chakra. In a powerful and unexpected moment, Amrit places his hand on Singer’s forehead, transmitting a warm, overwhelming flow of energy. This experience fills Singer with love and leaves him with a continuous flow of energy passing through his heart.
Amrit encourages others to come to the Temple for daily meditation practices—something that Singer initially resists. He values his solitude and doesn’t want to share his morning and evening meditations. However, surrendering to life’s flow, Singer hosts regular sessions, guided to serve others’ spiritual growth instead of focusing solely on his own.
Singer reflects on his initial fears that the Temple would become useless. Yet, 35 years later, the Temple remains an active spiritual center, regularly drawing people without advertising or signs. Singer concludes that life had its own plans, far beyond his mind’s understanding.
The Temple of the Universe officially becomes a nonprofit organization in 1976. By signing over his ten acres, house, Temple building, and Donna’s cabin, Singer relinquishes material ownership, returning to a life of simplicity, owning only his van and earning less than $5,000 a year. He values this minimalism, wanting to focus on quieting his mind and avoiding entanglement with finances. Though Amrit’s group offers the Temple a portion of retreat profits, Singer refuses, finding beauty in keeping the Temple free from commercial ties.
Throughout this period, spiritual retreats at the Temple continue to grow, attracting well-known spiritual figures like Mataji, Amrit, and Ram Dass. Donna, who has become an essential part of Singer’s life, helps with the organization and logistical aspects of the Temple’s activities. Their bond deepens, and they marry in 1976, continuing to maintain separate houses.
Upon their return from their wedding trip, they discovered that their property has evolved into a spiritual community. Radha Kautz, a spiritual seeker, has moved in, marking the shift towards the creation of a communal living space. From Singer’s perspective, this spiritual center emerges not by his design, but through his surrender to life’s flow. What started as his personal quest for solitude has gradually transformed into a community dedicated to serving others' spiritual growth, a higher purpose than he had originally imagined.
This section reveals a deepening complexity in Singer’s exploration of surrender as he confronts transformative encounters and significant life shifts. Singer roots his narrative in moments of pure chance or “coincidences,” which he reframes as life’s guidance, creating a lens that evokes an unseen order or divine intervention. Through each chapter, he balances personal anecdotes with spiritual awe, notably in Chapter 21 when he experiences an inexplicable draw to Baba’s image—a moment he describes with visceral intensity and “shimmering energy” rife with sensory details. These vivid descriptions emphasize Singer’s internal journey, inviting readers into his physical and emotional state as he grapples with forces beyond his control.
Singer continues to weave personal transformation with encounters of mysticism, often emphasizing the limitations of his rational mind in grappling with these events, which reiterates The Power of Surrender. For instance, in Chapter 22, when he experiences shaktipat, a Hindu term for the transfer of spiritual energy from a master to a novice, he’s struck by the overwhelming spiritual energy that leaves him “completely unburdened,”—a moment he depicts with deep vulnerability. He uses evocative imagery to illustrate how the Siddha master’s touch triggered an “upward rush” of energy within him, detaching him from his body and his own sense of agency—a moment that underscores Singer’s surrender to forces beyond the intellectual understanding, capturing the concept of transcendence through the juxtaposition of spiritual awakening and physical disorientation.
Singer's use of juxtaposition also exemplifies The Impact of Mindfulness and Acceptance. In Chapter 22, he contrasts the discomfort he initially feels at the retreat with the profound spiritual release he experiences after he surrenders his resistance. This stark contrast between resistance and release creates a dramatic tension, leading to an explosive spiritual breakthrough during shaktipat, which he describes as “ten thousand volts of electricity” (90). Such hyperbolic imagery heightens the sense of the extraordinary power and unpredictability of spiritual awakening, presenting surrender not as a passive act but as a powerful and sometimes unsettling choice.
Singer structures his narrative around pivotal events that alter his life trajectory, highlighting The Challenges and Rewards of Living a Life Aligned with The Universe’s Flow. Each chapter ends with a sense of unresolved anticipation, mirroring his ongoing surrender experiment. For instance, in Chapter 24, the establishment of the Temple of the Universe is narrated as a process beyond his control, with Singer repeatedly emphasizing how life’s demands seem to override his own desires for solitude. This structuring technique creates a rhythmic build-up that conveys the accumulating weight of his responsibilities, underscoring the theme of surrender as something he must continually reaffirm.
In Chapters 23 and 24, Singer’s storytelling becomes more focused on communal engagement, which he conveys through anecdotes and interactions with other spiritual seekers. Here, his choice to recount personal conversations and challenges with community members serves as a narrative device that humanizes his spiritual journey, grounding his abstract ideals of surrender within everyday occurrences. This shift toward dialogue and interaction broadens the scope of his journey from self-focused spirituality to communal responsibility, allowing readers to witness the external manifestations of his inner surrender.
Singer’s restrained tone when describing miraculous financial support for the Temple construction subtly underscores his evolving relationship with faith and doubt. He describes each donation as arriving “exactly when we needed it.” Avoiding embellishment gives his narrative an objective quality that invites readers to see these events as matter-of-fact occurrences rather than dramatic or emotional breakthroughs, reinforcing Singer’s trust in the flow of life without imposing interpretations (97).
However, Singer’s narrative risks idealizing the process of surrender, potentially underrepresenting the psychological or ethical dilemmas that such self-abnegation can entail. Singer’s experiences, though transformative, are presented with a sense of inevitability, as if surrender always leads to harmonious outcomes. This framing risks oversimplifying the surrender process, glossing over the nuances of maintaining personal agency or grappling with conflicting responsibilities. He uses the miraculous turn of events—such as the unexpected financial support and encounters with influential spiritual figures—as evidence to support his worldview without addressing questions of privilege and the accessibility of such a path for the average reader. Singer’s descriptions, though evocative, verge on hagiographic, potentially detracting from a more grounded exploration of spiritual growth’s real-world challenges. Consequently, while this section effectively conveys the profundity of Singer’s experiences to him, it risks presenting an overly romanticized view of surrender.