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95 pages 3 hours read

Nicola Yoon

The Sun Is Also a Star

Fiction | Novel | YA | Published in 2016

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Symbols & Motifs

Science

Throughout the novel, Natasha’s passion for science and logical reasoning becomes a way for her and Daniel to fall in love. As Natasha is unwilling to accept abstract ideas of love without hard evidence, Daniel’s proposition that they participate in Arthur Aron’s psychological experiment creates a way for Natasha to fall in love with Daniel based on a familiar science. While Natasha believes that the sciences provide objective truths, the novel contends that science also supports the development of love, especially less-rational explanations for it. In the chapter, "Love: A Chemical History,” Natasha cites the three stages of love, according to scientists, which are lust, attraction, and attachment. By learning that love consists of these stages, she is able to interpret her past romantic betrayal as “just chemicals and coincidence” (105). However, despite her attempts to reason her way out of more inexplicable feelings of love, she also acknowledges that with Daniel, it “feel[s] like something more” (105).

As Natasha’s outlook on love becomes less defined by objective truth and more readily embraces the inexplicable, the scientific principles of the novel begin to exhibit more of Natasha’s emotional vulnerability. In “Eyes: An Evolutionary History,” the chapter contemplates the final part of Arthur Aron’s experiment where two strangers stare into each other’s eyes for four minutes. The chapter asks the question, “How did we go from eyes as a survival mechanism to the idea of love at first sight?” (280). While the eyes have a practical purpose, they also become a way of expressing intimacy and connection. Natasha expends much effort proving her proficiency in complicated scientific theories, though her love for Daniel proves that connection can be quite simple. The eyes can be said to sense light and predators, and they can also be used “[t]o see” and “[t]o be seen” (281). While this exchange may seem simple, it also expresses a more profound and vulnerable sense of love that cannot be reasoned through scientific jargon alone but with poetry as well.

Poetry

As a budding young poet, Daniel keeps a moleskin notebook of his poetry. The progress of his poetry mirrors his emotional development throughout the novel. At first Daniel struggles to write a poem about heartbreak: “The problem is I’ve never had my heart broken, so I’m having a hard time” (28). After he meets Natasha, he feels moved to work on the poem again. Forced to defend his love for poetry to Natasha, who sees value only in pragmatic pursuits, Daniel argues “[w]e write poetry” (100) and as such “[w]e are born to dream and make the things we dream about” (101). Natasha inspires him to truly think about his commitment to his art and to take action where he once was only a dreamer. This includes acknowledging difficulties. After Daniel learns of Natasha’s departure from the U.S. for the first time, he writes a poem, “Symmetries,” where he describes their literal separation across the train platform while figuratively gesturing to how their different cultural backgrounds and experiences are a rift in their relationship. He writes, “I will/ stay on my/ side. And you will/ stay on an-/other” (204). The poem presents an early sentiment that evolves into true cross-cultural understanding when they resolve their differences and come together again. At the end of the novel, Daniel finishes his initial poem about heartbreak, as he has loved and lost Natasha in the span of one day. The poem begins, “Hearts don’t break” (303) and explores the expression in ironic terms until concluding, “[hearts] just stop working” (303). Daniel realizes that his romantic ideals can serve him only so much, as love is more complicated than grand gestures. He must contend with uncontrollable forces in life that operate against his notion of fated love.

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