69 pages • 2 hours read
John GrishamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
On the Saturday morning after helping at the soup kitchen, Michael drags himself to work despite physical and mental exhaustion and increasing ennui with his job. Rudolph Mayes visits him in his office and interrogates him about where he has been and the status of his mental health. Michael lies and assures Rudolph he is “a hundred and ten” percent fine and ready to get “back in the saddle” (80).
After leaving the office, Michael purchases toys, clothes, and food and heads to the shelter, intending to give the supplies to Ontario and his family. While Michael helps prepare food, Mordecai arrives, and Michael asks him and Miss Dolly for information about the family, who have now left the shelter. No one knows where they went, but Mordecai assures Michael they will be back at night.
Mordecai takes Michael on a tour of Northwest DC—a less-resourced section of the city—and they eventually end up at the 14th Street Legal Clinic. At the clinic, Mordecai gives Michael more information about the clinic’s history and operations and regales him with stories about clients he has helped. They return to the shelter for the dinner rush. Michael leaves at midnight, disheartened to see no sign of Ontario or his family.
On Sunday morning, Michael learns from a news article that Ontario and his family have died. Ontario, his mother, Lontae Burton, twin brothers, Alonzo and Dante, and baby sister, Temeko, were found asphyxiated in their car near a park the night before. Michael is devastated and sits “on the sofa, where [he] remain[s] for an hour without moving” (91). Mordecai calls and they exchange condolences and they agree to meet at Michael’s office later.
At the office, Mordecai informs Michael that no one has been able to contact Lontae’s next of kin. They then go to the morgue to identify the bodies, then to a funeral parlor, where Mordecai negotiates with the minister for the family’s funeral.
Claire returns home from Providence with news Michael does not expect: Her brother has been diagnosed with Hodgkin’s disease. He realizes her trip to Providence was not about him or their marriage. They have wine and share stories with each other: hers about her brother, and his about Ontario. Michael tells the reader that Claire is moved by his story but also confused by his changed personality. The scene shows a rare sentimental moment between them, which Michael describes as “almost romantic” (97).
The next morning, Michael awakes with a renewed determination to disassociate himself from “the street people” and recommit to work with “a string of 18-hour days to readjust [his] priorities” (98-99). On his desk he finds a mysterious manila folder containing a copy of the Washington Post article on the Burton family and a list of evictees from the River Oaks warehouse; number four is DeVon Hardy and number 15 is Lontae Burton and family. He finds a scribbled message inside the file that reads, “The eviction was legally and ethically wrong” (100).
Michael slogs through his day at the office, donning his “game face” (102) through meetings conferences. He fields phone calls from his dad and brother, Warner, who both try to convince him to take a break from his job instead of leaving it completely. Later in the day, Michael returns his attention to the file and pinpoints Hector Palma, Braden Chance’s paralegal, as a likely person to have left it for him.
Michael meets Mordecai for dinner that night. Mordecai informs him that the Burton case is gaining more traction, but Michael does not tell him about the file. Mordecai then reveals that he and the others at the legal clinic have decided they need help, and he offers Michael a job as a fundraiser and street lawyer. Although he is not surprised by the offer, he admits that he is scared. He stays awake contemplating the offer, knowing it will mean “saying good-bye to millions” and everything he has known (107).
Michael calls in sick to work so he can attend the Burton family funeral, which is crowded and passionate but not extravagant. It lasts 90 minutes and includes a scripture, music, and a full sermon that “[blasts] everyone who [isn’t] of color and [has] money” (110). Michael is most taken with the tiny caskets for the children, and he wonders why the people there did not show up for Lontae and her family during their lives.
Later, Michael tells Rudolph Mayes (his supervisor) he is leaving Drake & Sweeney for street law. Like Michael’s father and brother and countless others, Rudolph tells Michael he is crazy and tries to convince him to simply take a month off and “get it out of [his] system” (112-13). Michael makes a joke and brushes him off, confirming that he will leave that Friday.
That night, Michael gives Claire the same news, and she is furious. She feels ambushed, believing she should have a say in the decision, but her biggest problem is that he will be making decidedly less money and change their lifestyle considerably. She maintains her cool despite her anger, finishes her wine, and goes to bed, leaving Michael alone in front of the fire.
Two days before Michael’s presumed departure, Rudolph invites him for breakfast in the partners’ private dining room. During breakfast, he tries to woo Michael into staying by proposing a plan for a subsidized 12-month sabbatical that has been approved by Arthur Jacobs. During this time, Michael would do pro bono work while the firm supplemented his salary, and then he would return to Drake & Sweeney with his “batteries recharged” and his “other interests quelled” (117). Michael is moved by the offer and promises to think about it, recognizing it as a sign that Rudolph is desperate for him to stay because of the heavy workload in the antitrust division. Toward the end of their breakfast, Braden Chance enters the dining room, which stirs Michael into ruminating over how disconnected Braden usually is to his cases, meaning that his paralegal, Hector Palma, probably did the “dirty work” of the River Oaks eviction.
Later that day, Michael and Hector have a clandestine meeting in the firm’s library. Michael tries to ask Hector about the file he allegedly left on Michael’s desk, but Hector is nervous and denies any knowledge of it. He does reveal that the River Oaks eviction file is locked in a cabinet in Braden’s office, and that “bad stuff” is in it (120-21). When Michael tries to push for more information, Hector tells him he will have to steal the file, and then he quickly leaves the library.
Michael calls Mordecai and formally accepts the legal clinic job, then spends the rest of the afternoon saying goodbye to his colleagues. When he arrives home, Claire is waiting with news that she has hired a divorce lawyer and they have already begun to draft the terms. Although Michael has been expecting this, he feels that Claire is “cold-blooded” about it (122). They bicker over terms and conditions, Claire implying that she should get more because he is the one who decided to take a drastic pay cut. Even though Michael does not agree, he is too tired and resigned to argue, so they finish, and he goes for a walk in Georgetown, “wondering how life [has] changed so dramatically” (125).
Michael spends the morning looking for a new apartment with no luck. When he returns to the office after lunch, he finds another mysterious manila file on his desk. This one has two keys accompanied by a typed note with directions for their use. Before he can investigate any further, Barry Nuzzo pays him a visit. Barry is a friend and another of Mister’s lawyer hostages. Michael tells him about the divorce, and then Barry launches into a confession of self-blame for Michael’s leaving. He believes that if he had done more to help during the hostage crisis or supported Michael as a friend afterward, maybe Michael would not have “lost [his] mind” (128) and decided to leave. Michael assures Barry that no one could have changed his mind.
After Barry leaves, Michael spends a few minutes devising a plan to steal the River Oaks file from Chance’s office. He leaves Drake & Sweeney at 5:00 p.m. and drives to the 14th Street Clinic to settle into his new office, which is a stark contrast to his old one. After dinner and a quick chat with Mordecai, Michael heads back to Drake & Sweeney, waits until 8:00 p.m., and then goes directly to the real estate floor, which is now deserted. He easily absconds with the file from Braden’s office, but on his way out someone recognizes and chases him, and he escapes through a side exit. On the way back to the legal clinic, where he intends to copy the file so he can return it, Michael gets hit by a Jaguar fleeing a drug bust, and he wakes up in the hospital with Claire asleep in a chair beside him.
In the morning, Michael learns that Claire has left for work. He refuses drugs for his pain because he wants a clear head. He attempts to locate his wrecked car, with no success, and calls in sick to Drake & Sweeney. Claire returns and drives Michael back to the apartment, where she gives him instructions to rest.
Immediately after Claire leaves, Michael calls Mordecai and learns that he has not been able to locate the wrecked car either. Michael then calls for a driver from a car service, and Leon (his driver) escorts him around DC to continue his search for a new apartment. After he admits to Leon that he just got out of the hospital, Leon takes on the role of realtor, and he negotiates a loft in the Adams-Morgan district for Michael. Like his old and new offices, his old and new apartments are drastically different, the new one being “three tiny rooms in an attic with sloping ceilings” (142).
Mordecai finally locates the car, and Leon drives Michael to the lot. The attendant tells them the police are holding his car in a different lot, so they drive there. At the second lot, Michael can see his Lexus behind the gates, but it is dark and he feels unsafe, so Leon drives him to rent a car instead. When Michael returns to the old apartment, Claire notifies him that Hector Palma called and would like to meet later that night at a bar.
As soon as Michael sits down with Hector, he realizes Hector is wired. Hector gives Michael signals that let him know that the meeting and the wiring are not his choice. Their conversation is clipped and full of coded language, but Michael discerns that the firm knows the River Oaks file is missing, that they suspect both Hector and Michael of being involved, and that Hector’s job is on the line.
Mordecai, Michael, and Sergeant Peeler, a friend of Mordecai’s, go to the lot where Michael’s Lexus is being held. Peeler talks the officer guarding the lot into letting Michael get into his car. Michael has not told Mordecai what he needs to retrieve from the car, so he and Peeler are surprised when he returns with the manila file.
Michael examines the content of the file on the floor of his new apartment. He learns that Tillman Gantry, a former pimp and felon, owns River Oaks and that the warehouse had been earmarked by the US Postal Service for expansion. When the postal service demanded their facility be built virtually overnight, River Oaks immediately purchased more buildings near the warehouse and enforced the eviction of the squatters/tenants. As part of the process, Hector Palma had done two site visits and prepared memos for the file on both visits. During the first visit, he was brutally assaulted. Michael notices that his memo from the second visit has been removed from the file. He also finds 17 eviction notices in the back of the file, meaning they were never used and the warehouse inhabitants were never informed of the eviction beforehand because “[s]quatters have no rights, including the right to be notified” (155). Michael drives to the clinic to copy the file.
Later, he returns to his old apartment to pack and clean out the last of his belongings while Claire is out shopping. He leaves a note for her telling her he is gone and drives away with “no feeling of liberation” (157).
As Michael sits in his new office on a Sunday morning, lamenting its bedraggled appearance and dreading his brother’s and parents’ reactions to it, Barry Nuzzo shows up unexpectedly. They banter back and forth for a few minutes, and then Barry finally gets to the point: A file is missing, and the firm suspects Michael. Barry swears he is there of his own accord and not wired, and Michael believes him. He tells Michael that they have his fingerprints all over Grace’s office and that everyone at the firm has been forbidden to have any contact with him. Barry begs Michael to return the file before things get out of hand. If he returns it, Barry believes the whole thing will blow over; if not, Drake & Sweeney could bring criminal charges against Michael. Michael at first attempts to explain the complications of the eviction to Barry, but he does not want to divulge too much, so he cuts himself off. Barry finally leaves with a promise to keep in touch.
This section marks the second phase of Michael’s character arc: moving from elite anti-trust lawyer to humble street lawyer. After allowing his encounter with DeVon Hardy to change his perspective, Michael continues to open his heart to the unhoused, this time endearing himself to a whole family. At the beginning of Chapter 9, when Michael is recounting his old life as a workaholic for Drake & Sweeney, he explains that “[n]o day could be wasted and precious few hours left unaccounted for” (77). Grisham includes this line as verbal irony: in the context of the firm, it refers to how fastidious lawyers should be about billing hours; in the context of street law, however, the words imply how desperate the situations of DeVon Hardy and others are. That Michael is ruminating on this idea shows that he understands the cruel irony and has shifted his mindset. Although he continues to struggle with his identity throughout this section, he does so with an urgency to act.
Another indication of Michael’s ongoing transformation is that he has great difficulty focusing on what used to be his “normal” workload, both in terms of quantity and content of projects. He spends some time at his office, though much less than before, but the reader often finds him sitting at his desk either cogitating over various developments in his life or following up on the River Oaks case. For example, when Michael returns to his office after skipping a meeting and dodging calls, his supervisor, Rudolph, enters his office as Michael is "sitting at [his] desk, holding the cup [of coffee] with both hands, staring into the unknown, looking very much like someone teetering on the edge of a cliff” (79). Before the Mister incident, nothing in Michael’s life was “unknown”; at this point, most things are. Grappling with the unknown has destabilized him, but not in the way his colleagues and family assume. They see his “teetering on the edge of a cliff” as a psychological breakdown or something that needs to be fixed, when, in fact, Michael is realizing he no longer espouses their values. Because this change of heart is unexpected and disillusioning, it is also partially paralyzing.
Michael copes with his inner conflict through the aforementioned urgency to act: he buys clothes and supplies for Ontario and his family; he volunteers at the shelter more than once; he attends the Burtons’ funeral; he continues investigating the River Oaks case; and finally, he resigns from what once was his dream job and accepts a position with a more altruistic purpose. It is not enough, however, for Michael to leave his old work world behind; in order to fully embrace the new ideology of street law and all of its underpinnings, he must also let go of Claire. He achieves this by finalizing the divorce and moving into a new apartment. Even this change of scenery signals a new Michael: he moves “from the swankiness of Georgetown to a three-room pigeonhole in Adams-Morgan” (142).
Michael’s changes in this section, however, are not just physical or geographical; they are, more importantly, relational. As Michael moves away from Drake & Sweeney and Claire and moves toward Mordecai and his associates, his connections shift from shallow to authentic. Looking at the end of Chapter 9 and the beginning of Chapter 10, Grisham highlights the difference between Michael’s interactions with Mordecai and Claire. As Mordecai illuminates the world of the unhoused to Michael, they discuss concepts like justice and dignity; Michael “[listens] intently, and [Mordecai] can read [his] mind” (87). Michael refers to Mordecai several times as a gifted storyteller, and through these stories, the men share a connection that sparks passion in Michael. In contrast, at the beginning of Chapter 10, Claire and Michael have “another stilted chat she [initiates] only to tell [him] what time she [will] be home” (89). This conversation, along with many others between them, is devoid of emotion, indicating that their connection is all but severed. Set directly after Michael and Mordecai’s bonding interactions, the exchange with Claire emphasizes the disparity between Michael’s old and new relationships.
Grisham further cements the change in Michael’s connections at the end of Chapter 17, during his conversation with Barry Nuzzo. Although Barry and his wife were former friends of both Michael and Claire, Michael immediately suspects that he is visiting at the firm’s suggestion, rather than out of concern for Michael: “As bad as the thought was, I couldn’t help but wonder if Barry was wired” (161). Michael mentions several times throughout the conversation that he trusts Barry because they are friends, but his actions do not support his words. He remains guarded about the file, and when he realizes Barry knows nothing of the complications of the River Oaks case, he stops being honest with him; he admits that “[Barry] would repeat most of [their] conversation to his bosses” (165). This conversation is more like a sparring match than connection: two men who barely trust each other verbally darting and jabbing, trying to learn what they can without divulging too much. This exchange is just as stilted as the one with Claire, for different reasons, and it is evidence that Michael no longer fits in the Drake & Sweeney universe.
By John Grisham