69 pages • 2 hours read
John GrishamA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sofia informs Michael there is a warrant out for his arrest for grand larceny and that there is an unmarked police car sitting outside the 14th Street Legal Clinic. Michael is terrified, but he tries not to show it. Sofia and Mordecai make a plan to help, and they start making calls. Gasko enters with two other policemen, shows Mordecai a legitimate arrest warrant, and informs Mordecai that he is taking Michael to central booking. On the way there, Gasko admits that he thinks arresting Michael is a waste of time and resources, but he is being pressured by Drake & Sweeney, via the prosecutor. While Mordecai tries to come up with Michael’s bail, he is booked, fingerprinted, and thrown in a cell with two beds and five Black men. During the few hours he spends in jail, one of the men bullies Michael into “giving” him his sport coat and shoes. Mordecai finally provides bail around 7:00 p.m., and Michael gets his clothes back.
The next morning, Saturday, Michael awakens with soreness all over his body from his various physical struggles. Trying not to think about his pending grand-larceny charge, he goes to a local bakery for coffee and a newspaper. In the Metro section, he finds his photo and a four-paragraph article headlined “Local Attorney Arrested for Grand Larceny.” Although it is somewhat embarrassing, Michael recognizes that it sounds “like a silly little spat—a bunch of lawyers quibbling over nothing but paperwork” and that “there [are] too many real stories in the world” for anyone to really care (260). He grabs some cookies for Ruby and heads to the office.
Ruby admits to Michael that she left the AA/NA meeting the day before at Naomi’s and that she is not sober. He reminds her of their deal regarding Terrence and drives her to Naomi’s, when she promises to attend both meetings. On the way there, Ruby tells Michael she knows he got arrested; he is surprised and embarrassed, and he tells her it is a “misunderstanding” (261). While Ruby sings and talks with people at Naomi’s, Michael banters and flirts with the center director, Megan. She invites him to come back for lunch, “to check on Ruby” (264).
Michael drives to several shelters and churches hoping to locate the other River Oaks evictees. He makes some connections but gains no solid information. He calls Megan to cancel lunch, and she tells him that Ruby made it through the meetings and that it would be best for Ruby to be off the streets for at least a night. Michael drives Ruby to a motel room they rent for her in Gainesville, Virginia, where she will stay with the door locked until the next morning.
Michael spends Saturday night at his apartment drinking beer, eating pizza, and watching television. He calls Ruby to check on her, and she is doing well, enjoying her time in the motel. Claire calls unexpectedly because she is worried about Michael, and they converse about his arrest and pending trial.
When Michael arrives at the motel to retrieve Ruby, she announces she has remained sober. He drives her to Naomi’s, and everyone celebrates her achievement. Megan and Michael try to figure out what her next 24 hours will look like, and they decide on another suburban motel. Megan invites Michael to lunch again, and he accepts.
Michael flies to Chicago to look for Hector Palma. At the Chicago office of Drake & Sweeney, he pretends to be sick in order to get past the receptionist on the 51st floor, and he surprises Hector in his office. He tells Hector about the River Oaks lawsuit, and he tries to get Hector to give him more information, namely the memo Hector wrote that was removed from the original file. Palma is reluctant to talk in the office, so they agree to meet later outside the building, where he delivers the memo in an envelope to Michael. The memo contains all the information Michael thought would be there. Notably, it also contains a copy of a receipt that Lontae Burton had gotten for her January 15 rent payment. He faxes the memo to Mordecai from the airport and flies home.
While Michael is in Chicago, Mordecai establishes a temporary guardian of the Burtons’ estate so that they can legally sue River Oaks, Drake & Sweeney, and TAG on her behalf. Michael receives notice from the DC bar that Drake & Sweeney has filed a formal complaint with the Court of Appeals on the basis of his “unethical behavior” (283). He and Mordecai attend a Georgetown-Syracuse basketball game hoping to talk to Jeff Mackle, a security guard working the event, who also handled the eviction for Drake & Sweeney. They talk to him, but he denies any knowledge of the firm or the eviction.
When Michael arrives at Ruby’s third motel to pick her up, she is not there. He and the manager search the room, but everything is neat and looks unused. He calls Megan to alert her, then checks with Sofia to see if Ruby went there, but she did not.
Mordecai and Michael prepare the final draft of the lawsuit on behalf of Lontae Burton and her children, as well as a back-up plan. Michael describes their argument as simple, brief, and concise. The only possible problem is the file Michael stole. The tragedy of the Burtons’ deaths has become a hot issue in the District, so they know that Drake & Sweeney will never let their case go to trial, where they risk a loss. Michael and Mordecai prepare to negotiate with the firm. Michael provides information to a reporter who will release a damning story about Drake & Sweeney.
So far, Michael has not been able to locate Ruby, and he feels responsible. Warner, Michael’s brother, calls, says he is in town for business, and wants to meet for dinner. During dinner, Warner teases Michael about his new image, pointing out all his physical changes that obviously show his personality shift, calling him “a real radical” (292). Michael takes these remarks in stride, keeping the conversation light, but eventually he tells Warner about his arrest to divert his attention. Throughout the exchange, Warner continues to emphasize money, particularly the contrast between how much money Michael could/should be making and how much he is making. Michael tries to get Warner to connect with the heart of street law, but Warner is too far removed from the experience of poverty to understand, and he does not want to change that. Their conversation becomes heated, and they part ways under slightly veiled hostility, with Warner saying, “Call me if you get hungry,” which Michael does not see as humorous (298).
The chapter ends with Michael reading the very thorough article on the entire River Oaks saga, beginning with DeVon Hardy and detailing the roles of all the connected parties, including Michael and Mordecai.
Warner calls Michael at 5:00 a.m., two hours before his plane leaves, to talk strategy about the lawsuit, and Michael humors him. He promises he will begin doing research to help Michael as soon as he returns to his office in Atlanta. After they hang up, Michael thinks about all the possible fallout from the case, weighing his conscience about it all.
Still having not heard from Ruby, Michael and Megan set out in search of her car, but to no avail. A congressman from Indiana gets shot in the evening as he is jogging, and the city scrambles to find the guilty party. Four witnesses describe the gunman as “a male black homeless-looking type,” so the police begin a massive sweep of the city, “shoveling the street people into cars and vans and taking them away” (304-06). Some of the “street people” are arrested, and some of them are driven to other states and dumped.
The congressman, Burkholder, has garnered more media attention, and his story is on the front page of the Washington Post, but nothing is mentioned about the police sweep. In the Metro section, another reporter has published a lengthy article on the River Oaks case, this time focusing on the three defendants.
Michael makes his first appearance in court, accompanied by Mordecai as his lawyer. Two lawyers from Drake & Sweeney are there, including Donald Rafter, who was another of the DeVon Hardy hostages. Michael believes they have chosen Rafter because he “[is] the smartest and meanest of all litigators” and they want to intimidate him (310).
Michael and Mordecai meet with Judge Kisner in his chambers. Kisner explains that if Michael returns the file, he will knock the charge down to a misdemeanor and could “sweep it under the rug with a bit of paperwork” if Michael would agree not to use any of its information (311). If he does not return the file, his grand larceny charge remains active, he goes to trial, and, if convicted, Kisner will sentence him. He could also lose his law license. Kisner gives them two weeks to make a decision, and Mordecai informs Michael that Kisner is a “hard-ass” and that they should not make a hasty decision (313).
In this section, Michael, as the reluctant hero, endures more tests and ordeals, most of which he passes, although not necessarily valiantly. When faced with the prospect of jail time, Michael feels “an element of horror, a fear [he] [has] never felt in [his] life” because of all the things he imagines could go awry, the worst of which is that he “could be placed in a crowded cell with unfriendly to nasty people” (253). Here Michael’s fear stems from a lack of control. As he has recently relinquished much of his control, in the form of eschewing the millions of dollars he would make at Drake & Sweeney and losing his wife, he grasps at this last vestige of control—power over his own fate and autonomy. He also still sees himself as separate from the “bad guys,” or those he imagines would be the typical inhabitants of a jail cell, so he does not consider that he could be one of the “unfriendly to nasty people.” In his mind, he is not a drug addict, he has not committed a serious crime, and he is self-sustaining; therefore, he does not deserve to occupy the same space as those who do not fit that criteria. Michael does survive his three-hour jail stint, but only by temporarily surrendering his jacket and shoes, which he then gets back when he leaves. Therefore, although he technically passes this test, he does not have to sacrifice anything to do so—evidence of his privilege—and thus learns no lesson from it.
Grisham demonstrates the same passive perseverance in Michael’s encounter with Hector Palma and his conversation with his brother, Warner. Michael basically strong-arms Hector into giving up the memo, asking Hector to risk his job and, by extension, his family’s survival, while Michael risks nothing. In his interactions with Warner, Michael allows Warner to verbally jab him, knowing he has no respect for or understanding of his choices. Although he does briefly challenge Warner on his views about money, Michael never really stands up for himself. He even ends their exchange by telling Warner not to worry their parents, to “tell them everything is wonderful [here]” (298). In these cases, Michael’s idea of overcoming obstacles looks more like denial and avoidance, rather than bravery. In this way, Grisham shows a side of Michael that is not heroic, at least in the traditional, archetypal sense.
One reason Michael might not yet possess the courage and integrity of a traditional hero is that he is often fighting the wrong battle: he still believes his goal is to save the unhoused, rather than to find his true purpose. When he and Mordecai hit dead ends trying to find the other evictees, Michael observes that “[t]he hard-core homeless venture into shelters from time to time for a meal […] but they leave no trail. They do not want help. They have no desire for human contact” (267). Michael assumes the people who live on the street do not want help, but he never considers that their transient behavior could be the result of other factors—resource disparity, a need for safety, a basic lack of trust that comes from surviving traumatic circumstances, or simply the fatigue of living within a system that dehumanizes and marginalizes them. Mordecai tells him that “[s]treet lawyers must have patience” (267), but Michael struggles with that because his motives are still largely selfish.
Even Michael’s relationship with Ruby is fueled by a desire to save or fix her, which again points to his need for certainty and control. He likes the routine of seeing her every morning because he can feed her, read to her, and know she is safe—all things he can, in the moment, control. He happily pays for the motel rooms for her, even though he knows it is not a permanent solution, because it is a way he can ensure her safety and maintain control of her situation. When he thinks about Ruby “enjoying herself immensely” in the motel room, he “pat[s] [himself] on the back again,” the word “again” implying that he has done it before (269-70). “Helping” Ruby, which to Michael means “fixing” Ruby, makes him feel good about himself, but a true hero does not pay his way through the trials of his journey.
In these chapters, Grisham veers from the archetypal hero’s journey, painting Michael Brock as more of an antihero. As the section is close to the end of the novel, the reader wonders where Michael’s journey will lead, particularly with regard to his decision about whether or not to return the file.
By John Grisham