54 pages • 1 hour read
Jodi PicoultA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Minka’s story continues with Aleks dragging Ania into an abandoned barn, where he reveals self-inflicted cuts all over his body. He finally tells her the story of her father’s death. One day, while Aleks was trying to find him food, Casimir escaped and found Ania’s cottage. He began to attack her father, but Aleks’s arrival at the scene distracted Casimir long enough for Ania’s father to land a blow against Casimir with his axe. The sight of the blood and his brotherly protective instincts overwhelmed Aleks, and he killed Ania’s father. He explains that he never wanted to kill again after that and had to find a way to protect others. Ania remembers that the only way to gain immunity from an upiór is by drinking its blood. She thinks of the pink-tinged princess roll and realizes that Aleks has been mixing his blood into the bread he bakes to protect her and other villagers.
After hearing Minka’s story, Sage asks how she can forgive the Germans for what they did. Minka says that she can never forgive Reiner for killing Darija—only Darija herself could do that. As for Franz, Minka has the choice to forgive him but is not sure if she can. Leo drives Sage home, but after she breaks down crying he brings her to a temple where a Friday night service is taking place. Although Sage protests, Leo encourages her to give it a chance. As the cantor sings, Sage is moved to hear the same music that her grandmother grew up with. When the rabbi begins the kaddish, a prayer for dead loved ones, Leo pulls Sage to her feet. Looking around, she realizes that she believes “in people…in their strength to help each other, and to thrive in spite of the odds” (373).
After the service, Leo and Sage drive to Westerbrook for tea at a late-night cafe. They are debating the topic of Josef’s guilt when Adam walks in with Shannon. He approaches their table and introduces Sage as one of his clients. During their awkward conversation, Leo pretends to be Sage’s boyfriend. He is disappointed to find out that Sage dated a married man and asks if she still loves him. She is unable to answer, which he takes as confirmation.
The next morning, Adam calls Sage. He is jealous over Leo and wants to see her again. Sage hangs up on Adam and calls Leo instead, who advises her to talk to Josef again while they wait for the delivery of a photo lineup so that Minka can confirm Reiner Hartmann’s identity. Sage goes to Josef’s house. Laying eyes on him for the first time after hearing Minka’s story, all she sees is Reiner. Josef further his explains his role at the camp—he was in charge of overseeing the prisoners who were kept alive. He tries to defend himself by asserting that he didn’t create the system he participated in, but Sage retorts that he did nothing to stop it, either. Finally, Josef slams his fists down on the table and shouts that he is a murderer and deserves to die. Disgusted, Sage tells him that he doesn’t deserve to die on his own terms and leaves. She returns to Our Daily Bread, reuniting with Mary, who reassures her that she still has a job at the bakery. Stepping back into the kitchen for the first time in days, Sage bakes the crown roll from Minka’s story.
Aleks tells Ania about the murders he’s committed—after a certain point, he stopped caring about the names or stories of the people he murdered. Ania asks how she can be sure he won’t kill her, and Aleks replies that she can’t be sure. Unbeknownst to them, Damian is listening to their every word.
Leo and Sage meet with Minka to see if she can identify Reiner in a photo lineup of eight similar-looking Nazis. Initially Minka says that what Leo is asking her to do is too hard, but eventually she relents and selects the photograph of Reiner, confirming that he is the man who killed her best friend. The information about Darija was an undisclosed part of Reiner Hartmann’s file, so Minka’s mentioning it confirms his identity. As Leo prepares to say goodbye to Sage and return to his office in D.C., Sage’s phone rings. It’s the hospital, sharing the news that Josef has been admitted for a suicide attempt.
In Minka’s story, Damian chains Casimir up in the village square. Ania and Aleks watch from behind Baruch Beiler’s house as Damian decapitates Casimir. Unable to control himself, Aleks runs out into the square and rips out Damian’s heart.
The events of the novel’s several different storylines all mirror one another in this part of the narrative. Ania and Sage question whether they can trust men who have shown themselves to be capable of great cruelty. Aleks (like Josef) has killed so many people that he’s lost count of their names, yet he has singled out Ania to protect for reasons beyond her understanding. This event in the story is Minka’s way of processing in writing how Franz chose to save her while her entire family and millions of others perished around her. Sage, too, has been singled out, not for survival but for confession. Now that she knows Josef’s history with Minka, she wonders if choosing her was just a tactic to get closer to the woman he failed to kill decades ago. Ania and Sage both know the men in their lives have killed countless times, yet neither can write them off as irredeemable because they have built relationships of love and trust with the men they thought Aleks and Josef were before their crimes were revealed. They can neither be completely trusted nor reviled. Good and evil are not absolute, and Josef and Aleks are both capable of loving and being loved by others despite their past actions.
Minka weighs in on the theme of forgiveness. She shares Leo’s belief that only the victim of a wrongdoing can forgive the perpetrator, meaning that Josef can never be forgiven for murdering Darija. She acknowledges that forgiving Franz is an option but is unsure if she can do it. Sage continues to mull over the question of what would constitute justice for Josef. She is unsure that spending his final few years in a prison cell would be right, as it wouldn’t undo the harm he’s caused. On the other hand, if Minka, the living person most directly hurt by Josef’s actions, cannot forgive him, then it may not be Sage’s place to do so for her.
Minka’s storytelling serves an important purpose for Sage. Previously, Sage has felt disconnected from the realities of the Holocaust. Even though she’s known Minka was a survivor since childhood, Minka’s refusal to tell her story meant that the only exposure Sage had to the Holocaust was through lessons at school. Minka’s firsthand account takes it from an abstract historical tragedy to a deeply personal one. Sage finally knows the extent of the cruelty perpetuated against her family and the names of the relatives she will never meet because they were murdered by Nazis. As painful as telling her story is to Minka, sharing her experiences provides Sage with renewed motivation to bring Josef’s case to a close. This again speaks to the delicate balance between the benefits of sharing traumatic stories openly and the need to preserve the peace of the people for whom these stories constituted real life.
Sage’s visit to temple with Leo is a turning point for her character. Although she has previously scoffed at all displays of faith, her view of the service is now informed by what she knows about Minka’s life. She is moved by the service because it connects her to Minka, who lost her whole family because of her religion, and to a wider community that she has turned away from for so long. She is still an atheist, but the service makes her appreciate the strength and importance of faith and the resilience of her peers. On a larger level, her participation in the prayers shows that she is taking steps out of her isolation and toward making connections with a larger community.
At the end of this section, Josef survives a suicide attempt. Since meeting Sage, he has maintained that he cannot die on his own, slated to wander the Earth forever like an upiór. The failure of his latest suicide attempt validates this somewhat fantastical belief. Sage is the only one Josef trusts to free him from his anguish. It’s a reversal of the power dynamic of Josef’s youth—where he once callously exercised his power over the lives of others, he now has to beg someone to help him end his own. It also means that Sage choosing to help him die on his own terms would be at least in part an act of mercy.
By Jodi Picoult
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