54 pages • 1 hour read
Elena ArmasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Spanish Love Deception begins with the sentence, “I’ll be your date to the wedding” (1). Elena Armas allows the reader to overhear a conversation between first-person narrator Catalina “Lina” Martín and her best friend and coworker Rosie, in which Lina says she is desperate to get a date to accompany her to her sister’s wedding in Spain (as she’s going to be the maid of honor). The opening quote comes from abhorred coworker Aaron Blackford, who eavesdrops on Lina needing a wedding date.
In a stream-of-consciousness flashback, Lina explains that her sister, Isabel, is marrying Gonzalo, the brother of her former lover Daniel. Lina felt hurt and unsupported after the breakup. She fears seeing Daniel at the wedding, especially since he is now engaged. As a way of demonstrating closure, Lina tells her family that she is dating an American and will bring him to the wedding.
Lina scrambles to find a man who will travel with her to Spain in a few weeks. The one person who volunteers, Aaron, has antagonized Lina for their 20 months of working together. Lina refuses to look at Aaron, whom she finds attractive and distracting despite his treatment of her. Rather than speak directly to him, she tells Rosie what she wants to say. Aaron remains emotionless during the conversation, insisting that he sincerely wants to accompany Lina. She replies, “I’d take a chimpanzee dressed in a tuxedo before taking you” (9).
After their conversation, Lina and Aaron participate in a directors’ meeting along with three other mid-management engineers of their design firm InTech: Gerald, Héctor, and Kabir. During the session, Kabir informs Lina that she has been chosen by the boss, Jeff, to plan and host a special all-day welcoming event designed to improve customer relations. Lina tries to avoid taking this responsibility, as she regularly overworks and is currently covering for two employees on maternity leave.
Gerald makes a number of sexist remarks, trivializing Lina’s abilities and implying that, as a woman, planning a social event should come easy to her: “Just prepare some activities, get some food delivered here, put on nice clothes, and crack some jokes. You are young and cute: you won’t even have to use your brain all that much” (23). Lina holds her temper and notes that none of the other directors spoke up on her behalf.
A few days after the directors’ meeting, Lina and Rosie text each other. Rosie texts from Around the Corner, their favorite coffee shop, while Lina works late. Rosie tries to lure Lina to join her. Believing there is an unspoken attraction between Lina and Aaron, Rosie asks if she will reconsider Aaron’s offer. Lina rejects this notion, thinking, “There was no simmering tension between Aaron Blackford and me. […] Aaron didn’t love anything—he couldn’t do that without a heart” (31).
Aaron enters Lina’s office with a stack of documents and planners intended to help her plan the upcoming special event. Despite her protestations, he rearranges her desk. He lays out his materials and explains how she should structure the event.
Gerald’s crass behavior comes up during the pair’s conversation. Aaron expresses surprise that Lina felt abandoned by her co-directors. He remarks, “You’ve never needed anyone to fight your battles, Catalina. That’s one of the things I respect the most about you” (40). Grudgingly, Lina decides to accept Aaron’s help in planning the special event.
Lina talks to her mother over the phone. Her mother gives her advice about what she should wear to the wedding. During the conversation, Lina’s mother asks if she is still bringing her boyfriend to the wedding. When Lina hesitates, her mother asks if she and her boyfriend have broken up. Lina is tempted to confess that she fabricated the story or to say that they broke up.
Lina’s mother talks about her cousin Charo, who doesn’t believe Lina has a boyfriend as she hasn’t seen pictures of him on Facebook or Instagram. With that, Lina insists she does have a boyfriend and will bring him to the wedding. Her mother asks for her boyfriend’s name.
At that moment, Aaron walks into Lina’s office with more details on the special event. Looking at him absently, Lina speaks his name, which her mother repeats. Lina’s mother realizes Aaron is in the room with Lina. Aaron realizes Lina’s call is personal and waits until she gets off the phone, teasing her about making such calls on company time.
Later at lunch with Rosie in the social room, Lina relays that her mother thinks Aaron is her boyfriend. As they discuss the dilemma, Aaron enters with an urgent message for Rosie. Lina follows Rosie, pretending she asked her a question.
On Friday evening, Lina exits the office building to catch the subway and discovers it’s raining. Drenched and slipping on the pavement, Lina notices a car stop next to her. Aaron offers her a ride home, but she resists. They carry on a brief argument until the cars behind Aaron begin honking and yelling.
Lina gets into the car, sitting on the edge of the passenger seat. A truck cuts them off, and she almost hits the dashboard. Aaron puts his hand against her chest to prevent her from striking the windshield. He tells her to sit back and buckle up, driving her to her apartment in Bed-Stuy (Bedford–Stuyvesant, a neighborhood in north central Brooklyn).
Aaron parks and asks Lina if she’s made up her mind about his offer. After attempting to dodge the question, Lina asks if he’s making a joke, as the two years they’ve known each other have demonstrated their incompatibility. He assures her that he is serious, and that there is something she can do for him in exchange for him going to Spain: He needs her to be his date at a charity event the next evening. Lina agrees to the deal.
Elena Armas begins The Spanish Love Deception in media res in two respects. First, the author introduces protagonist Lina several years after a breakup that left her with severe trust issues. As Chapter 1 progresses, Lina reveals what happened to her before she left Spain, though not in depth; the truth is later revealed to Aaron. Secondly, Armas opens the novel with a spoken quote—Aaron’s offer to be Lina’s wedding date—that is confusing without context. The two layers to the introduction draw the reader into Lina, her friend Rosie, and her “enemy” Aaron’s three-way conversation. The conversation is deceptively light-hearted because of its comedic tone. The reader is left wondering why Lina refuses to directly express herself to Aaron. Armas’s initial set-up for Lina (her needing a wedding date) and why Aaron is not acceptable for this set-up do not provide a full picture of the pair’s history.
The story’s tone dramatically shifts in Chapter 2, as what initially seemed to be a lighted-hearted tussle between a stubborn woman and a resilient man plunges into the territory of harsh business politics and sexual bias. Armas portrays coworker Gerald as unpleasant, his remarks crossing the line into chauvinism. Lina keeps her emotions in check while recognizing that her boss abruptly dropped an assignment on her because of her gender while her coworker blatantly insults her in an inappropriate way.
Armas uses Chapter 3 to reveal more about the three main characters. Rosie shows insight by observing the underlying romantic attraction between Lina and Aaron. Her attempts to lure Lina from the workplace—long after business hours—demonstrate concern for her overworked friend. On the other hand, Lina’s continual resistance to Aaron remains mysterious. The reader only learns well into the novel that she tried to be his friend and received hostility in return. While Aaron intends to be a helpful, positive force in Lina’s life, he comes off as domineering, someone with whom negotiation would be impossible. However, this façade breaks when he learns Lina felt abandoned by the other directors (when Gerald insulted her). He admits to admiring Lina for her ability to stand up for herself.
Chapter 1 begins with an act of serendipity: Aaron overhears Lina expressing the need for a wedding date. Chapter 4 offers a second serendipitous event as Aaron walks into Lina’s office when she is floundering to answer her mother’s question about her boyfriend’s name. In addressing Aaron, she gives her mother an accidental answer. This chapter reveals a different side to Lina, a Lina who descends into comedy because she doesn’t know how to handle unexpected situations. Armas also reveals a compassionate Lina, torn between her family’s expectations and her own needs.
The comedic Lina returns in Chapter 5, along with another serendipitous event. Lina’s precarious balancing act on the wet sidewalk—her feet sliding in opposite directions while Aaron blocks traffic and calls for her to get into his car—is used to tone down her defiance. Armas makes her seem childlike against Aaron’s understated maturity. As Aaron drives Lina home, his graciousness and tolerance of her petulance put her in a position where she feels compelled to express gratitude. This leads to Lina’s curiosity about Aaron’s deal—to be her date if she will be his. Despite Lina’s reluctance, this agreement progresses their otherwise strained relationship.
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