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48 pages 1 hour read

Johann Wolfgang von Goethe

The Sorrows of Young Werther

Fiction | Novel | Adult | Published in 1774

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Book 1, Pages 44-72Chapter Summaries & Analyses

Book 1, Pages 44-51 Summary: “June 21,” “June 29,” “July 1,” “July 6”

At first, his newfound love for Lotte appears to be just one part of the “pleasures” of life in Wahlheim. Werther’s June 21 letter returns to his philosophical musings about human nature, noting people’s eagerness for discoveries and the subsequent inclination to return to their familiar surroundings. He once again emphasizes the virtues of leading a simple life and activities such as gathering peas from the garden, shelling them, and preparing his meals. He draws a parallel to the ancient heroes of Homer, suggesting that he experiences a similar genuine sense of happiness by embracing a humble and self-sufficient life. Werther parallels the simplicity of his interactions with Lotte’s siblings and the farmer’s fulfillment in eating his own produce.

The June 29 letter muses on the delights of spending time with children, particularly Lotte’s younger siblings. The town physician is a “pedantic jack-fool” in his disapproval of Werther’s romping with the children at Lotte’s house, but Werther, for his part, takes children as “models” for authentic life.

The longer July 1 letter describes several conversations he and Lotte had with others in the area before she went to stay with a dying friend. He recounts a recent visit he and Lotte made to the vicar and his wife. The vicar had told the story about the walnut trees on his property. During the visit, Lotte and Werther encounter Friederike, the vicar’s daughter, and the curate, Mr. Schmidt, who is also her “beloved.” Despite Lotte’s attempts to engage Schmidt in conversation, he remains reserved, and Werther is disappointed by this. He discusses it with Lotte and the vicar’s wife upon their return and argues that there are boundless opportunities for happiness. The vicar’s wife disagrees and says that a person’s disposition is set. Despite their debate, Werther considers himself victorious in the argument because Lotte appears to agree with him. He is so moved by his own arguments that he is overcome with emotion and must leave the room. Lotte lightly criticizes his behavior on their walk home, worried that it would be too much of a strain on his nerves.

The July 6 letter recounts an encounter with Lotte and her sisters at a spring. When her little sister, Malchen, insists that Lotte should drink first from the glass of water she got. Charmed by her gesture, Werther picks up and kisses the girl, causing her to cry. Lotte reassures the child and washes her face to “purify” her. When he shares this incident with another man, the latter states that Lotte’s actions are wrong and that children should not be deceived. Werther defends the action and compares it to God’s dealings with humans, suggesting that innocent delusions contribute to happiness.

Book 1, Pages 51-54 Summary: “July 8,” “July 10,” “July 11,” “July 13,” “July 16,” “July 18,” “July 19”

This short series of letters offers glimpses of Werther’s growing affection for Lotte and his fragile happiness. On July 8, Werther humorously reflects on his behavior and acknowledges his childishness in longing for Lotte’s attention. During a recent encounter, Lotte barely acknowledged him in favor of her other friends, and he cries when she departs with them. However, he entertains the possibility that Lotte turns to look back at him and finds a hint of consolation in that uncertainty. On July 10, he tells Wilhelm how frustrating it is when someone asks him if he “likes” Lotte—a word that he finds utterly inadequate to the situation.

The July 11 letter describes Madame M., a dying woman whom Lotte has been visiting. A few days prior, Lotte had been privy to Madame M.’s confession to her husband that she secretly defrauded him for 30 years. Because her husband had never increased her allowance for household management, she began stealing from him to make up the difference. What makes her confess now is that she worries he will expect his second wife to manage on the original miserly sum. Werther marvels at the credulity of men who allow themselves to be deceived. However, Werther remains convinced of Lotte’s interest in him, claiming that he is not allowing himself to be deceived in the July 13 letter. Still, he does acknowledge a conflicting sentiment when Lotte speaks affectionately about Albert.

He returns, on July 16, to describing the overwhelming physical response to being in Lotte’s presence. Despite his strong emotions, he insists on his feelings’ purity and considers Lotte sacred. When Werther cannot see Lotte in person on July 18, he sends his servant to her house, finding joy in just the proximity of someone associated with him to her. He dismisses any potential mockery, asserting that the happiness derived from love is genuine and should not be ridiculed—the things that make us happy, he says to Wilhelm, cannot be merely “shadows and apparitions” (54).

Book 1, Pages 55-56 Summary: “July 20,” “July 24,” “July 26,” “July 26”

The July 20 and 24 letters respond to specific concerns raised by Wilhelm. On July 20, Werther rejects Wilhelm’s suggestion that he work with a certain ambassador. He expresses an aversion to subordination and already finds the ambassador “disagreeable.” Despite his mother’s wish for him to find work, Werther cannot bring himself to care about such mundane goals. On July 24, he admits that he has not been drawing lately, either. His happiness has not translated into artistic production. He has failed in three attempts to do a portrait of Lotte and has settled for a silhouette profile. Werther has also wholly lost his passion for drawing. He mentions his unsuccessful attempts at portraying Lotte and ultimately has to settle for a sketched profile of her.

Two letters are dated July 26. The first is addressed to Lotte; it appears to be part of an ongoing conversation. Werther asks her not to dry the ink on her letters with sand because he could feel the grit when he “hastily” raised her most recent note to his lips. The July 26 letter to Wilhelm acknowledges Werther’s perpetual failure to keep resolutions not to see Lotte so often. He describes his attraction to her as magnetic.

Book 1, Pages 56-64 Summary: “July 30,” “August 8,” “The same evening,” “August 10,” “August 12”

Albert’s arrival, recorded in the July 30 letter, prompts Werther to decide to leave Wahlheim. Albert has proved to be a “dear and honest man whom one cannot help liking” (56), and Werther likes and respects him. Despite this seeming friendship, Werther cannot tolerate seeing Lotte and Albert together. His inner “misery” has begun to spill over into more overt behavior, and he admits to Wilhelm that Lotte has already had to reproach him for making a scene. On August 8, Werther concedes that Wilhelm’s advice to him to either pursue his romantic desires for Lotte or relinquish them entirely is probably correct. However, he cannot see his situation in such “either-or” terms and still seeks a way around the decision. He compares his situation to a terminal disease and asks Wilhelm if he would advise a person in that situation “to put an end to his miseries with one sharp thrust of his dagger” (58). He questions if one can easily end such a condition. In a postscript added that evening, Werther displays a moment of self-awareness; looking at his diary, he realizes that he has known what he was getting into the whole time and has gone along with it anyway.

On August 10, Werther reflects on the life he could have led if he were not a “fool.” He has been accepted into Lotte’s circle, and Albert values him as much as the rest of the family. The absurdity of the situation makes Werther cry. Still, he listens to Albert talk about Lotte’s late mother and hears him praise Lotte herself. Moreover, Albert will be remaining in the area, working in a well-paid court position. He is already exceedingly popular.

Werther describes a conversation he had with Albert in the long letter of August 12, calling him “the best fellow on earth” (59). Werther had asked to borrow Albert’s pistols, only to find out that Albert keeps his guns unloaded because of a previous incident where someone was accidentally injured while playing with the loaded gun. Werther, becoming bored with Albert’s discourse, puts one of the guns to his own head, prompting Albert to react with horror. He cannot understand why someone would shoot themselves on purpose; Werther counters that one cannot always know the reasons why someone would end their own life. A longer conversation on suicide ensues, where Albert continually dismisses Werther’s arguments in favor of it—at least in limited circumstances—as fanciful and absurd.

Book 1, Pages 64-72 Summary: “August 15,” “August 18,” “August 21,” “August 22,” “August 28,” “August 30,” “September 3,” “September 10”

In his August 15 letter, Werther notes that both Lotte and the children exhibit a strong attachment to him. The children now allow him to cut their bread for them—as Werther had seen Lotte do the day they met. They also enjoy hearing his stories and pay more attention to the details than he does. The August 18 letter turns the philosophical question of how the source of happiness can become the source of despair. He describes the delight he once found in the beauty of nature, but his perception has changed, and he now views it as a force of destruction. Even a simple walk through the forest fills him with guilt over the potential harm caused to insects and small creatures. He grapples with the impermanence of existence and the overwhelming sense of mortality that permeates the world. The August 21 letter recounts the brief solace he finds by dreaming Lotte is near, a solace overwhelmed by the reality of her absence. He is unable to be idle, yet has difficulty working, as he tells Wilhelm on August 22. Werther laments his lost appreciation for nature, new distaste for books, and lack of motivation. Despite finally considering working for the ambassador to escape his turmoil, he worries his restlessness will follow him.

On his birthday, August 28, Werther receives a birthday packet from Albert and Lotte. It contains a pink ribbon that Lotte wore in her dress the first time Werther saw her and a pocket edition of Homer to carry on his walks. Werther, moved by the thoughtfulness of these gifts, reflects on the transience of happiness, the fleeting nature of life’s flowers, and the rarity of genuinely fulfilling experiences. Despite the inevitable decay of some fruits, he appreciates the present summer, occasionally helping Lotte in her orchard. By August 30, Werther is once again overwhelmed both mentally and physically. He berates himself for his foolishness. When he cannot find respite, he wanders the countryside until he exhausts himself. Death seems the only escape. Wilhelm’s response to this missive “stiffen[s] [his] wavering resolve” (69), and on September 3, Werther decides, definitively, to leave. A longer letter a week later—September 10—describes in detail the last night that Werther spent with Lotte and Albert. They discuss the death of Lotte’s mother and Lotte’s sense that her spirit lives on with her. Werther throws himself at her feet as Lotte describes her mother’s final moments, for which both she and Albert were present. When they leave, Werther collapses in tears.

Book 1, Pages 44-72 Analysis

Werther’s infatuation with Lotte in the second part of Book 1 brings the theme of The Destructiveness of Unrequited Love to the forefront. As Werther indulges his feelings for Lotte and prioritizes her company over everything else, what little stability he has goes away. Though he chastises himself for his childishness, he cannot curb his obsessive behavior. He compares his attraction to Lotte to “a magnetic mountain: ships that sailed too close were suddenly stripped of all their ironwork, the nails flew to the mountain and the wretched travelers perished in the falling timbers” (56). When he is anywhere near her, he cannot stay away. In making this analogy, Werther effectively attempts to absolve himself of blame for his inability to control himself and justify how his feelings for her now dominate his life. Like the people on the ship, his inability to escape his feelings for her will ultimately lead to his death, which is repeatedly foreshadowed in this section.

What was once an admirable, if excessive, attachment to emotional sincerity becomes more disruptive. Earlier, Werther, in The Struggle for Authenticity in an Artificial Society, had praised the person who does not live by convention, even if by doing so they become disruptive to their neighbors. Now, Werther is himself that destructive force, startling the people he loves the most. Lotte’s unaffected sincerity makes their relationship more complex; simply being who she is fuels Werther’s infatuation. She never gives any actual indication that she reciprocates his feelings. His attempts to ingratiate himself with her and her family backfire, but on the whole, he sees his efforts as having a positive effect. These letters cement Werther’s portrayal of Lotte as less of a person and more as a manifestation of virtue, domesticity, and maternal love.

Werther’s burgeoning delusions are indexed early on in his relationship with Lotte by a reference to Homer’s Odyssey. As he cooks vegetables, Werther remarks to himself, “I can feel quite keenly how Penelope’s ruffianly suitors slaughter, dress and roast their oxen and swine” (45). While attempting to make a comparison between himself and their “patriarchal life,” this comparison has a certain irony. In the Odyssey, the suitors attempt to coerce Penelope into marrying one of them and forsake her missing husband, Odysseus. Werther, too, is intruding into a relationship by trying to sway Lotte away from Albert. Werther directly compares himself to some of the villains in Homer’s story, yet manages to overlook that detail in his musings on the joy of eating produce one has grown for oneself. (He has not grown what he is cooking: The peas are from the innkeeper’s garden.) This failure of introspection is a recurring pattern throughout Werther’s narration. It highlights his position as an unreliable narrator of anything taking place outside his mind and suggests the disturbing possibility that a commitment to radical authenticity can descend into self-delusion.

This section also marks the explicit emergence of Death and Existential Despair as a significant theme. Werther’s conversation with Albert regarding the morality of suicide is a clear example of foreshadowing regarding what will come during the novel’s climax; Werther literally puts a gun, albeit one that is unloaded, to his head. This causes Albert to take the gun from him and chastise him for joking about such a serious subject. In the longer conversation, Albert comes down against the morality of suicide. The conversation highlights the complexity surrounding the act. Albert takes an uncompromising view of it being wrong in all cases and speaks patronizingly of those who die by suicide. Werther, however, acknowledges its complexity and advocates for the humanity of the people who find themselves in this extreme position. Ironically, Werther is already anticipating his own demise. Shortly before he decides to leave Wahlheim he confesses to Wilhelm that “I see no end to my misery but the grave” (69), a statement that encapsulates the predicament caused by his unrequited love, his inability to regulate his emotions, and his brooding over death and existential despair. Yet, Werther does demonstrate enough resilience at this juncture to leave Wahlheim, suggesting that alternative possibilities do exist.

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