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43 pages 1 hour read

William P. Young

The Shack

Fiction | Novel | Adult | Published in 2007

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Chapters 15-18Chapter Summaries & Analyses

Chapter 15 Summary: “A Festival of Friends”

Chapter 15 relates the mystical vision that Mack experiences after receiving Sarayu’s touch. Sarayu is still there beside him, and as he opens his eyes he sees the beauty of all creation, with individual creatures appearing aflame with light and color. He sees children and adults all around him, suffused with unspeakably beautiful lights. As Sarayu explains, “Here, we are able to see each other truly, and part of seeing means that individual personality and emotion is visible in color and light” (212). These colors express each person’s individuality, but when two people are sharing emotions in relationship, they also create a whole new dance of color and light between them. Mack notices, however, one adult in the distance who seems unable to control the light of his emotions; it flashes in erratic and overwhelmed bursts. Sarayu reveals that this is Mack’s father, and immediately “a wave of emotions, a mixture of anger and longings” breaks over Mack (215). He runs to his father and embraces him, finding that his father is full of brokenhearted love and sorrow for what happened between them. Together, they are able to reconcile through their mutual experience of God’s love. After this experience, Jesus appears in front of Mack. His whisper reaches Mack’s ear: “Mack, I am especially fond of you” (216). Mack collapses under the sheer joy of the moment, and shortly afterward the vision fades and he is back beside the lake.

Chapter 16 Summary: “A Morning of Sorrows”

Mack awakes the following morning to find Papa there, who now appears as a dignified, older Indigenous American man wearing hiking clothes. Having found some reconciliation with his own father, Mack can now experience Papa as a father as well. They pick up a rolled-up pack that Sarayu has prepared for them and head out onto a nearby trail. As they walk, Mack notices that someone has marked this barely discernable path with small red markings, only noticeable if one is looking for them. They talk about Missy as they walk, and for the first time, Mack can express loving trust in Papa. Papa reveals that he is going to show something to Mack that will be very difficult but will ultimately provide healing. Before he can do that, though, there is still one more thing that darkens Mack’s heart. Mack discerns that this last remaining issue is about forgiveness—specifically, forgiving the man who kidnapped and murdered Missy. Papa explains that forgiveness is not the establishment of a relationship with the murderer but simply the act of letting go of the hatred that destroys Mack’s own capacity to experience joy, trust, and love. Eventually, after many tears, Mack gets to the place where he can speak his forgiveness for the murderer—not condoning his actions, but relinquishing Mack’s own burden of hate.

After this, Papa reveals that the purpose of their hike is to find Missy’s body and bring it back for burial. He leads Mack to a hidden cave where they find Missy’s remains. They wrap the body in a sweet-smelling sheet of flowers and spices that Sarayu placed in the pack, and then they carry her back down the trail.

Chapter 17 Summary: “Choices of the Heart”

When Mack and Papa arrive back at the cabin with Missy’s body, Mack sees that the project Jesus has been working on all weekend is a beautifully wrought coffin in which to place Missy’s remains. It is carved with scenes from Missy’s life, which Missy herself chose and instructed Jesus to include. Closing the box, they carry it out to the garden and place it in the spot that Mack helped Sarayu to clear the day before. Sarayu sings a song of Missy’s own composition, and then they lay Missy’s remains to rest. Sarayu dispenses on that spot a few of Mack’s tears, which she had earlier collected, and immediately a tree sprouts and bursts into bloom. “It is a tree of life, Mack,” Sarayu says, “growing in the garden of your heart” (234).

Back in the cabin, Papa tells Mack that if he wants to, he can stay with them and join Missy, or he can go back to his normal life. He makes his decision to return, and having done so, Sarayu reveals something that will help him heal his daughter Kate’s heart: the fact that Kate blames herself for Missy’s death. A bit later, after lying down and falling asleep, Mack suddenly awakes back where he started, in the dilapidated shack with icy wilderness all around. He hikes back to where he parked his borrowed vehicle and begins driving home, but as he passes through an intersection, another driver runs a red light and smashes into him. Mack is knocked unconscious and life-flighted out to a hospital.

Chapter 18 Summary: “Outbound Ripples”

Mack awakes in the hospital four days later to find his family around him, all clearly delighted that he is responsive again. He is startled to hear from Nan that his accident occurred on Friday, not on Sunday as he assumed (having spent the entire weekend at the cabin with Papa, Jesus, and Sarayu). Mack recounts the story to Nan, and although she is skeptical at first, little by little she entertains the possibility that Mack had a real encounter with God. She agrees to let Mack talk to Kate, and when their daughter approaches, Mack gently lets her know that Missy’s death was not her fault. For the past few years she has believed that if she never raised her paddle to catch her father’s attention, he wouldn’t have had to leave Missy at the picnic table and none of it would have happened.

After his release from the hospital, Mack contacts a law enforcement officer who helped search for Missy. Mack takes him along the trail that Papa showed him, all the way up to the cave where Missy’s remains were. Mack has to go through some questioning as to how he came upon the evidence, but the pattern of clues he uncovers allows investigators to track down the bodies of the other murdered girls and even to arrest the Little Ladykiller himself. 

Chapters 15-18 Analysis

The final set of chapters follows a similar structure to Chapters 5-14, centering on Mack’s dialogues with the members of the Trinity, although here the ratio of action scenes to conversation becomes more balanced. Each of Chapters 15-17 relates an important experience in Mack’s weekend with God: his mystical vision culminating in a reconciliation with his father, his hike with Papa to find Missy’s remains, and the service in the garden when they bury Missy’s body. In and around all these experiences are woven Mack’s final dialogues with the members of the Trinity, and those dialogues reveal the extent of the transformation that Mack’s character has undergone. For the first time, Mack expresses his trust in Papa, even in the context of reflecting on Missy’s death. After his return to his family in Chapter 18, the change in Mack’s life begins to touch and affect those around him: his friend Willie, emotionally struck to hear Mack deliver Papa’s message of affection for him; his wife Nan, led on a new journey of trust with him as he recounts his story; and most importantly his daughter Kate, whom he relieves of the burden of believing that she is to blame for Missy’s death. The new perspectives on life that Mack received at the shack immediately enter into the lives of those around Mack, resulting in a practical expression of the novel’s theme of love and relationship.

Two other character transformations are also notable in these final chapters: that of Papa and of Kate. Papa’s character does not experience any internal development (such is the unchanging nature of God), but outwardly Papa takes on a new appearance in Chapter 16, now as a dignified older man. This transformation relates to Mack’s development: Now reconciled to his own earthly father, he can better experience God as a father, and the circumstances of their quest for Missy’s body make it appropriate for Papa to appear in a way that offers paternal support. In Kate’s case, anxiety about her emotional health has been one of Mack’s overriding concerns, mentioned as early as the first chapter of the book. Chapter 18 offers a resolution to those concerns, as Mack relieves the weight of guilt that she had taken on herself.

The symbols of the shack and the garden remain important in this section. Even after Mack’s experience with God is complete and the cabin vanishes, the shack remains, symbolizing the abiding presence of emotional scars. The garden features prominently in the events of Chapter 17, when Missy’s body is laid to rest. The garden, symbolizing Mack’s soul, has been prepared with a space in which Missy can be buried—an act that illustrates the way that Missy’s loss will remain with him forever. Now, however, that loss transforms into an opportunity for new spiritual and emotional life to flourish in Mack’s heart, as the blooming of a tree of life in that spot indicates.

Chapter 18 is different in content from Chapters 15-17, as the story of Mack’s encounter with God is now complete. Chapter 18 helps to bookend that narrative, offering a narrative context for the encounter that matches the context Chapters 1-4 provide. Mack returns to his family, but on the way he encounters what appears to be yet another cruel twist of fate: a car accident that leaves him in critical condition. Far from wrapping up the story with a tidy, happy ending, this reminds the reader of one of the prominent messages throughout the novel: that the human world is broken and messy, a place in which terrible suffering can happen. The suffering surrounding Mack’s accident goes largely unarticulated, as both Mack and the reader now know how to interpret it: It is part of the chaos through which God will bring forth fractals of beauty and purpose in Mack’s life and family.

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