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51 pages 1 hour read

Mircea Eliade, Transl. Willard R. Trask

The Sacred and the Profane: The Nature of Religion

Nonfiction | Book | Adult | Published in 1956

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Themes

The Relationship Between Sacred and Secular Modes of Life

Throughout his text, Eliade presents the sacred and the profane in an oppositional but mutually constructive, or dialectical, relationship. Often, the exact nature of this opposition is hard to draw: “the first possible differentiation of the sacred is that it is the opposite of the profane” (11). Eliade claims that “the polarity [of] sacred [and] profane is [. . .] between real and unreal” (13) and both the sacred and the profane “pervad[e] the entire experience” (13). However, Eliade also must use this language to access the genuinely holistic aspects of his subject matter, as it relates to the “total experience of life” (13).

The essential distinction between the sacred and the profane is one between separate ontologies, or theories of being: “The sacred and the profane are two modes of being in the world, two existential situations assumed by man” (14). These situations “depend upon the different positions that man has conquered in the cosmos” (14). In other words, life in the sacred or the profane depends upon where humanity sees itself relative to the whole of creation.

Within a sacred mode, humans see themselves as inseparably a part of a meaningful and created whole. This is why, as Eliade writes in the Introduction, all events can be construed as hierophanies, since they all express the same cosmic substructure (12). He writes in Chapter 1 about why, for a religious person, it is only sacred space that is the “real and really existing space [. . .] [providing] the fixed point [. . .] for all future orientation” (20-21): Ultimate reality exists not on this material plane, but on another. In the profane, phenomena occur as they are, with no deeper significance to their existence or connection to a supreme order. This creates deep philosophical differences between the two modes. In the profane mode, humanity sees itself as set apart from nature or any overarching and meaningful law, making all events insignificant beyond their immediate material aspects: a home is only a “machine to live in” (50), and “a physiological act [is] in sum only an organic phenomenon” (14). In the sacred mode, humans are a part of, and obligated to, a force that not only created the world, but created them within it. The sacred mode leads to a reverence and respect for all things, as well as suites of ritualized behavior which from a profane perspective can seem barbaric, as in cannibalism done in order to enact a cosmic necessity (103). Ultimately, the distinction between these two realities is one in which the sacred person lives embedded in and responsible to a cosmos, whereas the profane person lives in a meaningless, “amorphous” (20) chaos.

The Ubiquity of Sacred Inheritance and Experience Across all Religions

At the outset of Chapter 4, Eliade argues that understanding “religious man’s behavior and mental universe” (162) requires more than just knowledge of Christianity and other world religions. To gain the necessary “broader religious perspective,” insight into the structures of European folklore and, in particular, the mythologies and rituals of “primitive” pre-agricultural world cultures, is necessary (164). Eliade’s underlying methodology is therefore cross-cultural analysis. Eliade sees all religions as expressing the ubiquitous truth of the sacred and, as such, Eliade sees a continuity of religious experience across all traditions. As he notes in his Introduction, scholars must cease “studying the ideas of God and religion” (8), or assessing religions from a doctrinal or textual perspective. Instead, they must instead look at them from an experiential and emotional perspective, at the “modalities of religious experience” (8). Eliade argues that doing so reveals the ubiquity of the sacred and its manifestation through hierophany at the core of every tradition, irrespective of the particular rules or symbols each tradition uses: “The history of religions, from the most primitive to the most highly developed[,] is constituted by a great number of hierophanies, by manifestations of sacred realities” (11).

A cornerstone of Eliade’s central argument is the implied continuity between the world’s prehistorical religions and its modern faiths. In each chapter, Eliade points out such continuities in specific material or behavioral aspects shared and developed across time. In Chapter 1, it is expressed in the “sacred pole” (33), fashioned by nomadic or semi-nomadic tribes such as the Achilpa and carried with them wherever they go as an axis mundi, necessary to center their communities and provide access to the divine. In more modern and settled religions, this axis mundi becomes the Temple and Church, which also center communities, provide access to the divine, and mirror the “cosmological structure [in the] sacred edifice” (61). In Chapter 2, ancient festivals of the revivification of the cosmos, in which “by symbolically participating in the annihilation and recreation of the world, man too was created anew” (79), persist across the world’s cultures, even in the more secular “New Year’s” festivals in which humans feel purified and revive their goals. In Chapter 3, Eliade discusses how the very nature of the sky, overarching and powerful, brings forward myths of sky gods. In many cultures, subsequent myths of deus otiosi, or removed gods, who first create the world and then depart from it into the sky, “leaving a son or demiurge on earth to finish the act of Creation” (122), can be related to the Christian myth of God the Father and Christ. In Chapter 4, Eliade explores how the “drawing of anthropo-cosmic homologies” (170), or the observation of structures and events of life, pertain across multiple levels of being and become the sacraments which structure the whole of the Christian life-path.

Eliade’s insistence on continuity between the world’s prehistorical and modern faiths simultaneously supports and resists arguments for the archaicism of prehistoric religious modes in the modern world. For instance, Eliade consistently draws parallels in a “from prehistory, into modernity” framework: He sees modern religions as having more highly evolved, complexly structured relationships with the essential symbolic content. Often, this means the modern faiths incorporate more multifaceted philosophical content, such as the concept of a historically active deity in Yahweh and Christ by which “Christianity radically changed the experience and the concept of liturgical time” (72) in comparison to prehistoric faiths. Similarly, Eliade notes how the “Church fathers did not fail to exploit certain pre-Christian and universal values of aquatic symbolism” (132), but also updated their language to suit a more advanced historical model. However, at other times Eliade expresses how this distance from religion’s foundations in prehistory hampers genuine religion today. Living in an industrialized, secularized, and therefore de-cosmicized society, Eliade argues that even the “genuine Christian” is robbed of any genuine sacred experience: “the world is no longer felt as the work of God.” (179)

The Necessity of Religion to Cope with Existential Crisis

To people living in both the sacred and the profane modes, life is fraught with mystery, threat, and powers that dwarf human conception: life, death, the power of nature, and the threat of any number of untimely events. These threats can bring with them profound existential crises, especially in ancient societies in which the failure of even one crop could mean the destruction of an entire society.

The sacred and the profane modes can be understood as two different technologies for dealing with these crises. Religion is, as Eliade states at the outset of his text, a cultural technology of contact with these existential threats, these “mysterium tremendum” (9). Religion is the “paradigmatic solution for every existential crisis” (210), as religion allows a way to communicate with the transcendental forces that structure reality, to place human life in essential continuity with them, and to begin to exert human will on these forces through ritual. Rain dances, prayers for the health of crops, and all acts that please the gods, for instance, assuage existential dread of crop failure by ensuring the gods will smile on the harvest. The emotional crises of life are abated. This is a possibility only for the religious person, who views the cosmos as meaningful and structured: “The cosmos appears as a cipher only in the religious perspective” (150). For the secular person, since life is chaos, it is impossible to control.

Through religion, the innately terrible aspects of reality can in fact become comforting, as they signal the essential meaningfulness of human life and its continuity with existence’s larger forces. This continuity is best expressed around religion’s relationship with the fundamental existential crisis of death. For the religious person, death is not the end of existence, but “the supreme initiation [. . .] the beginning of a new spiritual existence” in concert with the sacred (196). The fear of death is therefore abated. As Eliade writes in Chapter 4, this is a benefit shared by all rites of passage. These rites “make possible passage from one mode of being to another, from one existential situation to another” (180), securing transitions from childhood to adolescence, adolescence to the role of mother, father, or elder, life to death etc. However, the conceptual and structural power of religion can become gradually weakened, as witnessed in historical cases of the loss of conceptions of the sacred, such as the concept of the eternal return in early Greek philosophy. Robbed of some sacrality, Eliade argues that the infinite regress of time “wears a terrifying aspect [. . .] presents itself as a precarious [. . .] duration, leading irremediably to death” (113), with nothing beyond it.

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