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45 pages 1 hour read

Peter Heller

The River

Fiction | Novel | Adult | Published in 2019

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Character Analysis

Jack

Content Warning: This section discusses violence and an attempted rape.

Having grown up on a ranch in Colorado, and having experienced the death of his mother as a boy, Jack is hard-nosed and aged beyond his years. Even his facial features demonstrate hardened experience:

[T]he prominent cheekbones were deeply tanned, the straight nose sunburned, the crow’s feet at the corner of his almost black eye a spray of fine wrinkles, paler than the skin around them; his tendoned neck was smattered with small sun spots (26).

As his friend Wynn points out, Jack didn’t earn his toughness by participating in a summer camp or some other simulated experience. Instead, it’s a consequence of the hard life he was brought up living, in which grit, gut, and reality prevailed over ideals, simulations, and abstract concepts.

Jack takes a matter-of-fact view of the world and events: “For Jack, stuff like cold and hunger didn’t have a value, good or bad, they just were, and it was best if they didn’t last that long; but if they did, as long as one survived them, no harm, no foul” (27). In addition, he “held little stigma for bodily functions and no patience for squeamishness” (92). While both he and Wynn are at home in the wilderness, Jack is more attuned to the primal aspects of what it means to be in the wild. Far from naive, when he senses danger, he tends to distrust the loftier principles of civilization, such as etiquette and reasonability, in favor of instinct. Jack is also distrustful of others at times and likes to challenge conventional thinking; he has a hunter’s instinct and believes in luck.

As the story unfolds, Jack increasingly takes charge of the situation. Quick-thinking, he’s prone to suspicion and understands the reality of their situation. His manner becomes increasingly curt and even (as Wynn puts it) “ruthless.” Wynn recognizes in Jack a certain level of “badness.” When the two sneak up on Pierre after saving Maia, Jack sees an opportunity to defend themselves by going on the offensive and killing Pierre. Under the circumstances, the morality of the act is irrelevant to him. He considers it a necessity, a choice between dying and living. When faced with dire circumstances, Jack is guided by his animal instincts.

Wynn

Deliberate and sensitive, Wynn has a temperament far different from his friend Jack’s. He’s often the one who makes larger, more metaphysical connections between the environment he’s in and some deeper aspect of it. Jack sees his friend as “an angel in a way” and notes that “his conscience was clear and he had faith in the essential goodness of the universe and so felt cradled by it” (144). Wynn’s benevolent personality contrasts sharply with Jack’s hard-nosed skepticism.

A former hockey player, Wynn is about six inches taller than Jack. Whereas Jack is nimbler, Wynn “could grunt a car out of the mud” (27). Wynn is a kind of gentle giant; he’s likely much stronger and more powerful than Jack but is reluctant to impose his strength on anyone. Additionally, Wynn is an artist, and his instinct is for contemplation. He tends to be an idealist, as evident in his insistence that they leave the canoe motor at home. Jack sees Wynn as a “purist” in this regard.

Wynn doesn’t see the world in absolutes. He’s reluctant to accept Jack’s premise that Pierre tried to murder his wife. While accepting that it’s plausible, he tends to find reasons to not fully believe that it’s the most likely explanation for Maia’s injuries. Wynn holds himself to a moral code regardless of the circumstances. When he and Jack see the dead bear and her cubs, and Jack urges Wynn to steer toward it because they can scavenge the meat, Wynn refuses. Even when facing such dire circumstances, Wynn doesn’t allow himself to toss aside his virtues, including ethical concerns. Unfortunately, in the survival-driven environment of a wilderness setting with both natural and human threats, this characteristic ultimately leads to his death. When Wynn discovers that Jack is stealing the Texans’ boat, he loudly objects, which sets off a chain reaction that ends with his being fatally shot by Brent.

Maia

Unconscious for most of the novel, Maia’s role is mostly passive. When she’s able to speak, she reveals a little about her situation. She tells Wynn and Jack that she comes from a wealthy family in Rhode Island, which she conjectures is likely one of Pierre’s motives for trying to kill her. She also mentions a second possible motive: that Pierre was jealous of her success as a fellow scientist; she’s a geochemist whose reason for being on the river related to her research on how “subarctic rivers and lakes […] absorb acid rain” (167). When Jack and Wynn discover Maia in the bushes, her face is battered and she’s shivering because of hypothermia. Jack’s thoughts convey her appearance:

She was maybe early thirties, dark hair in a braid, hazel eyes, what he could see of them. She was lean, and she had even teeth, unbroken. A strong jaw, also in place, strong dark eyebrows. She looked tough. She must have been tough to survive the two days exposed (81).

Toward the end of the novel, we learn that Maia’s injuries included a “perforated intestine” and “broken ribs” (251). Maia demonstrates gratitude by calling Wynn’s mother after returning to New England to receive further medical care.

Pierre

The novel’s antagonist, Pierre first appears while paddling his canoe toward a waterfall along the river’s left bank, apparently unaware of the necessity to steer the canoe toward the right bank, where a landing leads to a portage around the fall. When Pierre hears Jack and Wynn’s warning and finally arrives at the landing, he appears scared. The narrative notes, “He was young, maybe midthirties. Mussed dark curly hair, a few days of beard, red-rimmed blue eyes, a stunned look, maybe panic or shock” (62). Pierre has bloodstains on his leg from an apparent injury. In addition, he’s nearsighted, which Maia reveals later in the book when she tells Wynn and Jack that she broke his glasses, so he’s at a disadvantage. Pierre carries a shotgun, but because of his nearsightedness, his target must be close enough for him to see it.

Pierre’s violent outburst in beating and trying to murder Maia is likely unplanned because it takes place in the cover of heavy fog after a loud and abrasive argument. Maia later reveals that he was jealous that she’d published her research in academic journals, while he hadn’t—and that he likely married her only because her family is wealthy. The story he tells Jack and Wynn—that Maia mysteriously went missing—suggests that he hasn’t quite figured out a believable explanation for her being gone. When Wynn and Jack decide to circle back and search for Maia, Pierre hands them a walkie-talkie, and Jack later concludes that Pierre gives them the radios so that they’ll inform him if they find Maia. Pierre is ultimately killed by the Texans as he waits to ambush Jack and Wynn, mistaking the Texans for them because they’re in Jack and Wynn’s canoe.

The Texans (Brent and JD)

The first people that Wynn and Jack encounter are the two Texans. The narrative describes Brent as the “fat” one of the two and JD as the “skinny” one. Brent is more talkative than JD. When Jack and Wynn initially encounter them, trying to warn them about the approaching forest fire, the Texans are drunk and vulgar, and they don’t make a good impression. Later, when Wynn and Jack encounter Pierre, they suspect that perhaps the Texans had some role in what had transpired between him and his wife.

Much of the novel’s middle section mentions the Texans only as hypothetical perpetrators of the crime against Maia. However, after the fire sweeps through, Wynn and Jack hear them approach. Brent is affable and even expresses appreciation for the warnings that Wynn and Jack gave them about the looming fire. Jack watches the two men closely and realizes—by the way they prepare their dinner and set up their camp—that they aren’t wilderness neophytes. The narrative later reveals that both Brent and JD are former Marines, which partially explains their skill. Brent is likewise suspicious of Jack and Wynn when he sees Maia with them and considers whether they may have committed some kind of crime against her, which is ironic considering JD’s actions that night.

Before the novel’s penultimate scene, Jack stays awake while JD drinks bourbon and gets drunk. All the while, few words are spoken, but Jack catches JD peering at the tent where Maia is sleeping. Jack views JD as a creepy figure, and Jack’s suspicion toward him exacerbates his negative impression. When Jack awakes after nodding off and sees JD inside the tent with Maia, he immediately assumes that JD is trying to rape her. This sets off a chain reaction that leads to Jack’s attempt to steal the boat and Brett’s shooting and killing Wynn. Jack implicitly understands that Brent had the right to shoot because stealing a boat in the wilderness can critically affect someone’s potential to survive: “Brent was sure that the same laws held on a northern river as they did in Texas: if you caught someone stealing your horse you could shoot him dead, no questions asked” (230). This is a kind of frontier justice—one that is the authorities verify and accept when all parties arrive in town at the novel’s conclusion. Jack thinks to himself, “Brent was essentially a decent man who had just shot a decent kid” (227).

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