46 pages • 1 hour read
Patricia HighsmithA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Carol is late to pick up Therese, but Therese reflects that she would wait all day and night for her. After 25 minutes, Carol arrives in her car, which Therese compares to a “rolling mountain.” They drive to her two-story house in the country, and Therese feels out of place. Carol asks if she wants to take a walk or listen to music, but Therese is “content.” They eat lunch, and Therese says her Frankenberg’s job teaches how to be a poet, a thief, and a liar. Carol jokes about meeting customers at the counter and warns her about kidnappers.
Carol insists Therese play the piano, and she does before it becomes “too much.” Carol thinks Therese is tired and suggests a nap, reminding Therese of Ruby Robichek. Carol calls Therese a “child,” and Therese requests hot milk.
Therese tells Carol the truth about her parents. Her dad was a lawyer, but he wanted to be a painter. He died when she was six. Her mom is still alive, but she’s antagonistic. Though her dad died of pneumonia, Therese attributes his death to her mom, who sent her to the Episcopalian school. Her mom remarried and had two children with her second husband. Her mom used to visit her before Therese told her to stop. When Therese graduated, the school pushed her mom to send her $200, which Therese grudgingly accepted.
Therese is crying, but she doesn’t want to cry anymore, and she doesn’t want to see her mom again. After she lost her job before Frankenberg’s, she wanted to disappear. Carol calls Therese’s disappearance “lucky” before she gets a phone call from her husband, Harge. He comes over to get things for their daughter, Rindy, and meets Therese, who notes he is “heavily built.” Carol labels the interaction “disagreeable” and puts Therese on a train back to New York City. Carol consumes Therese’s thoughts, and she can’t wait to see her again.
On Christmas Eve, Therese pawns the silver St. Christopher medallion that Richard gave her to pay for an expensive handbag for Carol. Carol sends Therese a telegraph at Frankenberg’s saying she will meet her at five o’clock.
Carol confirms that she and Harge are divorcing, and Therese confirms that she and Richard have had sex, but she doesn’t like it. Carol says pleasurable sex “takes time” and can go “sluggishly”—often, sex is about something else. Therese admits that Richard treats her humanely and doesn’t restrict himself to labels. Therese wonders if Carol would like Richard.
In Carol’s car, they pick out a Christmas tree and then go to Carol’s house, where Abby, Carol’s friend, arrives in an open-topped car. Therese doesn’t find Abby attractive, and Abby and Carol discuss Carol’s divorce and custody fight. Carol lost “the first round,” so Harge gets to keep Rindy for three months, starting now.
Abby drives Therese back to New York City. She offers to go somewhere with Therese, but Therese wants to go home. Therese gives Abby the handbag and a card to give to Carol.
At Richard’s family home in Brooklyn, Therese feels like another person—like Carol is taking over her. The noisy house bothers Therese, so they go to Prospect Park to fly a kite he made. As they watch the kite in the sky, Therese asks Richard if he ever loved “a boy.” She wonders if he ever heard of two people—two “girls” or two men—suddenly falling in love. Richard has never loved another man, and he has heard of gay and lesbian people, but he’s never known any. Richard doesn’t think Therese could ever love “a girl.”
As the kite disappears into the sky, Richard cuts the string. Therese calls Richard “crazy,” but Richard thinks it’s “fun.” He says he can always create another kite.
One afternoon, Carol stops by Therese’s apartment. She thinks the bag is “beautiful,” but says it is too much. She has a present for Therese—a leather suitcase. Therese shows Carol some of her stage designs, and Carol offers to lend Therese the money if she gets a job on Broadway and needs to pay for a union membership. Carol likes seeing Therese, but she’s going on a trip soon. She decides to go look at furniture, but she says she’ll be back tonight. Before she leaves, she puts her arm around Therese’s waist.
Richard rings the doorbell, and Carol meets him on her way out. He asks her if she’s a painter. Carol says she’s “nothing,” and then she takes off. Richard wonders about the suitcase. Lying, Therese says Carol gave it to her because Carol left her wallet on the counter at Frankenberg’s, and Therese took it to her. Therese wants to be alone, and as Richard leaves, she gives him a book of Edgar Degas (a 19th-century French impressionist painter) reproductions. Richard offers to pay her back for the book, but Therese declines. At night, Therese and Carol visit Chinatown, and it rains.
The play is in chaos. Phil McElroy walked out in a “huff,” so a new actor plays his part, and there’s a new director who likes Therese’s functional set design. Abby calls Therese at the theater, and they meet for lunch. Abby knows theater people, and she’s known Carol since she was four. They ran a furniture store together. Now, Abby is an entomologist, extracting bugs from fruit and flowers. Abby invites Therese to a cocktail party, but Therese declines. Abby says Carol wants to go on a trip with Therese. The interaction rattles Therese, and Abby claims Therese won, though she won’t clarify what she means.
At a drugstore, Therese calls Carol and makes plans for tonight. She runs into Dannie McElroy, and they hang out in his nearby apartment. Therese likes Dannie—there’s no “small talk” with him. Dannie claims friendships arise from concealed needs—people possess “perversities,” and their actions aren’t always logical. Dannie recalls riding a horse in Pennsylvania and feeling complete harmony. The experience makes him think about consuming and letting go. He kisses Therese on the lips, and she doesn’t mind.
Therese writes a love letter to Carol that she doesn’t send. At Carol’s house, Therese senses a disconnect between the Carol in the letter and the Carol in front of her. Carol tells Therese that Abby doesn’t dislike her. Therese becomes suspicious of Carol’s Irish maid, Florence, who seems aligned with Harge.
As Rindy will stay with Harge for the next three months, Carol can go on her trip, and she invites Therese to see America with her. She writes Therese a check for $200 as spending money for the trip, but Therese doesn’t want it. Therese isn’t sure if Carol actually wants her to go with her, but Carol says her company would give her “pleasure,” just like giving Carol the handbag gave Therese “pleasure.” When Therese decides to go on the trip, Carol becomes happier. She cancels her evening plans and plays “Easy Living,” a love song, on the record player. Therese thinks of it as their song. She sleeps over Carol’s house in a separate bedroom.
Carol thinks Harge picked her out “like a rug,” and he made a bad choice. He doesn’t love her, but he wants to control her. He runs a real estate investment firm and hangs out with people who golf. Harge’s family doesn’t like Carol because she’s a nonconformist. Carol admits that Harge is a dutiful father, taking Rindy to school and picking her up, but he doesn’t let Carol see her often. Carol muses that he wants to control her. When Carol isn’t with Rindy, they talk on the phone every day.
The theme of Atomization and Alienation continues at Carol’s house, where Therese wonders if “Carol would ask, ‘What are you doing here?’ as if she had forgotten, or had not meant to bring her here at all” (49). Therese loves Carol, but she doesn’t feel like she belongs with Carol or that Carol means to keep her around. In Chapter 6, Therese feels disposable, like an object that doesn’t go with Carol’s life. Carol compounds Therese’s sense of isolation due to her detached manner. For example, when Therese asks, “Will I see you again?” Carol doesn’t provide a direct answer—instead, she cryptically says, “Au revoir” (59). Their different ways of interacting highlight their different levels of experience and comfort with intimacy, especially in lesbian relationships. Therese is 19 and relatively inexperienced, while Carol is older, has been married, and has had relationships with other women (namely Abby). This experience gap frequently leaves Therese out of her depth, unsure how to interpret Carol’s words or actions.
At the same time, Therese’s youth and naivety allow her to love more earnestly than Carol. Highsmith builds on The Consequences of Love, as Therese’s love continues to consume her, with the narrator stating, “[T]here was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol” (60). Later, at Richard’s family home, Therese describes Carol as “a secret spreading through her” (78). The two quotes support the claim that the price of love is total—it’s an all-consuming spell. Love also remains linked to Therese’s idea of “blissful insanity.” Intoxicated by Carol, Therese spends the little money she has on an expensive handbag for her, pawning a gift Richard bought her to get enough money. Carol doesn’t need the handbag—if she did want it, she could buy it herself—but love suspends Therese’s reasoning. She buys the gift for the pleasure of giving Carol a gift, continuing the thread from the first chapters that elevates emotions as truth. The love letter Therese begins in Chapter 11 reinforces the dramatic consequences of love and serves as foreshadowing for their blossoming relationship and the ways it will change both their lives forever. The letter’s hyperbolic diction reveals the intensity of their connection. Therese writes, “I want the sun throbbing on my head like chords of music” (108). The word “throbbing,” with its sexual connotations, highlights Therese’s sharp passion for Carol. At the same time, “throbbing” is used to describe bruises and injuries, hinting at the fallout from their road trip.
Dannie and Therese’s conversation illuminates the theme of Love, Obsession, and Learning to Let Go. The “harmony” Dannie felt with his horse leads him to tell Therese about:
[A]ll the people who are afraid and hoard things, and themselves, and I thought, when everybody in the world comes to realize what I felt going up the hill, then there'll be a kind of right economy of living and of using and using up (106).
Dannie links objects to people, stating that people shouldn’t “hoard things,” nor should they “hoard” each other or themselves. They should share themselves and use one another—not for exploitation, but to grow. This links to Therese’s feelings about Carol. She wants to hoard Carol and only wants to share herself with Carol. This accounts for Therese’s contentious relationship with Abby—she is deeply jealous of their past relationship and Abby’s enduring feelings for Carol. Therese’s feelings verge into obsession, preventing her from seeing the full spectrum of Carol’s life. Carol and Harge’s relationship also links love to this theme, with Carol stating, “It's not love. It's a compulsion. I think he wants to control me” (113). Harge wants to keep Carol to himself and can’t let her go, which leads to him wanting to harm her by denying her custody. Richard’s kite also symbolizes this theme. Richard makes the kite and flies it with Therese in the park before he cuts the string. Therese calls Richard “crazy,” but Richard claims, “It’s more fun!” (84). Therese can’t let go, but Richard can. Conversely, Richard can let go of the kite, but he can’t let go of Therese, and Therese still can’t figure out how to let go of him. Harge and Carol’s relationship is an example of stasis (in part because they are bound together by their daughter), but Therese’s character arc will enable her to let go of Richard in the coming chapters.
By Patricia Highsmith