65 pages • 2 hours read
Joaquim Maria Machado de Assis, Transl. Gregory RabassaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Brás is relieved that the anonymous letter Lobo received has restored the excitement in his affair with Virgília. At the theater, he spots Damasceno and his family in a box. Noticing Damasceno’s daughter, Nhã-loló, in an elegant new dress, Brás finds her even more beautiful than before. Realizing the perilous nature of his thoughts about Nhã-loló, he opts to omit this chapter from his memoir to evade temptation.
Brás encounters Lobo at the theater, and they talk amicably during intermission. Lost in thought, he finds solace in the idea of his and Virgília’s secret house, which ensures their meetings remain discreet. He then reflects on his modest achievements, realizing the need for substantial accomplishments to earn Virgília’s affection.
Brás believes in the interconnectedness of public and private life, proposing they mutually influence one another. He suggests a correlation between Lobo’s resignation from the presidency and a potential impact on his relationship with Virgília. When Lobo reconciles with the ministry, Brás sees it as having a parallel effect on their marriage again.
Virgília informs Brás of her husband’s return to the ministry. He playfully teases her about potentially becoming a baroness and wonders if her loyalty to her husband might waver due to her fondness for nobility. Brás recalls when a Croatian count courted Virgília and how relieved he felt when the courtship ended following turmoil in the nobleman’s country.
Brás reflects on a past event, describing it as disgraceful and regretful. He decides not to disclose the details, deeming it unfit for this chapter.
Brás arrives late to meet Virgília one day, which angers her and Dona. They believe his tardiness indicates interest in another woman. Facing Virgília’s anger and failed reconciliation attempts, Brás becomes annoyed by the triviality of the situation, frustrated by their misunderstanding.
Dona spots Lobo approaching the house while Virgília and Brás are present. Virgília and Dona quickly conceal Brás in the bedroom before Lobo enters. He exchanges brief words with them, engaging in casual conversation. Dona appears anxious. After a quick exchange, Virgília leaves with her husband, encouraging Dona to visit them.
Dona closes the door and sits, visibly distressed. Brás, initially aiming to intervene, attempts to leave, but Dona prevents his departure.
Brás weighs the potential fallout from his ties to Virgília. Dona proposes visiting Lobo discreetly. Brás views the affair as a risky venture, longing for the stability of a tranquil union. Remorseful, he imagines a peaceful domestic scene, desiring a chaste love the opposite of his chaotic affair with Virgília.
Virgília sends Brás a note mentioning Lobo’s suspicions of their affair. Uncertain about the future, she advises caution for now.
Brás finds Virgília’s note puzzling. He reads it repeatedly but struggles to understand his complex emotions toward its content.
Brás welcomes a visit from Quincas Borba. Unlike his previous appearance, he dresses impeccably, exuding a refined manner, and speaks with a restored vigor. He speaks enthusiastically of humanitism, his personal philosophy, but Brás requests that his colleague postpone discussing it, expressing his lack of readiness for such profound conversation.
A week later, Lobo is appointed president of a province. Brás anticipates a rejection, hoping for Virgília to be able to stay in Rio de Janeiro, but the nomination proceeds normally.
Brás discovers a note from Virgília inviting him to meet her that night in the garden. Initially dismissing it as audacious and ridiculous, he contemplates tearing up the note but refrains. Upon reexamination, he discovers that it’s an old note from the beginning of their affair.
Brás encounters Lobo on the street. Observing his restrained demeanor, the protagonist suspects that Lobo fears public judgment, hindering his separation from Virgília to avoid scandal. He predicts that time will blur these events from public scrutiny.
Brás reflects on the significance of public opinion as a crucial binding force in both domestic and political realms, stressing its positive impact. He hints at a potential further exploration of this concept in the book.
Virgília and Brás bid farewell before her departure. They discuss reuniting soon, but their exchange ends abruptly due to onlookers.
After Virgília leaves, Brás experiences a sense of both relief and yearning. He unexpectedly finds comfort during lunch at a renowned hotel restaurant, savoring the sumptuous meal that seems tailor-made for the occasion.
After Virgília’s departure, Brás spends days indoors indulging in idle contemplation and reminiscing. During this period, his family experiences several changes, including his uncle and two cousins’ deaths and the birth of his niece. He treats these events casually while immersing himself in old love letters, reliving the past, and finding solace in his memories.
Quincas explains his personal philosophy, humanitism. Inspired by Brahmanism, humanitism categorizes humankind, linking origin to strength or weakness, akin to a caste system. It embraces war and envy in its teachings and leads individuals to understand that harmony springs from all being aware of their place and role in society. To illustrate this point, Quincas mentions how the chicken he is eating is the result of the shared efforts of many. His confident presentation impresses Brás, who reads all four volumes of this work detailing it.
Brás feels drawn to the buzz of activity and craves attention, unable to endure solitude. He longs for the spotlight and muses over his desire to engage in something purposeful.
Brás shares a handful of maxims he penned in moments of boredom and contemplation, which offer concise and witty observations on human behavior and life’s quirks.
Brás, prompted by his sister Sabina’s insistence, contemplates the idea of marriage and fatherhood. The concept of having children stirs something profound within him, pushing him to consider courting Nhã-loló. He confides in Quincas about his paternal inclinations, finding support and encouragement from the philosopher, who relates these feelings to his concept of humanitism.
After three months, Brás begins courting Nhã-loló, influenced by her charm and encouragement from her father, Damasceno, and Sabina. Exiting church with Nhã-loló and Damasceno one day, they encounter a crowd engrossed in a cockfight. Damasceno, absorbed in the spectacle, becomes deeply engaged in the fight. Nhã-loló, unsettled and embarrassed, urges Brás to leave while her father stays, discussing the fight animatedly with other spectators.
Nhã-loló worries about her father’s actions, fearing they might affect Brás’s opinion of her. She aims for sophistication and often mimics the elite, trying to bridge the social gap between them. Her father’s behavior deeply upsets her, causing visible distress. Brás tries to lift her spirits with humor, but her sadness persists. Recognizing Nhã-loló’s distress, Brás considers how marrying her would rescue her from a lower social standing.
Brás seeks Cotrim’s opinion on marrying Nhã-loló. Cotrim commends Nhã-loló but refrains from influencing his brother-in-law’s choice, claiming neutrality in family affairs. Brás describes Cotrim as a man of unwavering integrity and strong moral principles but exposes others’ condemnations of his callous treatment of enslaved individuals and his involvement in smuggling.
Brás crafts this chapter to prevent a jarring transition from the previous story to an epitaph for Nhã-loló’s death.
The narrator shares the epitaph that marks Nhã-loló’s grave. She passed away at the age of 19 from yellow fever.
Brás admits his restrained grief and lack of genuine affection for Nhã-loló, though he is incredulous after her death. Her father, feeling abandoned during the burial, laments the sparse attendance at her funeral.
Brás lauds his knack for linking seemingly unconnected matters. Reflecting on formalities such as the lack of attendance at Nhã-loló’s funeral, he praises the significance of formalities, acknowledging their role in easing pain and promoting understanding, even if they seem insignificant.
Two years after Nhã-loló’s death, Brás, now a deputy, attends a lively session at the Chamber of Deputies, where he sees Lobo Neves giving a speech.
While listening to Lobo’s speech, Brás admits a lack of remorse regarding his affair with Virgília.
Humanitism, as proposed by Quincas Borba, represents a satirical critique of prevalent scientific and philosophical ideologies of Machado de Assis’s era, serving as a stark example of The Elite’s Entitlement and Hypocrisy. This fictional philosophy attempts to rationalize societal inequalities and violence by linking them to a supposed natural order. The core tenets of humanitism categorize humanity into distinct strata, seeking to justify existing power structures. Quincas’s commentary on the chicken he consumes, attributing the collective effort of workers working in tandem for his benefit, reflects the inherent flaw within his ideology. His perspective emphasizes a hierarchical system where the toil of the working class is diminished to serving the whims of the privileged few. It dismisses the struggles and oppression faced by the working class, whether enslaved or not, as a necessary sacrifice for the betterment of the privileged. Such a stance disregards the complexities of social dynamics and perpetuates the idea of a natural hierarchy, reinforcing the problematic notion that some are inherently superior or entitled to reap the benefits of others’ labor. Machado de Assis uses humanitism to satirize prevalent ideologies like positivism, a philosophy that shaped Brazilian history, critiquing their fallacious justifications and pseudo-scientific reasoning.
Brás’s relationship with Nhã-loló and her family dramatizes the critique implicit in humanitism. Brás and Nhã-loló’s response to Damasceno’s interest in cockfighting, a lower-class activity, provides a view of the societal tensions of the time surrounding class, gender, and personal agency. Nhã-loló’s family is on the rise socially, attempting to move from one social stratum to the next. Nhã-loló’s discomfort and embarrassment at her father’s behavior reveal her desire to distance herself from perceived social inferiority and ascend the social ladder through an association with Brás. In response, Brás envisions himself as a benevolent figure, rescuing Nhã-loló from her perceived social mire, imagining her as a flower growing from muck as he did with Dona Plàcida: “‘There’s no way,’ I said to myself. ‘I’m going to pluck that flower out of that bog.’” (169) He frames his interest in Nhã-loló as a sign of his nobility, when in fact it only stresses his condescension toward her family’s standing. His patronizing attitude and insistence on using the diminutive nickname “Nhã-loló,” akin to what an enslaved nanny might have used at the time, underscore the inherent power imbalance within their relationship. By reducing her to subordinate status, he effectively strips her of individuality and agency. The hypocrisy and callousness of Brás and those in his social echelon are confirmed when Nhã-loló dies. In another example of The Macabre Irony of Mortality, all the social progress Nhã-loló believed she had made proves to be illusory when few people attend her funeral, and even Brás struggles to feel any remorse for her death.
Finally, public scrutiny appears as the driving concern of most characters, above and beyond any personal morals or emotions, molding their conduct and choices throughout the novel. Brás astutely observes the intricate dynamics of personal relationships at the time, particularly evident in Lobo Neves’s case. The influence and prestige attached to his position not only dictate his public image but also intrude into the intimacy of his private life, underscoring the indelible entanglement between the two spheres. Deeply concerned with maintaining a respectable image and avoiding scandal, he navigates his suspicions of his wife’s affair with an acute consciousness of the public’s perception, demonstrating a willingness to make sacrifices to safeguard his image. Even when discovering Virgília and Brás’s secret meeting place, his confrontation is discreet, underscoring the immense weight public opinion has on the personal actions of figures like him.
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