37 pages • 1 hour read
Jean Hanff KorelitzA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jake, a failed writer who steals a talented student’s idea for a novel, is self-centered and obsessed with his authorial status. His sole ambition is to be a successful author: “All he had ever wanted was to tell—in the best possible words, arranged in the best possible order—the stories inside him” (56). However, external measures of success do not cure Jake’s self-loathing; he is “not happy with himself […] always, not just during the long years of professional failure but during the past two years of dizzying success, in which he had merely traded one form of dread and self-castigation for another” (163). Jake trades clinging to jealousy of more successful writers for obsessing over fears that his stealing Evan’s plot for his novel will be exposed.
Jake fears make him passive and avoidant even when threatened: “At the end of the day he couldn’t bring himself to do anything at all: direct, indirect, or even just evasive” (138). His constant checking of the internet for Talented Tom’s missives makes him feel like an “obsessive-compulsive at the mercy of his cleaning rituals” (140). However, even when Jake takes an active role, doing research about Evan and his family to determine Talented Tom’s identity, his obliviousness and lack of imagination make fail as a detective. He is blinded by his “sheer rage [...] the deep resentment against this person who felt it her business and her right to harry and persecute him, just because he’d found a story and crafted it into a fine and compelling narrative” (254).
Jake’s obsession with his writerly skills becomes his undoing. After ingesting Anna’s cocktail of lethal drugs, Jake no longer has language: Anna is the one who provides the explicative mystery denouement, robbing Jake of his role in the narrative. Anna then writes a fake suicide note putting in Jake’s mouth “Sentences: his last, and not even chosen by him, or arranged by him, or vetted by him. It was nearly the worst thing of all” (315). Not only does Jake lose his life, but he also loses access to immortality on the page.
Anna, a “sociopath” (300), has four identities. She begins life as Dianna Parker, assumes the identity of her daughter Rose Parker after murdering her, adopts the alias Anna Williams to lure Jake into a relationship, and poses as internet troll Talented Tom to harass Jake online. Evan’s plot, which Jake steals for his novel Crib, is the story of Anna’s actual life: “a mother who would take the life of her own daughter, then take it again, to live it herself” (286). However, although Jake can only picture a mother murdering her daughter by accident in the heat of a fight, the real Dianna killed Rose in a premeditated way. Miserable that her ultraconservative family forbade her to abort a teenage pregnancy, Dianna stews over Rose’s opportunities—chances at life that Dianna never had—until she realizes that she could simply take Rose’s life for herself.
Unlike Jake, who lives in a bubble of insecurity, Anna welcomes “the approach of a stranger with open curiosity [while Jakes only experiences] dread” (138). This amoral empathy enables Anna to play Jake like a violin by flattering his ego and using his inexperience with women to move their relationship forward with alarming speed: moving in together after only spending about a week together, and getting married only months after moving in together. Up until the moment she poisons him, he never doubts her love.
Evan Parker attends one of Jake’s creative writing workshops at Ripley College. Evan tells Jake his idea for an extraordinarily twisty mystery plot. After Evan’s untimely death, Jake steals Evan’s plot structure for a new novel. No one doubts that Evan was capable of overdosing on drugs—so when his sister Dianna kills him and makes it look like an overdose, no one suspects foul play.
Evan is universally disliked. Jake calls him an “arrogant, piece of shit, undeserving, son of a bitch” (42); patrons of Evan’s tavern call him an “asshole” (42, 191), and even Evan’s classmate Martin criticizes Evan for never being “into the community of writers aspect” (186). Although Jake also shares some of Evan’s skepticism about the usefulness of creative writing academic programs, it’s much easier for Jake to justify stealing Evan’s ideas when dismissing Evan as pretentious and unpleasant.
By Jean Hanff Korelitz
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