logo

48 pages 1 hour read

Alka Joshi

The Perfumist of Paris

Fiction | Novel | Adult | Published in 2023

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 2Chapter Summaries & Analyses

Part 2 Summary: “Agra, December 1974”

Lakshmi picks Radha up in Agra, where the smells and sounds of India awaken her homesickness. Lakshmi has traveled from Shimla to Agra to introduce Radha to Nasreen and Havi, the courtesans she believes will be able to help Radha in her quest for perfumes. Lakshmi helps Radha disguise her foreign appearance to protect her from pickpockets, and as they head to the haveli (or mansion), they catch up on family, Lakshmi’s business, and the economic troubles plaguing India following independence. Crimes are up against the wealthy and anyone appearing foreign, and Lakshmi warns her that Nasreen and Havi, though still wealthy, have seen a dramatic change in clientele and interest in their services. Wealthy families have left the country and few appreciate the traditional arts and formal etiquette that once earned their kotha (or brothel) respect and high standing.

Radha is disappointed by the shabby haveli where Nasreen and Havi live, but inside, the place is elegant and smells of sandalwood so strongly that she is overcome with memories of losing Niki. When they meet Nasreen and Havi, Lakshmi performs pranama—she respectfully bows and touches their feet—and this confuses Radha since the kotha’s proprietors are wealthy but not of higher social standing than herself and Lakshmi. Radha looks down on their role as sex workers, not understanding the complex relationship they have with the elite as arts and culture teachers, nor the role they play in uplifting women in their community. Over refreshments, Radha allows her low opinions to show, asking how many women work for them. Havi corrects her, saying that the women work for themselves, receive an education, collect their pay, and leave when they are ready, instead of languishing in abusive marriages or poverty. Later, Lakshmi explains that the British slandered the courtesans’ work as merely sex work when they realized the women were helping fund the independence movement; this has contributed to the decline in clientele since independence. Despite her faux pas, Radha enjoys an evening of traditional music, dance, and drama, and she looks forward to meeting the perfume merchant the next day.

However, the meeting with the merchant Rajkumar Mehta is unsuccessful. He looks down on Radha’s Western perfuming methods and does not have the scent she needs. As a result, she worries her failed trip will let both Delphine and Pierre down. Lakshmi comforts her, but Radha wakes in the night after a nightmare in which she struggles to reach her girls. The young kitchen girl, Binu, makes her chai and tells her she would be an astronaut if she could, but at the kotha, she is a poor Indian girl happy enough to be working in a safe place. Radha realizes she escaped a similar fate only because of Lakshmi. At dawn, Radha climbs to the roof to see the Taj Mahal, after which Havi takes her to the traditional open-air perfume factory that she and Nasreen run. As Radha takes in the scents of dung fire and essential oils, she watches men scoop mud into a still for distillation. The essence is the smell of rain, called petrichor or mitti attar, and Radha realizes this is the humid base she needs for the Olympia project. Before she and Havi leave, Radha suggests that Havi hire girls to apprentice at the factory and expand the opportunities they already provide at the kotha to girls with few options.

When Radha and Havi return to the kotha, Radha is shocked to see Niki’s adoptive mother, Kanta, and she assumes Lakshmi arranged the meeting to force her to confront her feelings about Niki. Kanta assures her she came on her own and explains that Niki has run away to Paris to contact her. Kanta recounts how Niki found a lapsed scholarship application from an anonymous benefactor; it offered him free college tuition college in exchange for a two-year apprenticeship in America following graduation. Kanta and her husband Manu had heard rumors that the rich, corrupt Singh family thought their sons Ravi and Govind were incapable of running their real estate business—Ravi Singh is Radha’s old lover and the biological father of Niki. Since the Singhs had no male heirs, they planned to trap Niki with the scholarship and groom him to take over the business. When the Singhs’ corruption had been exposed, it prompted them to emigrate to America, and Kanta did not want their son involved in anything to do with them. When Niki discovered the wasted opportunity and Radha’s returned letters, he ran away to find Radha, thinking she might know who his benefactor was. Kanta hopes Radha will explain what happened, and convince Niki to forget the scholarship and return home. Faced with the inevitability of her repressed secrets coming to light after so long, Radha lashes out at Lakshmi for not trying harder to help her keep Niki and at Kanta for passing the responsibility of telling Niki about his adoption to Radha, who has always been clear about her desire for detachment. Afterward, she hides in her room to process her hurt.

Later, Lakshmi convinces her to attend the night market with her so she can buy souvenirs for the family. They visit Hari, Lakshmi’s ex-husband, who sells incense crafted with the kotha’s mitti attar and trinkets with his wife and many children. He is no longer the abusive husband Lakshmi fled from and they have an easy understanding. Over their favorite street foods, Radha and Lakshmi air their resentments about how each handled Radha’s pregnancy. Lakshmi assures her that she, Kanta, and their cousin Malik each blamed themselves for not educating her or speaking up about her closeness to Ravi sooner. Seeing Lakshmi willingly take on her share of the blame, Radha forgives her and leaves India recharged.

Part 2 Analysis

Slower action and layered sensory images in Part 2 shift the narrative from a wide establishing view of Radha’s character to a closer, more intimate vantage as she turns inward to find herself.

Through Radha’s experiences in Agra, the novel explores the theme of Scent as a Catalyst for Memory and Identity. Upon arrival in Agra, Radha mentally declares, “I’m home,” and she reconnects with portions of herself that she has suppressed while living in Paris. She is now a continent away from her domestic and professional life in Paris, and she is immediately immersed in the smells, sounds, and tastes of India. At first, Radha finds herself disoriented as she steps outside of the self she has carefully cultivated for Pierre, her girls, and Delphine. Lakshmi immediately cloaks her in an Indian shawl, covering her Parisian persona with an Indian one, saying it is to keep them safe from pickpockets targeting wealthy outsiders. Symbolically, however, this gesture forces Radha to confront her older identity that she has tried to suppress. Her time in Agra is one of personal introspection and integration of identities. She is visiting India after years with her Parisian family, and she is traveling alone, leaving her time and space to think about herself rather than the usual demands placed on her by the various people in her life. Therefore, Radha can confront the unresolved sense of who she is and resolve the tension between her conflicting identities.

The shawl invites Radha to explore her memories and remember her roots gently, just like Lakshmi’s hugs, but she also experiences deeper and more unpleasant confrontations through motifs of scent and contrasting cultural imagery. Though Radha considers herself Indian, Lakshmi’s fear of mugging reminds her that her Parisian clothing and bangs mark her as an outsider in her own country, unsettling her sense of who she is. Her social faux pas and impatience to get to business underscore Radha’s lack of familiarity with the etiquette and customs that drive business relationships in India and show Radha a side of herself she has never acknowledged. Though she feels the food, colorful clothes, and classical music quench her homesickness, she recognizes that others do not accept her homecoming as easily. Nasreen and Havi feel insulted by her Western attitudes that reduce their profession as courtesans to sex work. The perfume merchant, Rajkumar Mehta, similarly rebuffs Western perfume traditions and even accuses her of appropriation, saying “In India, you know we have been making attars for thousands of years? […] Long before your Grasse became known as the perfume capital of the world” (137). His choice of words, describing Grasse as “your Grasse,” shows that he thinks of her as only French and not also Indian. Though Radha has always considered herself Indian, she realizes her time in Paris has changed her attitude and demeanor. However, in Paris, too, Radha feels like an outsider and finds herself having to prove she belongs. She is confronted by her two contrasting national identities and strives to reconcile them.

Scent and the memories they trigger remind Radha that though she feels she has lost her core self, her body remembers all of who she is. The sandalwood smell of the kotha forces such a strong memory of baby Niki that she becomes faint and frazzled with anxiety. Similarly, Lakshmi’s scent of medicinal herbs and chrysanthemum flowers triggers mixed feelings of calm as well as resentment since Radha remembers Lakshmi saved her life by taking her in but she also caused Radha’s suffering by forcing her to give her baby up for adoption. Even the warming scents of the chai Binu makes when Radha cannot sleep reminds her of comfort but also failure, as she recalls Pierre’s dislike of the drink and thinks of her problems at home.

The novel uses olfactory imagery as a connection to memory, and in this way, it excavates the emotions tied to Radha’s past and present. It is not until Radha accompanies Havi to the perfumery and smells the cleansing scent of rainwater in the mitti attar that she reaches an understanding of the multitudes within herself. Though she does not yet know how to sort things out, by remembering her roots and acknowledging the role they have played in who she is now, Radha can see a path toward integrating her various identities. Just like the Olympia perfume blend was missing its base, Radha has been incomplete without her roots. Her journey has been successful despite the setbacks and heartache. Not only has Radha discovered the missing piece of the fragrance and let go of old resentments toward Lakshmi and Kanta, but she has also found the missing part of herself. She will return to Paris to figure out how to synthesize the various parts into a beautiful and unique whole.

blurred text
blurred text
blurred text
blurred text