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79 pages 2 hours read

Nadia Hashimi

The Pearl That Broke Its Shell

Fiction | Novel | Adult | Published in 2014

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Chapters 64-69Chapter Summaries & Analyses

Chapter 64 Summary: “Shekiba”

Shah and Shabnam grow as close as siblings can, despite their mothers’ animosity. One day, Agha Khalil, a colleague of Aasif, and his wife, Mahnaz, visit Aasif’s house. While the men discuss business, Mahnaz and Shekiba chat. It turns out Mahnaz is from Qala-e-Bulbul, Shekiba’s home village. Shekiba has heard nothing from her family since she was given to Azizullah. Bobo Shahgul died; part of Shekiba “had expected her grandmother to live on forever, pickled in her own bitter juices” (401). Her uncles had quarreled over Ismail’s good land; the family was torn apart by greed. The farm was not yielding good crops. They believed there was a curse on the soil. Shekiba smiles, imagining her grandmother telling her sons that it was Shekiba that cursed the land. Shekiba changes the subject to Amanullah’s wedding to Queen Soraya. Mahnaz invites Shekiba to see the queen give a speech. She asks Aasif permission to “Steal your wife” (403). Under pressure from Mahnaz and Agha Khalil, Aasif assents. 

Chapter 65 Summary: “Shekiba”

On the day of the speech, Shekiba waits in the crowd with Mahnaz and Shah. She reproaches herself for ever having hoped to marry Amanullah. Shah is not seven years old. Gulnaz resents Shekiba for having been invited out by Mahnaz. Shekiba thinks of the harem, of her time dressed as a man, and wonders what Shah would think. She thinks, “Only a daughter could know what it was to cross that line, to feel the freedom of living as the opposite sex” (405). She is pregnant again.

Mahnaz was married to Agha Khalil after seeing him only once. Khalil had some disagreements with the previous government, and his family was exiled to the countryside. Now he is close with the king and queen. King Amanullah and Queen Soraya take the stage. The people love their king. Shekiba smiles at his nobility, wondering if he would recognize her. Queen Soraya takes the podium, and, to the crowd’s surprise, she “looked at her husband and pulled her head scarf off of her head!” (407). King Amanullah declared that the head scarf is not required in Islam. Soraya is named minister of education.

Soraya gives a speech on the importance of women to the future of Afghanistan. She advocates for women seeking education. Shekiba is aware that this is an historic day, that things will change for women. However, she knows that “Queen Soraya was speaking of changes that wouldn’t affect her” (408). Shekiba realizes that she has avoided a worse naseeb. She knows that this is where her story ends, but she prays for her children and future generations to have “a life that’s less bitter than sweet” (409).

Chapter 66 Summary: “Rahima”

Rahima struggles to keep her composure, trying to decide what to do. She decides to go with Hamida and Sufia, knowing she is doomed whether she goes with them or Badriya. Sufia knows something is wrong. She asks Rahima. Though she had not intended to say anything, her “story just flowed out” (412). She tells them about her past, about Parwin, her parents, Jahangir, and the conversation between the two bodyguards. Hamida and Sufia are not surprised; Rahima merely confirmed what they had expected. They escort her to the women’s resource center to speak in private. 

Chapter 67 Summary: “Rahima”

Rahima convinces Badriya that she has a stomach illness and must stay at the hotel that day. Hassan reluctantly volunteers to stay behind to keep an eye on her to avoid further angering Abdul Khaliq. When she is alone, Rahima cuts the rest of her hair, finishing what Abdul Khaliq had started. She changes into clothes she took from Hashmat and slips quietly into the hall. She trips and alerts Hassan, but he thinks she is a boy and merely yells at her to be more careful. Rahima is Rahim again. She flees in the opposite direction of parliament, looking for a place to hide. 

Chapter 68 Summary: “Rahima”

Rahima slips easily into the role of bacha posh. She hurries along, feeling as though all eyes are on her. However, the disguise works. She makes her way onto a crowded bus headed for Wazir Akbar Khan, a suburb of Kabul; she is the only woman on board. She manages to get off at the correct stop. Rahima gets lost, and nobody will give her directions. She sees a sign advertising Shekiba’s Beauty Shop. It is “as if a hand was holding mine, guiding me” (420). She sees her destination across the street: a tea shop, where Ms. Franklin is waiting. 

Chapter 69 Summary: “Rahima”

Ms. Franklin and Rahima go from the tea house to a women’s shelter, a different one than the one where Fakhria works. Rahima meets women with devastatingly tragic stories. One girl is Rahima’s age; she had been married off at age 12 and “Four years later, she had run off, escaping the in-laws who treated her as a slave” (421).

Rahima is still terrified that Abdul Khaliq will somehow find her. Hamida and Sufia are only able to visit her once. If they were to visit too often, it “could attract the wrong attention and endanger everyone involved” (422). She will always be grateful them and Ms. Franklin for helping her escape the naseeb of returning to Abdul Khaliq. Rahima feels bad for Badriya, who no doubt received the brunt of Abdul Khaliq’s wrath.

Rahima finally has time to reflect. She is sorry that she told Khala Shaima that her education had served her no good. In reality, it is because she could read and write that she was able to go to Kabul and escape Abdul Khaliq. Her biggest regret is being unable to send word to Khala Shaima that she is safe. She is finally able to send a coded letter to her aunt. It speaks of “nothing but the smell of fresh air, the delightful sound of birds chirping, and the hope that the family could pay a visit soon” (423). Years later, Rahima hears that Khala Shaima’s sister, Zeba, found Khala Shaima’s lifeless body holding the letter. Zeba was distraught and could not read. At Khala Shaima’s grave, she has her husband read the letter to her. Rahima’s “letter was signed Bibi Shekiba” (423).

Chapters 64-69 Analysis

The final section of the novel brings Rahima full circle. Because of the powerlessness she faces as a woman, Rahima cannot save herself from her situation—but Rahim can. By reassuming the role of a bacha posh, Rahima escapes the notice of Abdul Khaliq’s guards. It was as a bacha posh that Rahima attracted Abdul Khaliq’s attention; it is as a bacha posh that Rahim escapes to safety.

Ironically, Rahima uses Hashmat’s clothes to escape the clutches of Abdul Khaliq. Hashmat, her stepson and former classmate, frequently used Rahima’s past as a bacha posh to torment her. She and Abdullah tried their best to avoid Hashmat in school because of his bullying attitude and his connection to Abdul Khaliq. As a stepson, Hashmat showed Rahima no respect.

Shekiba’s prayer for a better life for her descendants begins to become reality when Rahima makes her escape. Shekiba’s presence is emphasized by the serendipitous appearance of a sign denoting the location of “Shekiba’s Beauty Shop”—a coincidence, but one that guides Rahima to the location of the tea shop where Ms. Franklin is waiting. Naseeb guides Shekiba and Rahima’s storylines to intersect one final time. Shekiba’s active role in her own fate has made a better fate possible for Rahima.

The progressive future imagined by King Amanullah does not come into reality the way Shekiba hoped. Amanullah’s assassination some years later set back the progress he had made. After subsequent invasions by Russia and the takeover of Afghanistan by the Taliban, women’s rights were greatly diminished. However, as Rahima’s experiences in parliament show, a glimmer of hope begins to grow for women’s equality. The actual future of Afghanistan is open and uncertain—just like Rahima’s future by the end of the novel.

Khala Shaima used Shekiba as a coded way of instructing Rahima to be strong. When Rahima escapes Abdul Khaliq, she uses Shekiba as a means of contacting her aunt. Rahima’s letter to Khala Shaima is signed with Shekiba’s name. She figuratively resurrects her dead ancestor, along with all of her hopes for her future generations, to tell Khala Shaima that she is alive and well. Healing will take time, but there is hope. 

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