53 pages • 1 hour read
Drew Hayden TaylorA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The Prologue describes an old Ojibwa, or Anishinaabe, man telling a story to his grandchildren in an unspecified time period, teaching them about the “ways of life” (v). The man describes the fight between two wolves inside him, one composed of negative emotions and behaviors, the other of positive ones. One child asks which wolf is stronger and will win, and the man says, “The one you feed” (v).
The protagonist, an Anishinaabe vampire named Pierre L’Errant, watches the Northern Lights through the window of a plane. He thinks about how often, and in how many countries, he has seen them. While white people call them the aurora borealis, he knows them by the name wawa-tei. To him, the lights are a good sign. On this flight, he has the row to himself; his former neighbor, an Irish Catholic woman named Irene Donovan, asked to move seats when she became disturbed by Pierre’s dark aura. Irene had intended to relax and watch a movie on the flight to Canada but she became perturbed by Pierre’s contagious sense of emotionlessness and loneliness. Pierre is not offended by her choice, as he prefers to be alone in the company of the northern lights.
Pierre carefully crafted this trip to avoid the daylight. He planned the timing, the plane, and the cities perfectly to ensure his own survival and devised contingencies just in case. Pierre has decided to return home to Canada—a place he has not visited in centuries—after a trip to Ireland made him realize that he was eternally floating westward while still avoiding his home. Pierre is disgusted by his own monstrousness and does not want his homeland to see it, but now he looks to the sky and hopes that the northern lights are guiding him home.
Tiffany Hunter is a Anishinaabe girl who lives in the average-sized Otter Lake First Nations community in Canada. Now, she thinks about how much her feet hurt. Her shoes are too large because her grandmother took her to Walmart and refused to buy her well-fitting, fashionable Filas. Instead, Granny Ruth chose black formal shoes a size too large, even though Tiffany does not like “girlish” shoes. She loves her grandmother, but they struggle to understand each other; her Anishinaabe grandmother is much more committed to tradition than she is and does not listen to Tiffany. However, Tiffany does not complain because she is driving home with her boyfriend, Tony Banks, a white boy from her school. She has been seeing him for a month, and their relationship is not very well-defined yet. Tiffany often overthinks how she acts around him out of a desire to impress him.
She and Tony met in the library while Tiffany was trying to research carburetor settings for a Dodge Caravan in her automotive care class. Tony helped her to find the right spot in the textbook, and she noticed his persistent cough from allergies. She talked to her grandmother, who teased her about liking a boy and gave her weekah root. Tiffany instructed Tony to wear it around his neck and occasionally take a bite of it. He followed her instructions and his cough disappeared, and they soon begin to date. Tony is good at “fixed” things, like geography and dates, but he struggles to understand the winding roads through the reserve that Tiffany lives on.
Tiffany has grown up in relative isolation and has rarely traveled more than 45 minutes beyond her home. The reserve is filled with her relatives and cousins and is wild land; while some, like her Uncle Craig, live in the wilderness, most try to avoid the forest and find it unpleasant. Rumors of monsters like wendigos, possessing spirits, and demonic women are common, and stories abound about encounters with such beings, but Tiffany does not believe them.
Tony and Tiffany pass through downtown Otter Lake, where many of Tiffany’s family members live and work. Tiffany spots the church, where only her grandmother Ruth still goes. Tiffany does not attend because she does not believe she should be a hypocrite and go to church when she is unhappy with God. Tiffany thinks about her mother, Claudia, who has been gone for 14 months after leaving her husband, Keith, for a white man. This action shattered their family emotionally and financially in ways that none of them have yet figured out how to cope with. Tiffany regularly fights with her family now in ways she didn’t before. Due to Claudia’s betrayal, Keith actively dislikes Tony and has made this clear in a variety of ways, including setting up a scarecrow that resembles him and shooting it.
After Tony leaves, Tiffany finds a note from her father telling her to clear out her room and move to the basement for an undisclosed reason. Frustrated, Tiffany decides not to do anything until she learns why. Keith and Granny Ruth return from grocery shopping, and Keith immediately confronts Tiffany about her refusal to move her belongings to the basement. He tries to force her to do it without questioning him and then reveals that he has rented out the room to make money, as the family has been struggling without Claudia’s income. He insists that he told Tiffany about the plan at breakfast, which she doesn’t remember. Tiffany irritably agrees to cooperate and reads the email; she hopes that the guest, Pierre L’Errant, will not be strange.
Tiffany sits in her room and sulks, reflecting that the only positive thing in her life is her relationship with Tony. She ignores her history textbook, massages her sore feet, and reminisces about her first days with Tony, namely his use of her status card to get out of paying income tax. She recalls that on an early date, she used her status card to help him buy a birthday present for his mother, and she continued to use it as they got to know each other better, despite her friend Darla’s warning that he would use her for it. Eventually, Tony continued to buy things on every outing, making Tiffany uncomfortable. A week prior, he bought Tiffany an expensive silver bracelet at a jewelry store, but he also bought his mother a gold one, insisting that she already had the perfume he had bought her. The salesperson tried to stop Tiffany from using her status card, but Tony argued that the bracelet would be going back to the reserve; Tiffany then requested that Tony stop asking her to use the card altogether. Now, Tiffany is pleased by her recollection of how easily he agreed. She falls asleep thinking happily about him.
Pierre lands in Canada, wryly noting to himself that the land did not bear that name at all the last time he was here. Unable to rent a car due to his late arrival, he spends the night and day wandering the airport, enjoying the closed-in environment. He only draws occasional glances from people due to his strange aura. A man named Alok tries to pickpocket his wallet, but Pierre catches his wrist. Alok tries to punch him in the ribs, but two of his fingers mysteriously break. Alok is subsequently caught by security with four wallets in his jacket. After dark, Pierre, with all the right paperwork, leaves the airport in a rental car.
Tiffany moves into the basement and discovers plenty of spiders, confirming her fears. Her new “room” is a section of the basement encased with hanging strips of green carpet. To her embarrassment, she leaves the basement with spiderwebs in her hair. Tiffany leaves against her father’s wishes go to on a date with Tony, but her grandmother reminds her that she is skipping an outing with her friends to do so. She dismisses these concerns, to her grandmother’s disappointment. In the car, Tiffany thinks about how unfair her life is but cheers up when Tony says they are going to a party. Pierre’s unfamiliar Camry drives by as the couple leaves the reserve and heads to the party.
An old man named Moses is on the road leading into the reserve, chopping wood for his wife, who prefers the feeling of the fireplace over their gas heater. Moses suddenly feels watched and turns to see a car creeping near the house. He grips the axe tighter in his fear and catches a glimpse of something red in the driver’s seat. The car zooms away, and Moses, heart pounding, goes back to chopping wood.
Tiffany’s cousin, Trish, sits at a picnic table and smokes cigarettes, trying to avoid going back to her home. She sees an unfamiliar car approaching and prepares to run if necessary. The car stops in front of her, and the windows roll down, revealing only blackness inside. A rich voice tells Trish to come closer, and she feels compelled to obey. He asks where Keith Hunter’s house is, and she answers, feeling completely disconnected from herself. Trish sits back down after the car rolls away and forgets the entire interaction.
In the beginning chapters of The Night Wanderer, Taylor carefully introduces and builds out the tensions between the Indigenous characters and a varying cast of white characters. There is no “exchange” between the white characters and the Indigenous characters; rather, the Indigenous characters are constantly taken advantage of, whether in terms of “benefits” like the status card or traditions like the weekah root. Racism and colorism affect many interactions to varying degrees and interpretations. For example, while Irene Donovan ascribes her desire to move away from Pierre to his dark aura, she also wonders if he is a terrorist and reflects on the fact that she cannot tell what race he is; she only knows that she distrusts him. Later descriptions of him as dark-skinned and unusually Indigenous in appearance add a different significance to her reaction, for although people do respond negatively to his vampiric aura, most have already rejected him on the basis of his nonwhite appearance long before they notice his otherworldly qualities. In later chapters, it is notable that the Hunter family and others at Otter Lake merely think of him as “odd” rather than frightening. While even they do not fully know how to interpret his appearance compared to theirs, they do not reject him like the white characters in the novel do; in many cases, they have already been rejected for their own appearances and race and are unwilling to participate in a similar injustice.
This rejection, which is particularly centered around racial tensions, forms the underlying basis for the opening chapters. Both Tiffany and Keith struggle with self-worth and moving on after Claudia rejects their family in exchange for a relationship with a white Canadian man. This rejection leads Tiffany to her unhealthy relationship with Tony; rejected by her mother and unable to communicate with her father or grandmother, she clings to any approval she can get from him and changes her opinions to suit his. It is immediately apparent from the opening chapters that she is using Tony—who is white and lives off the reserve— to better understand her mother, whom she sees as an extension of herself. Like her mother, Tiffany wants to break free of the reserve and uses Tony to explore why her mother betrayed them to do it. However, this compulsion prevents her from fully realizing the ways in which Tony is using her, and this issue will become more prominent as the novel progresses. Early foreshadowing of this future conflict occurs when she too easily forgives Tony for his casual racism throughout the early chapters. Similarly, when he uses her for her status card, she disregards this evidence of his lack of respect for her and instead believes him to be a good person for acquiescing when she asks him to stop. This interaction reveals Tiffany’s overpowering need to be listened to and accepted for who she is. Tony’s choice to listen to her, even after using her, makes him the most important figure in her life, whether he deserves that position or not.
The difficulties of life on the reserve soon become a recurrent theme that adds nuance to the setting. Because the narrative emphasizes how difficult life is for Otter Lake residents, the tensions that the characters experience gain a greater sense of complexity and authenticity. A prime example of this dynamic occurs with the brief yet crucial insight into the life of Tiffany’s cousin, Trish. Although Trish is not a central character and never reappears, the novel starkly illuminates the difficulties of her life; she is ignored by her parents, does not believe in human relationships, and smokes her way through a pack of cigarettes to cope with the stresses of her environment. While the novel does not present life on the reserve as being inherently hopeless, the author has no qualms about presenting how difficult life seems to many Indigenous characters living under the reserve system. Later chapters emphasize that, for many characters, life is not as hard as it could be, but this fact does not detract from the difficulties they face in the present. By including brief perspectives from characters like Trish, the novel emphasizes that every life and every experience is important. Significantly, the existing struggles of the reserve contrast sharply with the foreign nature of the Pierre’s aura of fear, and this key difference serves to emphasize the difference between European and Indigenous Interpretations of Gothic Horror. Many of the characters already live in fear due to the regular instability and bleakness of their lives as Indigenous people within mainstream Canadian culture, and while Pierre’s presence causes brief moments of fear, it never destabilizes the way of life on the reserve completely. This pattern is exemplified by Trish’s reaction, for she forgets her unsettling encounter with Pierre and moves on with life exactly as it was before. To many people, encountering a vampire would be a life-changing event, but to the people struggling to make a life for themselves in Otter Lake, his presence is merely a strange blip in an otherwise difficult life.
By Drew Hayden Taylor
Canadian Literature
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Colonialism & Postcolonialism
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Coming-of-Age Journeys
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Family
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Grief
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Indigenous People's Literature
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Memory
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Mortality & Death
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Religion & Spirituality
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School Book List Titles
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