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50 pages 1 hour read

Marie De France

The Lais of Marie de France

Fiction | Novel/Book in Verse | Adult | Published in 1100

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Lai 12Chapter Summaries & Analyses

Lai 12 Summary: “Eliduc”

The narrator begins by informing the reader that although the lay was originally named Eliduc after the male protagonist, “the name has been changed, because the adventure upon which the lay is based concerns the ladies” in his life, Guildelüec and Guilliadun (111).

The knight Eliduc is happy in his marriage to Guildelüec and his service to the king of Brittany. However, Eliduc’s prowess causes his rivals to slander him before the king, meaning that knight must go abroad to seek his fortune elsewhere. Before leaving, he promises his wife that he will remain faithful to her.

Arriving in a place called Totnes, Eliduc serves an old and powerful king who has no sons but a nubile daughter. Having helped the king fight his enemies, Eliduc gains his trust. Guilliadun, the king’s daughter, summons Eliduc to come and meet her and instantly falls in love with him. Remembering his wife, Eliduc is slow to return her affections, even though the girl’s beauty and love for him makes an impression. Eventually, he finds that “his heart was firmly trapped, for he wanted to remain faithful, but could not refrain from loving the maiden Guilliadun, who was so beautiful, from looking at her and talking to her, kissing and embracing her” (117). They pledge their love to one another, and when Eliduc takes leave of the king and returns to his native land, he promises Guilliadun that he will return for her.

When he returns home to Guildelüec, she notices that he is distressed and wonders whether he received some slanderous report of her conduct while he was away. Eliduc replies that he has no accusations to make against her but that he must return to the king he served abroad.

Landing once more on Guilliadun’s land, Eliduc sends for her and the lovers are joyfully reunited. He puts her on a ship with his men, and they sail to Brittany. When they encounter a storm, one of the sailors complains that they will never reach land because of Eliduc’s sin of adultery. Eliduc lashes out against the sailor, but as he is doing so, Guilliadun falls into a death-like swoon. Eliduc, who takes her for dead, lays her in a hermit’s chapel.

Seeing that her husband is distracted and mournful, Guildelüec spies on his journeys to the chapel, first via a servant and then on her own. When she comes across the beautiful dead girl’s body, she instantly knows that Guilliadun is her husband’s beloved and that he grieves for her. A weasel crosses over Guilliadun’s body, and Guildelüec orders her servant to kill it. The weasel’s partner sees that its beloved is dead and rushes over to revive it with a red flower. The servant throws a stick at the weasel so it will drop the red flower from its mouth. Guildelüec places the red flower in Guilliadun’s mouth, and she revives, thinking that she has merely woken from a long sleep. She tells Guildelüec her story of being beguiled by a man who hid the fact of his marriage from him. Guildelüec confesses her identity and affirms that Eliduc and Guilliadun should be together. She announces that she will become a nun, an act that will dissolve her marriage and leave Eliduc free to marry again.

Eliduc gives Guildelüec enough land to found an abbey and marries Guilliadun. All three pledge their love to God, and eventually, Guilliadun joins Guildelüec as a sister in the abbey.

Lai 12 Analysis

This final lay takes the theme of the mal mariée, or “badly married woman,” and complicates it, as there is a precarious situation rather than a bad marriage. Here, a happy marriage is interrupted by the allure of a young girl, and all the protagonists have noble intentions. Most remarkable of all is the equanimity with which Guildelüec accepts that her husband desires and should be married to Guilliadun. She knows that the way to dissolve her own marriage, which impairs Guilliadun’s, and to console herself for the love she lost, is to devote herself to a greater love, that of God. Interestingly, by the end of the lay, Guilliadun does the same, as Eliduc “placed his dear wife together with his first one and the latter received her as her sister and showed her great honour, urging her to serve God and teaching her the order” (126). Thus, the first wife teaches the second about a greater and more lasting love than the romantic passion that engulfed her. Apart from Le Fresne, this is the only lay where the female protagonists are named. This is an important gesture, as a name preserves their identity and ensures their posterity, rather than making them interchangeable with the other countless ladies in the lays.

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By Marie De France