44 pages • 1 hour read
Sue Monk KiddA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
This part begins six years later, when Sarah is 18 years old and her sister, Nina, is six. Nina, or Angelina, is Sarah’s godchild, as Sarah’s mother kept her promise. Sarah is on the marriage market and spends her time in a social whirl. Sarah is expected to attract a husband and marry.
Nina is beautiful and intelligent, and Sarah encourages her to be fearless as well. Sarah teaches Nina to hate slavery and to understand why it must be ended. She has poured her life into raising Nina; they love each other dearly. Nina even calls Sarah “Mother.”
Burke Williams begins to call on Sarah. She is very attracted to Burke, though she doubts that she is attractive enough for him. She reports that she is very plain, with red hair and freckles. Eventually, Burke asks Sarah to marry him, and though he is not well-to-do enough for her family, they allow the engagement. Soon, however, Sarah’s brother, Thomas, discovers that Burke has similar “engagements” with several young women. Burke has developed these multiple engagements as a prank, in order to attempt to have sexual relationships with the young women, who believe that they are about to be married. Sarah is heartbroken.
Handful has been fully trained as a seamstress by her mother. Mauma begins working on a special quilt, a story quilt. Each square of the quilt tells a part of their family story. Mauma is saving money to buy their freedom, as she, now with Missus’ permission, hires herself out as a seamstress. She and Handful work on sewing projects day and night. Charlotte has a boyfriend, a free black man. Handful looks up their prices in Mr. Grimké’s accounting book, so that Mauma will know how much money she has to earn to buy their freedom. She is shocked to see that she is listed as being worth $500, while her mother is worth $550. Mauma insists that no book can tell them their worth.
Mauma introduces Handful to her male friend, Denmark Vesey. Denmark has three other wives, in addition to Mauma. Mauma clearly admires and loves Denmark. Handful, though she sees Denmark’s strength, does not like him and finds it difficult to witness her mother’s affection for this man. Denmark’s ideas about freedom for all black people frighten Handful. For example, he criticizes Handful for stepping aside for a white woman on the narrow sidewalk. She knows that her mother is drawn to Denmark because of his dangerous ideas. Mauma reveals that she is pregnant.
When her engagement is broken, Handful gives Sarah the silver fleur de lis button back. Sarah witnesses Mauma refusing to step aside on the sidewalk for a white woman. Mauma knocks the woman down in the mud and is taken by the City Guard. However, she escapes from the guards and disappears. Handful is heartbroken.
Sarah vows, in the aftermath of her broken engagement, that she will never marry and that she will give her life to God. She joins the Presbyterian Church. Her family barely tolerates her religious conversion. She also espouses the belief that not only should the slaves be freed, but that all people should live together as equals. The idea of racial and social equality is a revolutionary idea, even for the abolitionists of the time. Sarah turns 20.
Handful finds her mother’s story quilt squares after her disappearance, and looks at them for the first time. She stays up all night stitching the brightly-colored, pictorial squares of her mother’s history together.
Though Handful and Sarah are not as close as they were when they were younger, and they do not spend as much time together in this section of the novel, they find a way to support one another during difficult times. Sarah tries to comfort Handful when Mauma disappears, and Handful returns Sarah’s silver button to her, revealing her loyal support and care for Sarah:
[I thought] of us when we were little […] her telling me about the silver button and the big plan she had. I’d worn that button in my neck pouch almost every day since [Sarah had] tossed it away. I […] slid off the pouch, and dug the button out. It was full of tarnish. […] I got out the polish and rubbed it till it gleamed (134).
Handful understands the importance of dreams and the tangible symbols for them. Therefore, when Sarah throws out the button, a symbol that she has thrown away her dream, Handful retrieves the button and saves it. Handful is holding on to hope on behalf of Sarah’s dream, which connects to the theme of the power of friendship: Handful wants the best for Sarah, and she doesn’t want her to give up on her dreams. Before returning the button to Sarah, Handful polishes it until the tarnish is gone, hoping to similarly renew Sarah’s devotion to her childhood dream.
Sarah makes a life-changing decision, during her religious conversion, by saying that she will never marry. Women in this time period had little education, and no careers were open to them. The only way to survive was to marry or to remain at home with parents or another relative. An independent life was impossible. This is not Sarah’s only rebellion from the norm; she also continues to espouse independent notions concerning ending slavery and racial equality, which supports the theme of rebellion against oppression. Though cut off from books, Sarah continues to grow as a person and to develop her own independent way of thinking and looking at the world.
Handful becomes an expert seamstress, taking over all of her mother’s duties when Charlotte disappears. Symbolically, she joins herself to her mother and her family tradition of storytelling and needlework by sewing her mother’s life story squares into a quilt. Unlike her mother, however, Handful rejects the idea of a relationship completely. Goodis, the gardener and a fellow Grimké slave, likes Handful, but she ignores him. Denmark, a real historical character, is a free black man who agitates for freedom for all.
The Work House, a torture chamber for misbehaving slaves, dominates the nightmare of slavery in Charleston. The ultimate in punishment, no one leaves the Work House unscathed, either mentally or physically. Kidd’s depiction of the Work House foreshadows Handful’s later experiences there.
By Sue Monk Kidd