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116 pages 3 hours read

Homer, Transl. Robert Fagles

The Iliad

Fiction | Novel/Book in Verse | Adult

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Books 9-12Chapter Summaries & Analyses

Book 9 Summary: “The Embassy to Achilles”

With Achaean morale low, Agamemnon calls an assembly and tearfully says that Zeus has tricked him: They will never conquer Troy and should return home. After a moment of silence, Diomedes berates Agamemnon for cowardice and tells him to leave if he wants, but Diomedes will stay and fight until Troy falls. The Achaeans cheer. Nestor tells Diomedes that he is right but still young. It is time for the elders to take over. He provides instructions for securing the camp for the night and tells Agamemnon to host a feast for the leaders to hear the best advice.

At the feast Nestor reminds Agamemnon that he took Briseis against the Achaean leaders’ will. The time has come to convince Achilles to return to battle. Agamemnon agrees and gathers gifts, including tripods, gold, stallions, and seven women along with Briseis, promising more after the sack and plunder of Troy. Agamemnon also offers one of his daughters as a wife for Achilles, specifying that Achilles must “bow down” to “the greater man” (256). Nestor approves and sends an embassy with Phoenix, Ajax, and Odysseus.

The men find Achilles singing and playing the lyre. He welcomes the embassy warmly, and his companion Patroclus prepares them food and wine. Odysseus tells Achilles that the Achaean ships are under threat. If he fails to act, it will become too late to remedy the damage. Odysseus asks him to set aside his anger and lists Agamemnon’s gifts, adding that if they do not sway him, love for his comrades should. Achilles replies that all warriors end up dead, no matter how much they toil, whether they are cowardly or brave. He berates Agamemnon for hoarding treasures while hiding behind the lines and stealing Achilles’s honor. Agamemnon launched the expedition because of Helen but took away the woman Achilles loves. He plans to sail home at dawn, with the treasure he has plundered but not his “prize of honor” because the man who gave it to him stole it away, an outrage (263). Agamemnon cheated and dishonored him, and Achilles does not want his gifts. No wealth is worth his life, which cannot be restored once lost. He shares a prophecy told him by his mother: He can choose either early death at Troy and honor, or he can return to the home that he loves without honor but with a long life. He closes by warning the Achaeans to go home; they will never take Troy.

Phoenix bursts into tears and tells a story about the family feud that forced him to seek refuge in Phthia, where he grew to love Achilles like a son. He begs Achilles to forgive so that Ruin will not overcome him, then tells the story of Meleager, who refused to help his comrades until his wife, Cleopatra, tearfully begged him to, but he waited too long to act. Though he saved them, he received no honor for it. Achilles replies that he does not need human honors. His honor comes from Zeus. Warning Phoenix not to side with his enemies, Achilles says that he will decide in the morning whether to sail home.

Rising in disgust, Ajax tells the others that Achilles lacks human kindness and respect for his comrades. Achilles acknowledges that Ajax is right, but he cannot get past his anger at being publicly dishonored. He will not fight unless his ships are threatened.

At the Achaean camp Odysseus reports that Achilles refuses to fight and will sail home at dawn. Diomedes grumbles that the gifts have made Achilles more prideful. He will fight when he feels like it. The rest must carry on without him.

Book 10 Summary: “Marauding Through the Night”

Agamemnon and Menelaus are both unable to sleep for worrying. Agamemnon tells his brother that they need good tactics now that Zeus has decided to give Hector glory. Menelaus defers to his brother. Agamemnon sends Menelaus to gather the leaders and goes to Nestor, who criticizes Menelaus for being asleep. Agamemnon gently corrects him, saying that while Menelaus expects Agamemnon to act first, he is currently awake and active.

On their way to check on the sentries, Agamemnon and Nestor pick up Odysseus and Diomedes. Finding the sentries away and watchful, Nestor praises them and suggests sending a spy into the Trojan camp. Diomedes volunteers and asks for a companion since two work better than one. Many volunteer, and Nestor tells him to pick the best man for the job, even if he is not the highest rank. Diomedes picks Odysseus, and the two dress for the mission. Meriones gives Odysseus a helmet with an impressive genealogy. Athena sends a good omen in the form of a heron, and Odysseus prays to her to stay by his side.

In Troy, meanwhile, Hector also calls for a spy mission, promising Achilles’s horses as the reward. Dolon accepts, but it is a doomed mission. Odysseus sees him coming, and he and Diomedes capture him. Dolon begs them to accept a ransom for his life, and Odysseus admonishes him to have courage. Dolon reveals everything he knows, including information about the Thracians, late-arriving Trojan allies camped apart from the rest. Their king, Rhesus, has the best horses. When Dolon asks to be taken to the Achaean ships, Diomedes tells him they cannot let him live and beheads him before Dolon can complete the gesture of supplication. Odysseus and Diomedes strip his body of weapons and dedicate them to Athena, asking her to guide them to raid the Thracian camp.

They slaughter a group of Thracians in their sleep, including the king, and Odysseus secures the horses. Diomedes pauses, considering the “most brazen thing he could do,” but Athena cautions him not to hurry lest another, hostile god notice him (293). As Diomedes and Odysseus race for the Achaean camp with the horses, Apollo wakes up another Thracian leader, who vomits at the carnage and wails, waking others.

Hearing the pounding of approaching hooves, Nestor worries about a Trojan charge and is relieved to see Odysseus and Diomedes with the horses. Their comrades welcome them warmly with hugs and handclasps. After telling their story, Diomedes and Odysseus wash, bathe, and eat, pouring libations “to the great goddess Athena” (295).

Book 11 Summary: “Agamemnon’s Day of Glory”

Zeus flings Strife onto the Achaean ships, and her cry rouses their “fighting fury” so they no longer think of returning “to their dear native land” (296-97). Agamemnon dresses for battle, the poet describing the images on his breastplate and shield. As he picks up his two spears, they flash up to the sky, and Athena and Hera release a thunder crack to honor him. Hector advances with his armies, and the two sides clash. Strife remains among them while the rest of the gods recline “at their royal ease,” complaining among themselves that Zeus is giving the Trojans victory (301). He ignores them, “glorying in his power” and gazing at the clashing armies (301).

Agamemnon rampages through the Trojan line, pushing the Achaeans forward to the gates of Troy. Zeus ensures Hector’s safety, sending Iris to instruct Hector to hold back until Agamemnon is wounded, then Zeus will lead him to the Achaeans ships. The poet asks the Muse to reveal who among the Trojans fought against and was killed by Agamemnon. One of his victims wounds him, and he is forced to withdraw from battle. Seeing his signal, Hector fires up his armies to press forward, and the poet catalogues his victims.

Odysseus tries to rouse the Achaeans’ fighting spirit, calling out to Diomedes, who fights on though he knows Zeus has marked Hector for glory. Together they slash through Trojans until Hector charges at them. Diomedes’s spear hits Hector but does not pierce his armor. Paris wounds Diomedes, and they trade insults. Diomedes taunts Paris for being a pretty boy incapable of hand-to-hand combat but has to withdraw, leaving Odysseus alone. Odysseus kills a few Trojans before being wounded, not fatally due to Athena’s intervention. He too retreats, killing the man who wounded him but being surrounded by Trojans in the process. Hearing his distress cries, Menelaus calls Greater Ajax, and the two remove Odysseus, scattering Trojans as they go. Hector, meanwhile, battles near Nestor and Idomeneus. Paris wounds the healer Machaon, and Idomeneus instructs Nestor to bring him back to camp. Hector continues his rampage, though he avoids attacking Greater Ajax directly. Zeus forces the latter to retreat, “spirits dashed and much against his will,” under a barrage of Trojan spears (314).

Seeing the rout from his ship and expecting the Achaeans to come crawling back to him, Achilles sends Patroclus to question Nestor, and “from that moment on [Patroclus’s] doom was sealed” (316). Patroclus finds Nestor with Eurymedon. Hecamede, a woman Nestor won as a prize, is waiting on them. Nestor greets Patroclus warmly, telling him the Achaeans are in danger. He asks how long Achilles will wait and laments that he is too old to fight as he once did, then launches into a long story about a past exploit involving Heracles and Athena. After he is finished, Nestor reminds Patroclus of the advice his father, Menoetius, gave him when they left for Troy: Achilles’s immortal blood makes him more powerful and noble, but Patroclus is older and must provide sound advice. He urges Patroclus to intervene. If Achilles refuses to fight, he should at least send Patroclus in his armor to frighten the Trojans and provide the exhausted Achaeans relief.

His fighting spirit ignited, Patroclus hurries back toward Achilles’s camp but stops to help a wounded comrade, who tells him the Achaeans’ situation is hopeless.

Book 12 Summary: “The Trojans Storm the Rampart”

The fighting moves closer to the ships, endangering the Achaeans’ protective wall. The Achaeans did not secure it with a sacrifice to the immortals; the wall survives only as long as the war. After it ends, Apollo and Poseidon destroy it.

Hector fights his way to the wall like a boar among hunters, but his horses refuse to jump across the trench. Polydamas says it is madness to try driving the horses across and suggests crossing on foot. The poet catalogues the Trojan leaders who advance. One, Asius, refuses to leave his horses behind and drives toward a gate that Polypoetes and Leonteus successfully guard. The Trojans attack in force, and the Achaeans labor to hold back the charge. The poet notes that it is impossible to recount the battle in full; “[t]he strain is far too great” (331).

Hector and his forces are determined to breach the walls, but a bird omen appears. Polydamas urges Hector to stop attacking since the bird is a portend that the Trojans will not succeed in burning the Achaean fleet. Accusing him of being a coward, Hector replies that the only omen he obeys is fighting for his country. He trusts the plan of Zeus, not birds.

The Trojans continue to tear and hack at the wall. Zeus drives his son Sarpedon forward, charging at the wall. He calls out to Glaucus, telling him that the price of receiving the highest honors is the duty to serve on the front lines. Since they cannot escape death, they surge ahead. Sarpedon rips off a large chunk of the wall. Little Ajax injures Glaucus and strikes at Sarpedon, but Zeus protects his son. The fighting grows increasingly fierce and brutal, but the Trojans cannot rout the Achaeans.

Zeus gives Hector the strength to lift a massive boulder and hurl it at the gate. It smashes it, and Hector bursts through, urging his allies on. Some scale the wall while others surge through the wrecked gate.

Books 9-12 Analysis

Books 9 through 12 accelerate the plot toward its climactic showdowns, with several main characters making decisions that put them directly on the path of their own destruction, though Zeus also engineers events from behind the scenes.

Agamemnon’s suggestion that the Achaeans run away in the night prompts Diomedes to defy him in council, which rouses the Achaeans’ desire to fight. The embassy to Achilles fails to bring Achilles back to the battlefield, as he continues to nurture his sense of injustice at Agamemnon’s treatment. His refusal sets the stage for the Achaeans’ survival to become more desperate, which then fills Hector with reckless aggression. No longer content to defend the city, as Polydamas encourages, Hector now wants to destroy the Achaeans’ ships, their only means to escape from Troy and return home, and he ignores an ill omen. As the situation becomes more desperate, Nestor makes his fatal suggestion to Patroclus that he wear Achilles’s armor into battle to frighten the Trojans into backing off. Each step marks a misstep or outrage—Achilles’s refusal to help his friends, Hector’s insistence on aggressive rather than defensive action—that makes the conclusion increasingly inevitable.

Behind the scenes, Zeus contrives to set this chain in motion, intent on fulfilling his promise to Thetis by causing the Achaeans to suffer for the dishonor Achilles endured and to remind them that they cannot win without him. Zeus and the other immortals gather to observe the battle, curious and personally invested but also removed from its consequences. Their most pressing concern is annoyance with Zeus for giving victory to the Trojans and not allowing them to play war games on behalf of their favorites.

The embassy to Achilles is arguably the most significant event in this section, for numerous reasons. When the embassy arrives, Achilles is playing his lyre while Patroclus watches intensely, enfolding yet another form of poetic song into the narrative. Though the poet does not quote Achilles’s song, he sings about the deeds of men—klea anthron (κλέα ανδρών), and his use of the lyre is suggestive of lyric poetry.

Odysseus, Phoenix, and Ajax each make an appeal to Achilles. Each moves him infinitesimally, from his assertion to Odysseus that he will sail home in the morning, to his claim to Phoenix that he will decide in the morning, to his concession to Ajax that he is right to criticize Achilles, but Achilles still cannot overcome his rage and will only fight if his ships are threatened.

Odysseus presents Agamemnon’s formal offers but also encourages Achilles to be moved by love for his comrades. In response, Achilles reveals the two possible prophecies that could be his fate, according to his mother: He can choose either to die at Troy and have kleos aphthiton (κλέος άφθιτον)—which Fagles translates as “my glory never dies”—or he can return “to the fatherland I love” to live a long but unremarkable (in the most literal sense of the word) life (265). The Greek word aphthiton means “imperishable, incorruptible,” thus the “glory” that “never dies” of Fagles’s translation (265). What the word glory does not quite convey is that Achilles’s choice is to have his deeds, both great and terrible, woven into a song/poem that is incorruptible—thus eternal, free of the ravages of time—or to live out the normal human lifespan but then be forgotten. He will surely suffer one form of death or another; the former is bodily death while the latter is eternal death, the erasure of his existence and deeds.

As with other warriors at Troy, Achilles does not, at this point, seem to welcome death. Though readers and listeners of the Iliad know, by virtue of the poem’s existence, what choice Achilles ultimately makes, the temptation to return home alive is a serious one. If he returns to battle, he would not live to enjoy the treasures that Agamemnon offers him, including the bride; thus, the compensation does not seem to fit the sacrifice. What he lacks, at this point, is a compelling personal motive to reenter the battle, despite Odysseus and Ajax’s appeals on the basis of friendship. Phoenix offers Achilles a similar motivation, but it hits differently.

Phoenix tells the story of a hero, Meleager, who, like Achilles, refused to fight on behalf of his comrades due to a personal grievance. By the time he entered the battle and saved his comrades, the situation had escalated so desperately that he did not receive any honor for doing so. This version of the Meleager myth deviates from other popular renderings transmitted during antiquity. Its details seem to be reshaped specifically to appeal to Achilles by creating parallels to his situation, with Meleager serving as a parallel to Achilles, and Cleopatra, Meleager’s wife who finally compels him to fight out of concern for her survival, serving as a parallel to Patroclus.

Modern readers often assume that the parallel between Patroclus and Cleopatra implies a romantic relationship between Achilles and Patroclus. The poem is not explicit on this account, and both men have female companions, though it seems clear that Patroclus is the person dearest to Achilles, as Cleopatra is the person dearest to Meleager. Perhaps more telling is the meaning of their names, which share the same two roots: kleos and patra (meaning “father” or “ancestors”) inverted for the female and male. Patroclus and Cleopatra’s names mean glory/fame of the ancestors. Both compel the warriors, Achilles and Meleager, to fight and gain kleos aphthiton, imperishable or incorruptible glory through song or poetry. Thus, because of Patroclus and Cleopatra, Achilles and Meleager perform deeds that will be remembered eternally. Though Phoenix says that Meleager did not receive honors because he waited too long, it should be noted that, paradoxically in this case, as long as Meleager’s story is being retold, he has achieved the kleos accorded heroes: being remembered by having his name woven into a song. Meleager’s name is on Phoenix’s lips: Phoenix is singing a song about Meleager, in that Phoenix’s story is woven into the larger story of the Iliad.

The personal stake that Achilles ultimately experiences is already felt by the Achaeans at the close of Book 12, provoking an increasing sense of urgency in the battle. When the fighting moves to the Achaeans’ ships, their survival is in question. If they previously fought from a sense of duty, having sworn an oath to uphold Menelaus and Helen’s marriage, they now fight for a personal cause: saving their means of escape from Troy and their passage home. Winners and losers, victors and victims—the poem immortalizes both.

Note that Book 10 has been a source of debate since antiquity and is believed to have been added to the text at a later time. As a result, not all translations include it.

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