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85 pages 2 hours read

Jennifer Lynn Barnes

The Hawthorne Legacy

Fiction | Novel | YA | Published in 2021

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Chapters 81-90Chapter Summaries & Analyses

Chapter 81 Summary

Avery has recovered from her injuries and is in her bedroom, preparing for her first day back to school, when she hears someone in the secret passage adjoining her room. It’s Thea. Avery follows Thea into the passage. Then, someone grabs Avery from behind and puts a cloth over her nose and mouth. As Avery loses consciousness, she hears Thea say, “I had to, Avery. They have Rebecca” (318).

Chapter 82 Summary

Avery wakes up in a secret room in Hawthorne House, tied to a chair. The room smells like it’s been soaked in gasoline. Sheffield and Mellie are there. Sheffield reveals that he was behind the plane bomb, not Skye and Ricky. Sheffield has kidnapped Avery, hoping this will lure Toby/Harry out of hiding: “You are his daughter. He will come for you” (321). Sheffield used Mellie to get a piece of Avery’s DNA; Sheffield already had a piece of Toby/Harry’s DNA from the Hawthorne Island fire investigation. He ran a test, and it was a match. Sheffield believes that Toby/Harry is Avery’s father. Sheffield sends Mellie away, so it’s just Avery and Sheffield. Avery assumes Mellie betrayed her for money.

Chapter 83 Summary

Sheffield reveals that he left clues for Toby/Harry, indicating where Toby/Harry might find Avery. Indeed, Toby/Harry shows up in the room where Sheffield is holding Avery captive. Sheffield tells Toby/Harry: “You’re here, and my nephew is not” (325), indicating that this entire plot is a revenge plan. Toby/Harry urges Sheffield to take him but let Avery go. Sheffield replies, “I can’t leave any witnesses behind” (326). A gun goes off, and Sheffield falls to the ground; Mellie came back and shot him.

Chapter 84 Summary

Mellie reveals the true motivation for why she initially helped Sheffield: She and her brother, Eli (Avery’s ex-security guard), wanted to flush Toby/Harry out of hiding. Toby/Harry had a fling with Mellie’s and Eli’s mom the summer before he disappeared. The DNA sample that Mellie gave Sheffield for his DNA test was not Avery’s; it was from Evelyn, or Eve, the sister of Eli and Mellie. Avery realizes: “Toby Hawthorne did have a daughter. It just wasn’t me” (331). Eve is a Laughlin-Hawthorne, not Avery. Mellie and Eli want Toby/Harry to take care of Eve financially. Toby/Harry says: “My daughter isn’t coming to Hawthorne House […]. I will see that she’s taken care of. Discretely” (332).

Chapter 85 Summary

Toby/Harry and Avery have a conversation in private. Avery questions Toby/Harry about his link to Hannah and her birth certificate. Ricky is Avery’s father, but Toby/Harry signed Avery’s birth certificate. Toby/Harry reveals he was there on the night Avery was born. Toby/Harry helped bring her into the world and signed Ricky’s name on the birth certificate using Toby/Harry’s telltale mix of cursive and print. This is the “secret” Avery’s mother referred to regarding the night of Avery’s birth.

Avery suggests that Toby/Harry emerge from hiding. She tries to convince him, telling him, “You have a daughter,” referring to Eve (337), to which he responds, “I have two” (337). Avery reacts this way: “Fury gave way to devastation. Tobias Hawthorne the Second wasn’t my father. He hadn’t raised me. I didn’t carry a single drop of his blood. But he’d just called me his daughter” (337). Still, Avery can’t convince Toby/Harry to come out of hiding.

Avery asks Toby/Harry about the small metal disk that Jackson gave her. He takes it from her without any explanation. Before their conversation can continue, Oren and his security men rush in and interrupt them.

Chapter 86 Summary

Oren escorts Avery back to her room in Hawthorne House. Regarding Rebecca and Thea, Oren says, “It’s been handled. They’re fine. And so are you. The rest of the family is none the wiser” (341). It seems that Oren and his men will cover up what happened, including disposing of Sheffield’s body and allowing Toby/Harry to flee undiscovered. Returning to her bedroom, Avery stares at a portrait of Tobias Hawthorne, thinking, “He knew I wasn’t Toby’s daughter—not by blood. But he’d still used me to lure Toby out—the same way Sheffield Grayson had, the same Mellie and Eli had” (341. Avery thinks back to what Nash once told her (in The Inheritance Games): “You’re not a player. You’re the glass ballerina—or the knife” (341). Avery feels used and thinks, “I was done being used” (342).

Chapter 87 Summary

Avery finds Xander, planning to tell him what’s happened: “I needed to tell someone what had happened. I’d chosen him because I felt like I owed it to him—like the universe, or maybe his grandfather, owed it to him” (344).

Chapter 88 Summary

Avery says farewell to Max. Even though she doesn’t want Max to leave, she thinks Max will be safer elsewhere, “Away from me, from the Hawthorne family, from everything I’d inherited along with Tobias Hawthorne’s billions. Poison tree and all” (346). Thea apologizes to Avery, explaining that she had no choice but to betray Avery when Rebecca’s life was in danger: “For me, it’s always going to be Rebecca” (347).

Chapter 89 Summary

Avery tells Grayson about Sheffield’s death. She doesn’t tell him about Eve. Avery tells Grayson, “I’m starting to realize that the person I need to be, the person I’m becoming—she’s not that girl anymore” (349).

Chapter 90 Summary

Avery attends the court hearing that legally emancipates her and makes her a formal adult, not a minor. Afterward, she tells Jameson about meeting Toby/Harry, and Eve. She also tells him that Toby/Harry took the disk that Jackson had given her. Jameson tells her, “This is Hawthorne House, Heiress. There will always be another mystery. Just when you think you’ve found the last hidden passage, the last tunnel, the last secret built into the walls—there will always be one more” (351). Avery and Jameson kiss.

Chapters 81-90 Analysis

The final chapters wrap up several of the book’s key themes. First, Avery’s coming-of-age narrative reaches its conclusion, as she is legally emancipated in the book’s final chapter. This is symbolic of the growth she has achieved throughout the book. She has proven to herself and the Hawthorne brothers that she’s not a passive object, a clue in the game, but an active agent, a player. She is not a girl but a woman: “I’m starting to realize that the person I need to be, the person I’m becoming—she’s not that girl anymore” (349).

Only after Jameson acknowledges Avery as a self-sufficient, independent adult can the two conclude their romantic subplot—an offshoot of the broader coming-of-age narrative. Jameson already took this pivotal step when he told Avery that she wasn’t a prize, puzzle, riddle, or clue. With Jameson and Avery coming into their own as adults, they’re finally able to be together—something the series has teased out for two entire books. The book ends on a stereotypical “happy ending” scene of Avery and Jameson kissing.

These chapters also further an argument that The Hawthorne Legacy has carried on from The Inheritance Games: Family is a social construct and doesn’t have to be rooted in biology. This was already seen when Libby learned that Toby/Harry might be Avery’s biological father, which would mean Libby and Avery aren’t half-sisters. Avery recognizes that this is upsetting for Libby and tells her: “If you say we aren’t sisters, I will flying-tackle you right here” (178). In these final chapters, Toby/Harry likewise denies the importance of blood ties in defining family when he calls Avery his daughter.

Finally, while wrapping up central themes of The Hawthorne Legacy, these chapters also set up the reader for future mysteries to come (there is another book in The Inheritance Games series, The Final Gambit). For example, Toby/Harry remains at large. Further, he’s taken the mysterious metal disk with him—before Jameson and Avery could figure out what it was. Jameson hints at the additional mysteries to come when he tells Avery: “This is Hawthorne House, Heiress. There will always be another mystery. Just when you think you’ve found the last hidden passage, the last tunnel, the last secret built into the walls—there will always be one more” (351).

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