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66 pages 2 hours read

Lucy Foley

The Guest List

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

The Folly

The island is the primary setting of the novel and thus, also a significant symbol within the text. Jules describes the hotel on the Folly as “a beautifully restored fifteenth-century building, treading the line between luxury and timelessness, grandeur and comfort” (21). The Folly straddles the boundary between past and future and thus becomes an oddly liminal space, caught between the natural and the supernatural. The numerous myths about ghosts and long-lost religious zealots creates a heavy setting from the onset of the novel. Everything on the island appears to add to the dangerous environment. Its strong waves and tides almost drown Olivia, its countless bogs almost swallow Hannah into the depths of the earth, and its high cliffs almost become the site of yet another murder.

The natural elements of the island, combined with its many supernatural myths, intertwine to create a tense setting that leaves the reader constantly guessing. With so many threats on this island, not to mention the impending storm on the night of the wedding, Foley provides the reader with enough red herrings to fuel countless theories and guesses as to what might happen next. The name of the island itself is an important clue to the events of the novel. The word “folly” is a synonym for a foolishness, a mistake. The folly, singular, can refer to a wide array of the characters’ actions in both their past and present. More broadly, the Folly may well refer directly to the wedding that is to take place on the island. In such a way, Foley already hints to the reader that the marriage between Jules and Will is a mistake, and doomed to fail. 

Addiction and Forgetting

Addiction is a motif that appears frequently throughout the novel in different ways. In the story, characters use their different addictions to cope with the demons from their past. Their addictions appear to be a symptom of their mental health struggles rather than the direct root cause of them. The addiction to alcohol and drugs is perhaps the most evident in this text. Johnno gets high numerous times in the novel, often leading him to the brink of a breakdown. When Johnno confronts Will about Darcey, he admits that he was fired because he was high during work. Johnno says, “Because it’s the only thing that helps me forget. See, it feels like my whole life stopped at that point, all those years ago. It’s like—it’s like … nothing good has happened since” (208). Johnno copes with the guilt of causing Darcey’s death by getting high. He is unable to move on from that moment and thus stagnates; this is especially clear in his lack of ambition and direction.

Olivia has a similar addiction to alcohol and self-harm. To cope with her own guilt for not alerting Jules to her history with Will, and her own struggle with mental health after the abortion, Olivia turns to alcohol to forget. On the night of the wedding, Olivia “pick[s] up half-full glasses, the remains of people’s drinks, and down them. [She] wants to get as drunk as possible” (231). After interacting with Will, Olivia wants to numb her disgust towards him and herself.

Olivia’s turn to alcohol here to forget functions similarly to her addiction to self-harming. Throughout the novel, Olivia constantly thinks about the razor that she keeps in her room and longs for it in moments of stress and turmoil. Olivia’s addiction to self-harming allows her a temporary relief the way that alcohol does. The physical pain distracts Olivia “so that for a moment nothing else exists” (37). Olivia and Johnno’s addictions provide them only temporary relief from the actual events that haunt them. Though they may try to escape the mistakes they have made, the past eventually catches up to them regardless.

The Storm

The storm that rains down on the Folly symbolizes the reckoning that has come for the characters in the novel. The storm is described as a fierce act of nature that leaves the characters unable to do anything but submit to it. The storm forces the guests of the wedding inside the hotel and eventually also provides Aoife with a cover to cut the lights and find Will. Just as the storm is unavoidable, and unchangeable, so is the nature of Aoife’s desire to exact revenge for the death of her brother. The storm is directly linked to Aoife, especially when she chooses to hide the barometer the day of the wedding so that Jules does not see it. Aoife is aware that Jules, upon discovering that a storm is imminent, would be “More the sort to get angry and look for someone to blame. And I know just who would be in the firing line” (12). Jules, the perfectionist that she is, would blame Aoife for the storm. Though unable to control the storm itself, Aoife is very much responsible for the storm’s abstract symbolism; both Aoife and the storm thus stand for everything in Will’s past eventually catching up to him.

Sisterhood

There are two pairs of sisters in Lucy Foley’s The Guest List: Hannah and her sister Alice, and Olivia and her half-sister, Jules. These two relationships are as similar as they are different. The bond that binds Hannah to her sister is composed of a fierce protectiveness that transcends life and death. Hannah’s love for her children is much the same, “It’s animal, powerful, blood-thick. The love of kin. The closest thing I can find to it is my love for Alice, my sister” (117). Hannah’s fierce protectiveness and love for Alice lives on and even displaces itself into a warm kindness for Olivia. Because of her love for Alice, and Olivia’s striking similarity to her, Hannah is unable to resist the urge to help the younger woman. When Olivia tries to drown herself in the ocean, Hannah desperately tries to get Jules to understand that Olivia may really be struggling, to no avail.

While Hannah’s love for her sister translates into a similar type of care for Olivia, Jules actively pushes down and ignores the worry she feels for Olivia. In two separate moments in the text when Olivia is near danger and at risk of hurting herself, Jules is initially overcome with an overwhelming, “animal, powerful, blood-thick” worry. Jules’s actions are the things that separate and differentiate her bond with Olivia from that of Hannah and Alice. Each time, Jules purposefully stamps down on her worry and focuses back on herself; she becomes convinced that Olivia puts herself in danger to take attention away from Jules, and even to spite her. Jules is so consumed with herself that she is initially unable to see past her own concerns to recognize that Olivia is very much struggling. It is not until the very end of the novel, when all secrets have been revealed, that Jules and Olivia reconcile. 

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