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Walter Dean MyersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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After several defenses against relatively modest opposition, the public was clamoring for a “rubber match” (tiebreaker) between Ali and Frazier, which, unlike their second fight, would be for the heavyweight crown. It was set for September 30, 1975, just outside Manila in the Philippines. Frazier remained bitterly resentful at Ali having denied him the status he had worked so hard to earn. Ali’s taunting of Frazier was particularly cruel, as he called him a “gorilla” due to his very dark skin and an “Uncle Tom” to turn Black people against him. Both men were at the twilights of their careers, but they were eager for one last showdown with one another. They knew what they were capable of doing to one another and that one was capable of sending the other into retirement and a lifetime of pain.
When the fight began, Frazier came in as he always did, and Ali tried the rope-a-dope, pegging Frazier’s head while absorbing painful blows to the body. Each inflicted enormous pain on the other, but unlike the second fight, Frazier did not tire, and in the middle rounds, he unleashed his left hook over and over again. Ali’s legs were buckling, but he kept throwing just enough punches to create major swelling around Frazier’s eyes. Soon, Frazier could no longer see the punches coming at him, and over his vociferous objections, Frazier’s corner stopped the fight with only one round to go. Ali describes his hard-won victory as “the next thing to dying” (139). Frazier and Ali gained a new respect for one another, but none would ever be able to repeat what they had accomplished that night.
As a young fighter, Ali’s quick feet and peerless athleticism kept him from getting hurt. As he aged and could not move quite as fast, he started to absorb more punishment, and Ali made up for his diminishing physical skills with extraordinary courage, matching the courage he had shown in standing up for his beliefs when it would have been far easier, and more profitable, to avoid any controversial stances. Ali never dodged a fighter, even the most feared among the heavyweight ranks, but this also contributed to his eventual decline. In 1978, he lost to the relatively inexperienced and vastly less skilled Leon Spinks, but he won a rematch with Spinks to regain the title a third time (setting a record). This would prove to be his last victory. He retired and then came back to fight Larry Holmes, a former sparring partner who had won the title in his absence. Holmes dealt a horrific beating to Ali, leading to the only stoppage loss of his career, and then Ali lost again to the middling Trevor Berbick. After 21 years in the professional ring, Ali would retire for good.
For the 1996 Summer Olympics, Muhammad Ali emerged to light the torch, his hands trembling and his legendary mouth silent. Having electrified the entire world with his athleticism and personality, Ali was now severely diminished due to his having developed Parkinson’s disease. The illness is characterized by near-constant tremors, especially in the hands, slow movements, and stiffness in other parts of the body (actor Michael J. Fox is another famous person with the disease, as well as former Pope John Paul II). It is possible that boxing contributed to Ali’s symptoms, but this is uncertain. Regardless of the cause, Ali joined a long list of legendary fighters whose later years were marked by severe pain, but he used his still-enormous fame to raise awareness for the disease and direct more federal research toward finding a cure.
The legacy of Muhammad Ali, named “Greatest Athlete of the Century” by Sports Illustrated, is a combination of his life, the times he inhabited, and the subsequent evaluations of history. Cassius Clay grew up in a world in which “the struggle with self-hatred was often marked by hair straighteners and skin-bleachers-tools used to erase racial heritage rather than fight inequality” (153). Ali not only owned his Blackness but also made a public issue out of it, calling himself “pretty” and “beautiful” and encouraging young people to think similarly of themselves. Many doubted that this boastful man could be nearly as good as he said he was, but his actions matched his words, first stunning the world with his win over Sonny Liston and then sticking to his convictions, even at great cost. His refusal to join the army could easily have put him in jail or ended his career permanently, and his refusal helped to inspire resistance to an unjust war.
Ali was a flawed man. He was divorced three times (his fourth wife would remain with him until his death), and he was not an especially attentive father to his seven daughters. He publicly humiliated his opponents, especially Frazier. Yet in both life and the ring, he showed an extraordinary mix of intelligence and courage, encouraging Black pride and showing a particular kindness toward children. While boxing is a major part of his legend, he showed that fighting is not the “only way to secure human dignity” (159). Perhaps the most important example he showed over the course of his extraordinary life was his consistent willingness to do the right thing.
The final part of the biography constitutes the falling action as Myers describes how Ali wound down his career. His later appearance draws a shocking contrast with the features of his youth, as Myers acknowledges, “Was this the same Muhammad Ali who had stunned the world in 1964 with his knockout of Sonny Liston?” (147). Even before the extent of his physical decline was evident, the signs of a downfall were there. The third fight against Frazier in Manila was ruinous for both men. Ali may have stood on his feet, but Frazier “had thrown his best punches, punches that would have knocked down a wall” (138), and never again would Ali show anything close to the greatness that had defined his career.
The Brutality of Boxing drives the falling action. Myers notes that the famed rope-a-dope technique that Ali first deployed against Foreman was “born more out of necessity than wisdom” (144), and while it thrilled fans to see the aging Ali stand fast against younger opponents, the physical toll was extraordinary, especially after his dreadful stoppage loss to Larry Holmes (a fight that some compared to an aging Joe Louis getting knocked out by the up-and-coming Rocky Marciano in 1951). Whatever the ultimate causes, Ali’s Parkinson’s meant that he spent his final years in constant pain, and so even “The Greatest” could not escape the cruel fate of his sport.
Nevertheless, Myers steadfastly refuses to consider Ali as a tragic figure. While narrating the end of his career and subsequent illness, Myers remains interested in burnishing the legend of Ali, not necessarily telling his life story in the most conventional or realistic sense. He suggests that Ali’s legend endures no matter his physical condition because it ultimately does not simply depend upon what he did in the ring. What he did in the ring represented something of much broader social and political significance for people around the world, especially (but not only) those of African heritage. Myers argues that “[n]ot only did Ali represent, for better or worse, all of black America, but [he] understood he did”; he had “a desire to broadcast to the world that black was indeed beautiful” (153). When Ali’s body could no longer sustain a youthful kind of beauty, he reemerged during the torch lighting at the 1996 Olympics and epitomized how Black Is Beautiful. Myers evokes pathos in this moment, having followed his narrative arc from humble beginnings to a sporting legend. He presents Ali as someone who had “been knocked down in his life, and […] had the courage to rise” (159). This resolution at the end culminates the rags-to-riches narrative arc.
By Walter Dean Myers