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66 pages 2 hours read

James George Frazer

The Golden Bough: A Study in Comparative Religion

Nonfiction | Book | Adult | Published in 1890

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Book 1, Chapters 1-6Chapter Summaries & Analyses

Book 1: “The King of the Wood”

Book 1, Chapter 1 Summary: “The King of the Wood”

The first chapter is divided into three sections and introduces the mythology surrounding the Kings of the Wood, who were priests of the Roman goddess Diana. Their practice of succession by killing the former king is at the heart of the ancient practice of sacrificing man-gods, or divine kings. Turner’s painting The Golden Bough depicts the scene from The Aeneid in which Aeneas plucks a golden bough from the same sacred grove where the Kings of the Wood now reside. The grove is located in Nemi, Italy, and links the myths of antiquity to the present day. Moreover, the ancient practice of a challenger killing the king to usurp his position derives from an earlier Age of Magic and a “primitive” understanding of the world.

The chapter discusses the cult of Diana, which was brought to Nemi by Orestes, a murderer fleeing justice. Diana’s male consort, Virbius, reigned as king in the sanctuary for a time. Frazer suggests that Virbius was the Greek hero Hippolytus, who was murdered but brought back to life by Diana and concealed at Nemi.

The second section examines the stories of Orestes and Hippolytus. It suggests that the murder committed by Orestes implies that Diana requires a blood sacrifice. The murder of Hippolytus parallels that of “other fair but mortal youths who paid with their lives for the brief rapture of love with an immortal goddess” (19). Together, in these two figures, Frazer traces “a deeper philosophy of the relation of the life of man to the life of nature” (19).

In the third and final section of the chapter, Frazer sums up his arguments and suggests Virbius was the “mythical predecessor or archetype” (20) of the priests of Nemi and that the tree in the grove that bore the golden bough was the personification of Diana.

Book 1, Chapter 2 Summary: “Priestly Kings”

Chapter 2 briefly examines the figure of the priest-as-king or king-as-priest, finding multiple analogies in the sacrificial kings in Rome and in the Greek magistrates known as kings of Athens. These roles existed following the abolition of the Greek monarchy but were also found in Asia Minor, Madagascar, and Central America. The king-priest is a powerful leader often thought of as a god, able to mediate between the human and the divine and influence natural phenomena, such as crops and rainfall.

Book 1, Chapter 3 Summary: “Magic and Religion”

This much longer chapter is divided into four sections and explores the relationship between magic, science, and religion. Frazer suggests that religion consists in, firstly, a theoretical component, a belief in powers superior to humanity. Secondly, there is a practical component, or a desire to propitiate those powers. The passage from the theoretical to the practical components of religion constitutes the difference between a religion and a theology and assumes that the laws of nature are flexible, which contrasts the belief in nature’s laws being absolute that exists in both magic and science.

Magic is based on two main principles: the law of similarity and the law of contagion. The law of similarity suggests that a magician may replicate that which he imitates, or that like creates like. The law of contagion suggests that magic performed on a given object will affect all those with which the object was at one point in contact. Magic in general, for Frazer, is a “false science” (26) because it misunderstands the relationship between humans and nature. Both homeopathic and contagious magic can be grouped under the heading of “sympathetic magic,” which means that “things act on each other at a distance through a secret sympathy” (27). Sympathetic magic shares the idea with science that “things can physically affect each other through a space which appears to be empty” (27).

In the second section, Frazer considers homeopathic magic from an international perspective. He distinguishes between charms (positive precepts) and taboos (negative precepts). In the third section, Frazer provides examples whereby body parts such as teeth or hair could be used to curse individuals through contagious magic.

In the fourth and final section of the chapter, Frazer considers the relation of magic to science and religion. He concludes that science and magic operate by association, but science is based on true and tested associations, whereas magic is based on false ones. The relationship between magic and religion is somewhat more complex. While science and magic both rest on the idea that the world is governed by preordained and immovable principles, religion implies an “elasticity or variability of nature” (47) that can be acted upon by a superhuman power. Religion therefore assumes that natural forces are both conscious and personal because they can be adapted to an individual’s needs through the direct actions of the gods.

While theoretically the priest should intercede with supernatural powers to influence the natural world, a sorcerer’s enchantments would have a direct influence on the elements. Frazer charts how the world has gradually passed from a magical to a religious age as the efficacy of magic was rationally disproved. He illustrates how religion and magic and the priest and the sorcerer can and have been confused. He suggests that a common strain of sympathetic magic has survived and can be traced across cultures and historical periods.

Book 1, Chapter 4 Summary: “Human Gods”

In this chapter, Frazer explores the figure of the god incarnate in human form. He suggests this idea will have been more familiar and widespread in the earlier, magical age when the gap between human and supernatural powers seemed far narrower and that the “idea of a man-god” belongs “essentially to that earlier period of religious history in which gods and men are still viewed as beings of much the same order” (61). In early civilizations, there is little distinction between a man-god and a particularly powerful sorcerer.

The section distinguishes between the temporary incarnation of gods—through inspiration or possession of a human being who nonetheless maintains a distinct identity—and permanent incarnation, whereby the human subject becomes indistinguishable from the deity.

Frazer next considers the Buddhist belief transmigration of the Buddha spirit. He concludes the chapter suggesting that, over time, the figure of the magician or medicine man was absorbed into that of the king, whose role was, in turn, later subdivided between the temporal king and spiritual priest.

Book 1, Chapter 5 Summary: “Departmental Kings of Nature”

Whereas the sacrificial kings of Rome and the magistrate-kings of Athens may have been the last in a line of political kings, the priests at Nemi are what Frazer terms as “departmental kings,” or kings of a specific aspect of nature.

Book 1, Chapter 6 Summary: “The Worship of Trees”

Frazer opens this chapter, which is divided into two sections, by observing that tree-worship cults were common in ancient European culture. He provides examples from the Celtic druids, Ancient Germans, Ancient Greeks, Romans, and Finnish-Ugrian tribes. The custom derives from a tendency to see the vegetable world as animate and sensible: Societies progress from animism to polytheism when they cease to see the trees as embodiments of spirits or deities and consider them a temporary home for these spiritual beings.

The second section discusses May trees and May poles in Europe. The May tree is brought into the village and often carried from door to door as a means of transporting the power of the tree-spirit into the village. The May tree is replaced and sometimes burned periodically, a ritual of fertility, death, and renewal. When it takes the form of a fixed, permanent May pole, its decorations of spring leaves, flowers, and herbs are nonetheless renewed annually.

The final sections discusses “anthropomorphic representations of the tree spirit” (92), which abounded among the early Europeans. These figures may be male, female, or a heterosexual couple, and are often designated as kings or queens. Many Maying rituals incorporate a symbolic marriage, mimicking the union of male and female elements in plants.

Book 1, Chapters 1-6 Analysis

These opening chapters of The Golden Bough are concerned with the relationship between the human and the divine and The Evolution of Belief in Magic to Science. Frazer categorizes magic as an early form of human belief based on the principle of sympathy, where people believed they could influence the world through imitation or contact. This stage is followed by the religious stage, characterized by the worship of gods and the performance of rituals to appease them. Finally, the scientific stage is marked by the understanding of natural laws and empirical observation. Throughout the text, Frazer returns to the similarity between magic and science while sectioning off religion as a different (and inferior) way of conceptualizing the forces at work in the world. This provides a tension in the text, whereby Frazer’s argument shifts between observation and judgment.

The text lays out its core idea in the first chapter, linking the mythic episode of the golden bough in The Aeneid to the practice of humans trying to control the forces of nature through magic, as well as the practice of sending a demigod to his death for the sake of the world’s renewal. The Kings of the Wood at Nemi are presented as belonging to a long line of divine kings or human gods associated with fertility and vegetation. The practice of violent succession is rooted in ancient fertility rites, where the death and rebirth of the king or god symbolized the death and rebirth of the crops and natural world. These human gods emerged during the transition from magical to religious thinking, when the difference between a divine god and a human sorcerer was not so clear. Frazer uses this idea to form the basis of his argument that Christianity is linked to ancient pantheistic practices and pre-Christian doctrines, introducing the theme of Christianity and Its Prehistory, which is another central concern of Frazer’s text.

The description of Diana’s love for Hippolytus leads into another key theme of the text: The Necessity of Sacrifice for Renewal. It also introduces the text’s ideas about gender dynamics and hierarchies from religious, spiritual, intellectual, and political perspectives. From here, the text’s argument moves through a series of associated topics. Power and gender dynamics are explored through various examples of symbolic marriages, while the golden bough motif introduces trees as divinities, totems, and archetypes. The divinity of trees, for Frazer, explains the divine symbol of the Christian cross, as well as the folk tradition of the May pole. He suggests that understanding these symbols helps societies understand their connection to other cultures and where their beliefs come from. For example, the European fascination with and reverence for trees as symbols of life and vegetation date back to the primeval forests that once covered the continent.

Methodologically, Frazer starts with a European model then moves across continents and cultures in search of analogies. His tendency to read African and Asian rituals through a Judeo-Christian or Graeco-Roman lens is indicative of his Eurocentric perspective. Throughout the text, Frazer uses terms like “primitive” and “savage” to refer to ancient non-Western cultures and Britain’s colonies. This biased lens is one of the main sources for criticism of the text.

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