logo

66 pages 2 hours read

Pablo Cartaya

The Epic Fail of Arturo Zamora

Fiction | Novel | Middle Grade | Published in 2017

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 15-18Chapter Summaries & Analyses

Chapter 15 Summary: “josé martí doesn’t eat churros”

The Zamoras meet in the courtyard the next morning to prepare for their protest that day. Stacks of flyers are ready for distribution, courtesy of the “Green Teens,” Vanessa’s student organization dedicated to protecting the environment. Featuring photos of Abuela and La Cocina, the flyers also contain information about the environmental impacts of high-rise buildings. Before walking over to the festival, Vanessa assigns everyone to different posts in the lot, so the flyers will reach as many people as possible.

Tents, booths, stages, and people now crowd the formerly empty lot. Long lines stretch from a food tent offering free sushi, and raffle booths promise prizes like iPads and Caribbean vacations. Vanessa begins handing out flyers, but before the Zamoras disperse to their stations, Wilfrido appears. His fake smile quickly fades, and he sneers, “If I see one flyer or sign within the festival, I will call the chief of police—someone I’ve gotten to know very well over the last few weeks” (140). After he stalks off, Vanessa reminds her family of their right to protest, but redirects them to posts right outside the festival entrance.

Carmen joins Arturo at his spot. She holds a sign that reads, “FAMILY IS COMMUNITY—COMMUNITY IS FAMILY” (141), while Arturo passes out flyers. Addressing Arturo with excitement, Carmen declares, “We’re fighting for what we believe in. We’re trying to make a difference, just like José Martí. He fought for Cuban independence from Spain” (141). Whenever the stream of passersby subsides, Carmen returns to Martí’s wide-ranging activism, which included writing “hundreds of essays on social justice” (141), promoting women’s rights, and finally, charging “up a hill in Cuba […], demanding freedom for his people” (142) and dying for it. Carmen’s knowledge of Martí impresses and intimidates Arturo.

At five o'clock in the evening, Aunt Tuti rounds up the family for churros and chocolate sauce at the restaurant. Because the town is feasting at the festival, La Cocina is empty. Arturo and Carmen sit together, munching on the sugary pastries. When Carmen take his hand, Arturo decides the time is right to profess his feelings. He haltingly starts and stops, but finally says how much he likes her and asks if she likes him. To his horror, she mumbles, “I’m sorry Arturo. I…can’t. I’m not…” (145) and then flees without finishing her sentence.

Chapter 16 Summary: “when the pot boils”

Arturo berates himself for thinking Carmen might reciprocate his feelings when she had repeatedly referred to him as family. Demoralized, he wanders out to the restaurant patio, where he has a clear view of Wilfrido standing on the stage. As the festival closes, Wilfrido praises the crowd, declaring confidence in their “courage to embrace change” (147) for economic growth in their community. Arturo sees many familiar faces in Wilfrido’s audience: two teachers “who had worked at the same school for over thirty years” (149); the owner of the long-established Two Scoops ice cream shop; and Bicycle Bill, who “had lived in the neighborhood as long as anybody could remember” (149).

Reflecting on the enduring ties between the people of Canal Grove, Arturo suddenly remembers Wilfrido’s dismissive description of the town: “This ridiculous family-friendly community, he had said” (148) during his hostile confrontation with the Zamoras earlier that day. Arturo realizes that Wilfrido has never mentioned having a family or any loved ones.

Impulsively grabbing Carmen’s sign, Arturo marches towards the stage brandishing the words FAMILY IS COMMUNITY—COMMUNITY IS FAMILY. Wilfrido yells and pulls the sign from Arturo’s hands. After he snaps the slogan in half, Wilfrido shouts, “Family is a flawed system. Family will not save you or provide for you or keep you safe. The only thing that keeps you safe is money” (150). He deplores the Zamoras’s protest against Pipo Place, emphasizing that, in this country, he is free to purchase real estate. When Arturo starts to use Martí’s words on freedom against Wilfrido but can’t fully recall them, Bicycle Bill finishes the quote. Wilfrido calls for security guards to remove Arturo. As they haul him away, Arturo sees Carmen and realizes, with humiliation, that she witnessed his failed stunt to save Canal Grove from Wilfrido’s clutches.

Chapter 17 Summary: “words you never want to hear”

Aunt Tuti soon appears with a police officer and springs Arturo from the festival holding cell. While Arturo grumbles about Wilfrido, Aunt Tuti looks at her phone and tears fill her eyes. Abuela has been taken to the hospital. They walk back to their apartment building in silence, through the swath of litter left behind by festival-goers.

Aunt Tuti goes to the hospital to join Arturo’s parents, leaving Arturo alone. After several restless hours, he retreats to his room and removes the CD from Abuelo’s box of letters. It is titled “Guantanamera.” While loading the disc into his computer, Arturo hears a knock on his door. His mother slowly enters and tells him Abuela has died. To honor Abuela’s memory, the family plans to attend Sunday mass in the morning. They will close La Cocina for the week, and on the following Sunday, share a memorial dinner together at the restaurant.

Cari goes to her room, and Arturo’s speakers begin to crackle with a familiar song. The words of “Guantanamera” match those of a José Martí poem Arturo “read in Carmen’s book, in Abuelo’s letters, in Abuela’s book. They were all the same” (159). He listens to the song over and over as he repeats quietly, “I failed. I failed” (160).

Chapter 18 Summary: “write here”

When Arturo wakes in the middle of the night, he picks up Abuelo’s cigar box and goes to Abuela’s apartment. Seeing José Martí’s book resting on her coffee table, where she left it, Arturo remembers trying to read the poems to her. She always encouraged him to practice speaking Spanish, her own language, even though he “understood most things” (162) she said to him.

As he looks at one of the poems, Arturo is struck by the reality of Abuela’s death and wonders if it’s his fault, if he’d “stressed her out” (163). He sinks onto her sofa and pulls an envelope out of Abuelo’s box. It reads, “SOMETIMES YOU NEED TO WRITE IT DOWN” (163), and the letter inside is a blank piece of paper. There is, in fact, a stack of blank pages inside the box, as well as a pen. Arturo begins to write. He writes about everything: Sunday dinners, Bren and Mop, Carmen, Wilfrido’s festival, Abuela and Abuelo. After filling page after page with “every detail of the past few weeks” (165), Arturo falls asleep on Abuela’s sofa. His mother wakes him the next morning and then collects the scattered pages into a neat pile.

Chapters 15-18 Analysis

At the conclusion of Chapter 14, Arturo has resolved to tell Carmen how he “really felt about her” (132), and these chapters mark a turning point in his ability to speak up for himself and for justice. While he musters the courage to share his feelings with Carmen, her reaction disappoints and humiliates him. He imagines discussing the debacle with Abuelo and saying, “Abuelo, you said to […] fight for love like José Martí!” (146). In Arturo’s mind, Abuelo replies, “Yes, […] but you can’t love your mom’s goddaughter like that. That’s just wrong” (147). Because Arturo has yet to fully grasp the idea that family ties are not always synonymous with blood ties, he shames himself for having such “wrong” feelings for his own “godsister” (81).

During Wilfrido’s closing speech at the festival, Arturo surveys the crowd from the vantage point of La Cocina’s patio. He sees a young couple who once attended the same school he goes to and are now planning to marry. He sees older people who have lived and worked in Canal Grove for decades, as well as shop owners whose businesses have been staples of the community almost as long as La Cocina. Populated with so many familiar faces, the scene underscores the deep and abiding connections between everyone in the community. Arturo suddenly understands that they are all family, in the sense that they care about and promote one another’s well-being. Abuelo had written, “We fight for family” (90), and for the second time that day, Arturo speaks up. He marches to the stage and accuses Wilfrido, an outsider, of trying to “mess with our family” (149).

By confronting Wilfrido about family solidarity, Arturo unwittingly hits a raw nerve. Wilfrido rails against the idea that community is family, arguing that “[f]amily will not save you or provide for you or keep you safe” (150). Wilfrido’s own experience of family was one of a competition between siblings, and this informs his conviction that people “care about themselves” (150), not others. Because his understanding of family is at odds with Abuelo’s, as articulated in his letters, Wilfrido ridicules the notion that family-like bonds could enhance a community.

The day of the festival ends with the somber news that Abuela has died. Arturo’s grief and sense of guilt lead him to Abuelo’s cigar box, which in turn leads him to find his voice for the third time in less than 24 hours. Affirming Abuelo’s suggestion that “sometimes you need to write it down” (163), Arturo fills empty pages with his thoughts and feelings, and the process of telling them releases their grip on him. He falls asleep after writing what is likely the first draft of The Epic Fail of Arturo Zamora.

blurred text
blurred text
blurred text
blurred text