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Anton ChekhovA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
With this narrative perspective, Chekhov uses third-person pronouns such as “he” and “she” to speak objectively about what is happening in the story. With a limited point of view, however, the anonymous narrator follows the thoughts and feelings of only one person, Chervyakov. With this technique, the reader is only privy to what the clerk is thinking and experiencing. At one point, for example, he considers to himself that the general “doesn’t want to talk…Must mean he’s angry…No, I can’t leave it like this…I’ll explain to him” (Paragraph 18). These lines help the reader gain access to Chervyakov’s pain, rather than simply witnessing it from an outside perspective. The inner reflections of the other characters, by contrast, are not revealed to the reader, which means that the clerk is the focal point for the audience’s emotional response.
The overall effect is that Chervyakov’s psychological journey is on display as he internalizes the words and actions of those around him. Because the inner thoughts of Brizzhalov and Chervyakov’s wife are withheld, the reader also contemplates the same mysteries as the clerk. Chekhov’s use of perspective heightens the story’s tension and makes the climax more powerful and poignant.
There are elements in the story that can be interpreted multiple ways because of their ambiguity. As a writer, Chekhov is well known for this technique, often posing questions to the reader by holding back on certain details. In “The Death of a Government Clerk,” the main idea of the story is ambiguous. The reader cannot fully know if General Brizzhalov is upset by the sneeze and intends to damage Chervyakov’s reputation. The clerk appears to overreact, particularly in response to the general’s understated dialogue and demeanor, but these scenes are also vague. Chervyakov’s paranoia is proof, on some level, that government careers in 19th-century Russia can be destroyed by the smallest incident.
The clerk’s death at the end presents the ultimate mystery for the reader to unravel. On the one hand, the scene appears to validate Chervyakov’s anxiety. On the other hand, it only adds to the absurd nature of the story by presenting a ludicrous consequence for a trivial event. This uncertainty places the readers on shaky ground and prompts them to confront a confusing world on their own terms.
One of the ways that Chekhov introduces ambiguity is through his effective application of laconic storytelling. This technique depends on a minimum use of words. Chekhov is famous for this style of writing. In fact, it is usually so concise that the reader is called to fill in the details and draw their own conclusions.
Nowhere is this laconic technique more evident than at the end of the story, when Chervyakov endures his final rejection from the general: “Finding his way home mechanically, without taking off his uniform, he lay down on the sofa and…died” (Paragraph 29). Chekhov’s approach is poetic, as each word serves a specific purpose. The mention of the clerk’s uniform, for example, is intentionally there to remind the reader that Chervyakov dies in the unending service to his country. His demise is therefore like a soldier’s death on the battlefield. The reader is left to marvel at Chervyakov’s self-sacrifice while lamenting the government system that reduced him to a senseless casualty. This imagery is present in the reader’s mind but not explicitly stated in the story. Just the mere mention of the word “uniform” evokes the appropriate emotional response.
Of course, Chekhov also withholds information in this last sentence. The use of the word “died” is both shocking and confusing. With no attempt to qualify this statement, the author refuses to take a position. The reader must decide how to interpret Chervyakov’s death, with the decision process itself taking them on a journey of enlightenment. This happens in place of the writer’s own moralizing in the text. By leaving the work open-ended, Chekhov invites his audience to think and consider the issues more closely, even after the story is over.
One of the most arresting aspects of Chekhov’s story is the tense combination of tragic and comedic elements. The story itself is quite serious, with a low-level employee attempting in vain to win the approval of a high-ranking official. His efforts are so drastic and so consequential that he cannot survive failure and dies at the end; these are weighty plot points indeed.
However, Chekhov presents these painful scenes with a light and sometimes humorous narrative twist. As a result, he reduces the intensity of the situation by making it farcical and absurdly funny. This technique operates broadly, with Chervyakov’s entire predicament seeming overexaggerated and comical. Certain scenes are also darkly amusing, such as when Chervyakov’s wife sends him out to keep apologizing to the general.
The story also employs a whimsical voice throughout. In the first few sentences, for example, the narrator interrupts a pleasant scene by saying, “But suddenly…One frequently encounters this ‘but suddenly’ in stories. The authors are right: life is so full of surprises!” (Paragraph 1). With this approach, Chekhov lightens the mood before he sets up Chervyakov for the tragic events to follow. Ultimately, through this blending of the serious and the lighthearted, the reader is challenged to consider the story’s troublesome issues on a deeper level.
By Anton Chekhov