53 pages • 1 hour read
Stephen KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Drugs, whether demon-grass, mescaline, or heroin, play an important role throughout the novel, and symbolize cataclysmic change. This can first be seen in the beginning of the novel, when one of the first focuses is on the devil-grass, a desert grass thatwhen inhaled after burning, causes devastating visions or nightmares. The devil-grass is the only fire fodder within the barren desert, but the gunslinger is careful not to sit in the path of the smoke for fear that he will be lost to its effects.
While the gunslinger never directly feels the effects of the devil-grass, Nort, a citizen of Tull, dies from smoking and chewing the grass. His addiction causes him to live his final days in a mad, dissociated state, before finally dying in his own black vomit. The Man in Black raises Nort from the dead, only for him to still be addicted to the devil-grass in his second life. This addiction that transcends death symbolizes something sinister in the land. Considering the numerous Christian allusions throughout the novel, Nort’s resurrection is most directly associated with Jesus’s resurrection in the Bible, a fact demonstrated by the townspeople of Tull, who think that the Man in Black must be an angel from God. However, Biblical resurrections are associated with healing and wholeness, while the Man in Black’s resurrection of Nort leaves him just as broken as before. In this way, Nort’s addiction to the devil-grass even after being raised from the dead reveals that the Man in Black is not the Jesus-like figure that the townspeople presume.
While devil-grass, a naturally-occurring desert plant, represents the forces of darkness that are at work in the land, the gunslinger’s reliance on mescaline to achieve answers about his future symbolizes that not everything that comes from the land is evil. While devil-grass is a fictional plant known only in the gunslinger’s world, mescaline is a naturally-occurring hallucinogen that’s derived from the peyote cactusand has been used for centuries in shamanic rituals in Mexico and the southwestern United States. The gunslinger uses mescaline to interact with the oracle, and he claims that it helps him see things as they really are. Based off of this description, it would seem to suggest that mescaline helps the user see the truth of this land’s reality, while the devil-grass reveals the evil of the land.
Finally, there is the brief mention of heroin, another drug common to our world. While the oracle is giving the gunslinger prophecies about his future, she says that he will encounter a dark-haired man who “stands on the brink of robbery and murder. A demon has infested him. The name of the demon is HEROIN” (149). The gunslinger doesn’t know what heroin is, but considering that it’s associated with demonic possession, similar to the devil-grass, it can be deduced that heroin’s role later in the series will reveal further dark iterations in the gunslinger’s world.
The fact that the gunslinger comes from a medieval world but uses guns instead of swords is symbolic of the novel’s distorted sense of time, and how the future has fallen into the past. Roland is the last gunslinger, and it seems that everywhere he goes, no one has seen guns before. Considering that the novel relies heavily on utilizing objects and concepts that the reader is familiar with, and then distorting them to create a strange new world, using guns to uphold order but making them rare symbolizes how the gunslinger’s world is simultaneously advanced and yet has also regressed. That is, it’s presumed that gunslingers have been using guns since as long as anyone can remember, and yet somehow the remaining people have come to a point where they no longer remember what guns look like. This paradoxical shift in the perception of time symbolizes how time itself can’t be trusted in the novel, an idea that is perpetuated by the gunslinger’s constant questioning of time. By the end of the novel, it’s clear that the Tower ultimately has something to do with this distortion of time.
It’s important to note that every woman the gunslinger has ever loved ends up dead, and that their deaths are in some way related to the gunslinger’s actions, or lack thereof. These women are also the center of the gunslinger’s universe, in that he constantly thinks of them. In this way, women represent both life and loss for the gunslinger. This can first be seen with the gunslinger’s mother. While not much is known about her, it’s clear to see her influence on him; the gunslinger is constantly flashing back to memories of his mother, and, specifically, he often hears her lullabies singing in his head. Yet, it’s briefly revealed that the gunslinger killed his mother. While no details are given, the gunslinger, when thinking about how he’s a matricide, also thinks of Oedipus, inevitably connecting his mother’s death with some inner jealousy he had towards her and the men in her life.
This idea can be seen again through the character of Alice, the gunslinger’s lover in Tull. Similar to the situation with his mother, the gunslinger ends up killing Alice yet thinks about her as he journeys towards the Man in Black. Then there is Susan Delgado, the gunslinger’s first love. While the details of her death aren’t fully revealed, we do know that the gunslinger at least witnessed it but was unable to stop it. With each of these women, the gunslinger seems haunted by their memories yet also responsible for their absence in his life.
By Stephen King