50 pages • 1 hour read
Katherena VermetteA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrator, who identifies herself as Stella’s mother, Rain, thinks back to her experience at her daughter’s birth. She claims that even though she did not want to be a mom, her feelings changed to happiness and love. Specifically, Rain illustrates the moment as being more than what an emotion can describe: “There wasn’t even a feeling or maybe there’s just not a word big enough for that feeling” (81). She speaks to Stella to tell her that she is still around her, waiting on her.
The morning after Stella witnesses the assault, she looks to the scene of the crime; she takes note of how the snow has covered the blood and has left “everything clean,” despite the horrors that occurred there hours before. She thinks about her cousins, Lou and Paulina, and fixates on a memory from their childhood. During the summer, Lou and Paulina moved in with Rain and Stella, and they told Stella how they were sexually assaulted by the same man. They attempted to understand why they were harmed, but they could not come up with an answer.
Stella feels guilty for having not seen her family for months due to Jeff’s fear of her traveling to the city on the bus with their son, Adam. She claims that he does not understand “how things really were” because he was “a white boy who grew up in the city” (88). However, she still decides to listen to her husband and does not visit her family anymore. She tries to hold on to a memory of Kookom telling her everything will be okay, but she begins to feel cold. Stella, then, focuses on her house and claims that she never wanted to live by the Break because it is too close to her old neighborhood. Rather, she wanted to buy a house in the “gentrified” neighborhood where they were already living in a rental. However, they could not afford the mortgage. While Jeff sleeps and Stella watches the children, she continues to think about the assault she witnessed and yearns to lie in her grandmother’s arms.
Pete calls Paulina during her shift at the hospital to tell her that Emily has been hurt, and he is rushing to take her to the emergency room. She meets them at the doors of the hospital, and she discovers that Emily has fainted due to losing massive amounts of blood. Pete offers to call Paulina’s mother, Cheryl, as he parks the truck. Paulina thinks about her daughter’s birth and how scared she was to be such a young mother. She feared taking care of a child and being responsible for Emily’s well-being. Then, a doctor comes out of Emily’s hospital room to tell Paulina that they believe someone raped Emily. They found glass within her reproductive system along with a cut on her inner thigh. They also found a cut on her lip and bruises around her body. The hospital calls the police to make a report of the assault.
The hospital staff moves Emily from the emergency room to another wing of the hospital. Once Emily is settled in her new room, Paulina takes her place beside Emily and holds her hand as she waits for her to wake up. Cheryl, Kookom, and Pete come into the room. Paulina wonders just how much she truly knows Pete, but she decides to focus on her daughter rather than fretting about who could have hurt Emily.
Lou wakes up without Gabe, and even though she has a moment of peace, she realizes how lonely she is without him. She thinks about her younger son, Gabe Jr., and makes her way to the living room, where her older son, Jake, and his friend, Sunny, are sleeping. They wake up and go into Jake’s room, as Lou thinks about Rita, Sunny’s mother, and how she gives him a hard time despite being well-behaved.
She gives Gabe Jr. breakfast as she thinks about Jake’s father, James, whom she has not seen in five years. The last time she saw him was during her pregnancy with Gabe Jr.; Jake has never known his biological father. Lou then remembers when Gabe came home from tour and had a hickey on his neck. However, she chose to ignore it. The phone rings, and Lou believes that Gabe is calling. She does not answer, and Jake brings her his cellphone because Kookom called him. She tells Lou to immediately come to the hospital to see Emily.
Cheryl sits in the corner of the hospital room and watches her family as they try to comfort Paulina. On the ride to the hospital, Kookom cried for Emily once she realized what happened, but she struggled to understand at first. As she has gotten older, she has become confused about her surroundings. Cheryl thinks back to her dream before being woken up by Pete’s phone call. She remembers being at the house of the father of her children, Joe, in the bush with Louisa and Rain. She saw a shadow of a stranger, and she ran after it. However, she could not keep up, and the shadow got lost in the trees.
Officer Christie and Scott make their way into Emily’s hospital room, and they ask Paulina about her and Emily’s whereabouts on the night of the attack. Paulina tells them that Emily came home despite having plans to stay with Ziggy, but she got back to their house before Paulina and Pete came home from the bar. The police officers leave to contact Rita and Ziggy while they wait on Emily to wake up. During this time, Cheryl calls Rita to tell her what has happened, but Rita does not answer the phone. After Pete leaves the room, Lou asks Kookom and Cheryl if Pete could have attacked Emily, but Cheryl does not that believe it was him. She tells Lou that she has “to trust someone” and pushes away the allegations (117). Cheryl worries that Lou’s job as a social worker has made her “hard” just as it has Rita due to the horrors that they see in their line of work. Cheryl plans to paint Emily as a gray wolf to symbolize humility and the importance of leaning on their family.
Tommy believes that Emily’s attack is connected to the assault witnessed by Stella. Christie explains to Tommy to never ask questions in front of the entire family because he believes that the family will lie for each other; he does not think that Emily’s attack and the one on the Break are connected. As they wait to question Emily, Tommy thinks about how little sleep he has had and how Hannah got up earlier than expected, despite having gone out drinking the night before with her friends. Once Emily wakes up, Christie warns Tommy to “keep the questions to the facts” and reminds him that he needs to practice his questioning skills (122). As Tommy thinks about what to ask, watching the nurses reminds him of when he first met Hannah, who used to want to be a nurse. However, she decided that nursing school was too hard, and she chose to go to secretary school. She tells her friends that Tommy will be able to support them both, so it does not matter if she does not make a lot of money.
He notices Cheryl sitting in the corner, and Tommy recognizes how intimidating she is, despite how much she reminds him of the women in his family. He looks at Paulina and thinks of his mother. He starts to ask Emily about the assault, and she tells him about sneaking to the party. Christie recommends that Emily has an opportunity to speak to them without the presence of her family, but Lou tells him that this would be illegal. Pete leaves the room, but the rest of the women stay. Emily claims to not know who attacked her, and Paulina asks if they can take a break. Before they leave, Emily tells the officers that her attackers were wearing black clothes and one of her attackers had a braid in their hair. As they start to leave the hospital, Christie gets a call that another teenage girl has been attacked, and they must question her before they can leave. Tommy feels agony for hearing the words “another victim.”
Ziggy wakes up in her bed with her face covered by her blanket. She feels hot and uncomfortable, but she refuses to get out of her bed. Rita came home drunk the night before, and she went to check on Ziggy and Emily before going to bed. Ziggy waits for her mom to wake up, and she thinks back to living with her grandfather, Moshoom, and yearns to be back with him. After falling back to sleep, Rita wakes up Ziggy in a panic because Ziggy has bruises all over her face. Ziggy continues to think about her grandfather and wishes that they were chopping wood together. Rita calls her son, Sunny, and yells at him to come home immediately. Rita gets Ziggy out of bed to get her dressed before Sunny takes them to the hospital. Ziggy continues to think about her life back in the bush, and she misses being at her home.
Ziggy does not fully wake up until she is at the hospital and being checked out by a doctor, who claims that her cheekbone is not broken. Ziggy tells Rita about going to the party with Emily and how they were chased by girls for hanging out with Clayton, despite not knowing that he had a girlfriend. She asks where Emily is because she could not tell where she went during the attack, and Rita tells her that Emily was raped. Ziggy starts to remember the attack more clearly, and she sees Roberta, Phoenix’s friend, standing over her and punching her. Roberta and another girl ran away, and Ziggy laid on the ground for a while before she was able to stand up. She kept yelling for Emily on her walk home, but she was too tired and cold to keep looking for her.
Phoenix smokes a cigarette while thinking about the party. She thinks about all the makeup that she is wearing and how uncomfortable she feels despite Roberta and Dez giving her a makeover. Phoenix feels insecure about her appearance, but she does not want anyone to know about this. She pretends to be confident. The morning sky fills the kitchen, and Phoenix looks out to the hydro towers. She claims that “that’s where it all went down” (143), and she replays the night before in her head. Phoenix remembers how Alex and Clayton looked at her, and she tries to forget about it all. She fights the urge to check her phone to see if Clayton has texted her, despite knowing that he will probably never talk to her again.
Phoenix misses her sisters, specifically one of her younger sisters, Cedar-Sage, and she wishes to be with her. Alex comes into the room and asks Phoenix for a cigarette before telling her that the party got out of hand. He yells at her that someone needs to clean up his house, and Phoenix tasks this to her friend, Cheyenne. Alex tells her that she must fix what happened because no one can find out what they did. Phoenix reassures Alex that even if “that chick” tells someone about the attack, she will not be able to pin it on them. She claims to know that Clayton does not love her, but she also does not care. Back in the living room, Mitchell speaks to Clayton on the phone. Once he hangs up, Phoenix steals his phone to call Clayton back. She threatens Clayton to not come back to Alex’s house, and he tries to hurriedly get off the phone after telling her that he will stay away.
As the novel progresses, vermette further weaves the relationships of the characters by switching between their perspectives, which allows the reader to experience how their individual traumas affect these relationships; by doing so, the theme of Intergenerational Trauma and the Importance of Healing surfaces. In Part 2, the older women in the family begin to shed light on their pasts, and their own experiences with sexual assault generate a shared sense of trauma centered upon the attack of one individual, Emily; this allows vermette to explore an intergenerational outlook on a shared experience in a narrative that revolves around one main plotline of Emily’s attack. Stella remembers that when Lou and Paulina came to live with her when she was eight, they told her about how a man molested them; she comments on how “Paul started to cry, even though it wasn’t her turn” to tell her side of the story (85). Here, vermette not only indicates that these girls have a shared experience, but she also implies that their pain and hurt are shared among them and felt for each other. Due to this, as adults, Lou struggles to trust Paulina’s boyfriend. She implies that Pete may have assaulted Emily because “it’s not like [they] know him that well” (116). Correspondingly, vermette ensures that the reader does not Paul well—the only man who has a narrative voice is Tommy—hence emulating Lou’s sense of uncertainty and suspicion surrounding the male characters with the novel’s narrative structure. Cheryl’s response that “[not] everyone is a monster” further implies their shared understanding of the way their trauma affects their daily lives (116), which ultimately impacts the relationships they have with each other. In each chapter, vermette shows that the internal lives of the adult female characters frequently center on their children, emphasizing the fear of the same thing happening to them.
Tommy, who struggles with his own trauma from childhood, is confronted by his past, which affects his present. When in Emily’s hospital room, she reminds him of his mother:
He has a photo of his mom as a kid, and she looks just like this girl. It’s his favourite picture. His mom in braids, dirty jeans, and rubber boots. His bush mama, when she was so happy. She’s not smiling in the picture but you could tell. She loved her life once (123).
Although Tommy is reminded of a happy memory, the narrative has a bittersweet, almost resentful tone. On the one hand, he relishes in the happiness and upbeat demeanor he knows his mother had at one point in her life; the image of her in braids provides a youthful quality almost as if she held within her an innocence that was then taken from her—and subsequently from Tommy, too. Tommy’s description of her as a “bush mama” also illustrates how connected he not only feels to her but also to his Indigenous culture. On the other hand, Tommy resents his father for taking away this innocence and love for life that his mother had, tying in the theme of how violence affects communities. By holding on to these emotions, Tommy struggles to move forward in the present and away from the past. vermette interweaves memory into the characters’ present to explore Intergenerational Trauma and the Importance of Healing.
In Chapter 14, vermette develops Phoenix’s character as the narrator focuses on the internal battle that Phoenix has with her sense of self. There are moments in which Phoenix shows guilt at her actions, such as when she thinks about how Clayton and Alex looked at her and how she “sees it all in her head, the sounds, the shapes” (143). Here, she provides the reader with more clarity on the events of Emily’s sexual assault despite not having a clear depiction of how the events unfolded; the sensory description is vague, as vermette shows a glimpse of “sounds” and “shapes” without specifying their quality. vermette utilizes vague moments like these throughout the text to begin to unfold the crime and build suspense without giving it all away at once. However, Phoenix tends to focus on her appearance for most of the chapter. She looks in the mirror and sees “her stomach rolls squished together and falling out underneath” her shirt (148). Phoenix craves to be wanted by others, and, due to the societal expectations placed on women, she believes that her appearance will determine whether she will be loved or not, especially by boys like Clayton. vermette hence depicts how desensitized Phoenix is to violence, highlighting The Impact of Violence on a Community. Despite having sexually assaulted Emily the night before, Phoenix reflects on her appearance and how she visually looks to other people in an attempt to not have to confront her own actions.