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Olga TokarczukA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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A key question posed throughout The Books of Jacob is the sincerity of Jacob’s Messianic claims. Jacob offers his fellow Jewish people a route to salvation at a time when they are frequently oppressed in violent ways by the Christian or Muslim societies that they inhabit. The role of the Messiah is part of a mystical tradition, in which Jacob casts himself as the natural successor to men like Sabbatai Tzvi. Throughout the novel, the Messianic figure is problematic because the lines between truth and fiction, and faith and opportunism, become increasingly blurred.
Jacob elevates himself above others and, as a part of this elevation, his rules permit him to indulge himself. According to Jacob’s reinterpretation of traditional religious rules, he is not beholden to dietary restrictions or bound by monogamy. He can eat whatever he wants and have sex with whomever he pleases. In this sense, Jacob’s radical religious reformations seem particularly cynical and self-serving. By apparent coincidence, the religion he preaches is one which satisfies his need for instant gratification. He encourages his followers to break these rules in a similar fashion; since they break these taboos, Jacob is forcing his followers to alienate themselves from society and bringing them further under his control. Even when he is satisfying other people’s indulgences, he is performing a cynical act of manipulation. Jacob never performs a miracle and, when he is taken away from his followers, his teachings leave them without any guidance. Jacob’s self-stated power to defy death is revealed to be without merit and he does not equip his followers with the tools needed to survive without him. Though he may claim to be a Messiah, the novel portrays him as a man who is willing to wield this title as a way to satisfy his forbidden urges.
The idea of Jacob’s Messianic claims as being cynical and self-serving is further complicated by Jacob’s consistency in sticking to his claims, which enables others to interpret him as they see fit. For example, Moliwda spends years helping Jacob and the Contra-Talmudists as they fight for recognition in Poland and other countries. By his own admission, he is shocked to discover that Jacob may sincerely believe himself to be the Messiah. Moliwda always assumed that Jacob was a conman and that his religious revelations were a scheme, designed to either make him rich or to give him power. This misunderstanding of Moliwda begs the question of why Moliwda would help such a Messiah whom he did not believe to be the Messiah. The answer is that Moliwda is charmed by Jacob. He recognizes Jacob’s charisma and he helps the Contra-Talmudists as a form of intellectual curiosity, intrigued by just how well he can debate and reason with the governments and noblemen of the various countries they visit. The plight of the Contra-Talmudists becomes a way for Moliwda to reaffirm his own identity. The religious reality of his role in the novel is to show that the sincerity of the Messiah does not really matter. Religion exists outside of mysticism and faith; instead, religion is built on charm and a desire to find an identity.
The religious reality of Jacob himself is rendered irrelevant by his death. The Christian leaders of Offenbach gather together and Jacob’s status as a Messiah or a conman is reduced to a gossip item in the halls of true power. These people establish reality, writing their version of history which is entirely separate from the experiences of Jacob’s followers. The question of whether Jacob was sincere becomes irrelevant, especially when contrasted with the dismissive attitudes of the people who really hold power. In the end, the wider question of Messianism—and Jacob’s own role in it—is left unresolved.
With the doubts that exist regarding Jacob’s religious sincerity, the novel explores the motivations of the characters who exist tangentially to Jacob. Their search for meaning is the driving force in the novel, as the varied perspectives of the people who surround Jacob compare and contrast depending on their material status, their gender, their religion, and their personality. Though they come from different backgrounds, they all continually search for meaning in their lives.
Nahman is one such example. He is one of the first people to follow Jacob and he develops an important role in Jacob’s life. As well as playing the role of the spiritual advisor and diplomat in public, Nahman chiefly satisfies himself by becoming the secret author of Jacob’s hagiography. By his own admission, Nahman does not take pleasure from his marriage. He is not interested in sex or physical pleasure. Instead, he wants to consecrate the memory of Jacob in history by keeping a record of Jacob’s deeds, even though Jacob explicitly tells him not to do so. The irony of the situation is clear: Nahman believes that Jacob is the Messiah, but he deliberately disobeys Jacob because he is so strongly motivated by his own search for meaning. Nahman can only envision himself as the writer of Jacob’s history, so this meaning in his life trumps everything else, even his most deeply-held spiritual beliefs.
In a similar fashion, Father Chmielowski and Elzbieta Druzbacka attempt to find meaning in their lives through writing. However, they represent competing perspectives. Chmielowski is an ardent reader whose attempt to understand his world is embodied in the composition of his encyclopedia, New Athens. His work is a regurgitation of his search for meaning, conducted entirely through books. Conversely, Druzbacka’s poems are an attempt to turn her real experiences into words. She regrets that her poems cannot contain the purity of her emotional experiences, as these are so keenly felt.
In the end, neither writer is successful in achieving his/her aims. Chmielowski’s work spreads far and wide but, in the modern era, his attempt to reproduce all human knowledge is mocked as simplistic and archaic. For Druzbacka, the overwhelming force of grief after the death of her child robs her of her ability to write. She cannot reckon with such a powerful emotion, and she is reduced to a crisis of faith. Without her writing and faith, she struggles to find any meaning to her existence. The two correspondents represent antithetical interpretations of how meaning can be found through writing, but neither of them achieves meaning in a satisfying manner, illustrating the complexity and potential impossibility of this search.
The search for meaning exists far beyond the world of Jacob Frank. As other characters flit in and out of his life, the competing ideologies and methods by which this search is conducted are made evident. Men such as Asher Rubin find meaning in science, while Thomas von Schonfeld believes that the Freemasons possess the key to understanding existence. Technologies such as financial instruments are presented as a competing form of mysticism which operates alongside religion, only understood by a few select high priests who preach to the lay people. Through geopolitics, wars, and pogroms, the ruling classes maintain a social order which benefits them, thereby finding a meaning in life by maintaining the social hierarchy at all costs. Whether writing, praying, fighting, or fleeing, the characters in The Books of Jacob are motivated by their quest to understand themselves and to give meaning to their existence, even though definitive meaning usually remains elusive.
Observation and perspective—both objective and subjective—play key roles in The Books of Jacob. Yente slips into a coma-like state early in the novel and begins to enjoy an out-of-body experience. She floats above everything and everyone, functioning as a parallel narrator who operates outside the traditional boundaries which constrict the other characters. She is a mystical figure, someone who has defied both death and narrative convention. Her observance of the world becomes a focal point for the actual narration, directing and guiding the narrator in the observance of the people and places she knew during her life. As she is laid in a cave and slowly turned to crystal, Yente becomes a transcendental figure. She operates outside of the narrative and inside the narrative at the same time, experiencing a sense of detachment as the people she once knew grow, change, and die, and the world is then inherited by successive generations. Yente is the old world, watching over the new. Like the ghosts that she now knows to be real, her corporeal form prevents her from forming attachments to the world as she once did. Yente is the manifestation of the objective, outside observer, someone who is charged with watching everything alongside the audience by forces that she does not understand.
In the main body of the text, Nahman assigns himself a similar task, but from a far more subjective perspective. While he is similar to Yente in that he assigns himself the role of observer, he is far from objective. Nahman is a true believer. He sincerely believes that Jacob is the Messiah, and, because of the sincerity of this belief, he is absolutely certain that Jacob’s life must be documented. Nahman wants to write the hagiography of Jacob’s life so that more people will know, understand, and love their new Messiah. Nahman’s subjectivity and belief that he is doing the right thing stretches beyond his religious beliefs. The contrast between Nahman’s so-called scraps and the more objective narration of the main text reveals the inherent flaws of Nahman’s writing. His decisions on what to exclude are as telling as what he chooses to include, yet only the inclusions are entered into his subjective text while the audience must rely on the objective narration to understand what has been excluded. Nahman’s work cannot be trusted simply because he cannot recognize the irony of his decisions. He is infused with so much subjectivity that his bias colors his writings. While Yente grows increasingly distant from the people she observes, Nahman always remains too close. The contrast between Yente and Nahman highlights the importance of the outside observer.
The importance of the outside observer is made clear through the portrayal of Jacob. Though The Books of Jacob tells the story of Jacob Frank, the narration is distant from him. His life is retold by other people. The narration is rarely, if ever, provided from Jacob’s perspective. In this sense, he is an inscrutable figure. His motivations and his personality are an amalgamation of several subjective viewpoints, as well as the more objective third-person narration. The novel contains so many outside observers that the protagonist vanishes inside a maelstrom of competing perspectives. The audience can never be sure of knowing Jacob, as the narrators and observers can never be said to enjoy this privilege. Jacob and his own beliefs remain a mystery, but the competition between the outside observers demonstrates why this mystery is so compelling.
By Olga Tokarczuk
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