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It’s Subhi’s birthday, and Harvey wakes him up with a gift of new colored pencils and paper. Subhi immediately begins drawing Jimmie’s feather. Queeny sings to him and gifts him a new pair of pants from her and Maá. Maá isn’t feeling well, so Queeny and Subhi go to breakfast and discover the Jackets are serving real scrambled eggs and toast. Subhi pretends it is a special meal for his birthday, but, in reality, the meal is a show for the humanitarian workers touring the camp. Subhi races to the fence to see Eli but only finds a piece of string tied in a bow. He feels sad that he can’t see his friend and just paces back and forth along the fence, a practice he calls “Fence Walking” (107).
Nasir is an older man who has lived in the camp the longest of all the residents, and he and Subhi have a special bond. He teaches the children games and tells stories. Since Nasir is old, he sometimes has cognition issues, and the Jackets deem him “an adverse risk assessment” (107). Nasir has only one leg, and he at one time had a prosthetic, but the Jackets took it away. Each year, he gives Subhi a “Pebble of Happy” on his birthday (109), which represents a happy thought. Subhi thinks of his father but decides his happy thought is of Jimmie and her egg story. When Subhi tells Nasir about Eli’s forced move to Alpha, the old man’s eyes become cloudy and sad. Subhi helps him lie down and places Jimmie’s feather in his hand to comfort him.
Maá is still very tired and won’t eat. Subhi saves her a sausage from dinner and tells her about his birthday. It begins to rain, and Maá and Subhi go outside the tent and let the rain fall over them. She tells Subhi a story about when it didn’t rain for many years until he was born. Maá returns to bed, but when Subhi asks her for another story, she is asleep.
Subhi waits with the Shakespeare duck for three nights in a row for Jimmie to return to their secret spot. While he waits, he entertains himself with rock games like “Towers of Rah” and “Target” that the children invented. Playing the game makes him miss Eli, who was always the best at Target. Jimmie arrives carrying her notebook, a flashlight, and a thermos full of hot chocolate. Jimmie entertains him with several duck jokes, some of which he doesn’t fully understand. The hot chocolate is the best thing Subhi has ever tasted, and when Jimmie tries to show him how to make it come out of her nose, he resists, not wanting to waste the delicious treat.
Jimmie uses a black pen to give Subhi a tattoo. She intends to draw a dragon like the one on the poster in her bedroom, but it ends up looking more like a duck. Subhi asks Jimmie to tell him about her room. After she describes it, he wants her to tell him more about the Outside. Jimmie promises she will take him exploring one day. Subhi gives Jimmie a tattoo of a whale and the shell from the Night Sea, and she says she wants to get a real tattoo of the same picture when she is older. Subhi tells Jimmie Eli’s story about the whale, and she loves it.
Subhi begins reading again from Jimmie’s mum’s notebook and picks up the story of Anka and Oto. The story starts. Oto cares for Anka when she is a baby, but as she grows, she begins to teach him the wisdom of the world. Anka learns to navigate the world through echolocation by making a clicking sound in her mouth. Anka has the gift of singing and cooking delicious food, and soon Oto and Anka fall in love. Anka becomes pregnant, and Mirka comes to warn the couple that war is coming and encourages them to leave their village. They refuse to leave, and Mirka is sad. The soldiers eventually arrive.
Jimmie abruptly tells Subhi she must leave, but he wants to hear more of the story as he is familiar with the idea of soldiers forcing people from their homes and villages. Jimmie gives Subhi a flashlight and explains how to use it as a signaling system. Three flashes mean it is safe for her to sneak into the camp, but two flashes are a signal for danger. She tells him one more duck joke before leaving. Subhi hides the flashlight in the dirt since the Jackets prohibit them.
Jimmie flashes a test signal to Subhi, and his response flash overjoys her. The thrill quickly passes though as Jimmie begins to consider Subhi’s limitations inside the camp. She thinks about the activities he misses and considers the freedom she must use to explore the world around her. Jimmie’s sadness turns to anger, and she resolves to help Subhi see the world. She steals Jonah’s cell phone and stores it with her notebook for her next visit to the camp. Jimmie falls asleep grateful for a friendship.
Eli’s schedule in Alpha is different from Subhi’s, so they don’t see each other often. Subhi meets Eli at the fence, and Eli is talking with Queeny about the camera she found. Subhi has seen a camera only one other time, when the newspaper came to do a story on the camp. For a time, people sent donations to the camp, but eventually the gifts stopped coming. Queeny plans to use the camera to take photos of what life is really like inside the camp and upload them to the internet in the computer room. Subhi worries the Jackets will catch her because only adults are allowed to use the computers and at assigned times.
Queeny says she has to because she wants the outside world to know them. She continues, “That’s why we’re all dumped out here in the bum end of nowhere, Subhi. So everyone forgets us. Don’t you see? This way, we don’t even exist” (135). Queeny chastises Subhi for being too naïve. Subhi doesn’t like the way Queeny talks and wishes she still liked to play games with him. Since the children in the camp can’t attend school, Queeny taught Subhi to read, write, and do math. When some of the camp children attended school briefly but were sent away due to improper clothing, Queeny assisted them with their studies. Subhi also remembers Queeny teaching him fun activities like climbing trees. At some point, Subhi noticed that Queeny stopped talking about the future as she lost hope that they would ever escape the camp. He now sees the camera plan is a way for her to dream again, just for a different kind of future than they imagined.
Nasir dies, and though Harvey tries to comfort Subhi, he quickly assigns a new child to Nasir’s bed, making it feel like Nasir is easily forgotten. Subhi tells the new boy he is sleeping in a dead man’s bed, which upsets the child, who bangs his head repeatedly to self-soothe. Queeny chastises Subhi for his cruelty, and he goes to Maá to cry. As he sobs, he thinks about how everyone calls him “Aussie Boy” because of his assimilation (142). Yet Nasir never called him that, and Subhi actively works to retain anything Rohingya that he knows.
Jimmie visits, but Subhi doesn’t tell her about Nasir. She produces the phone and begins to show Subhi pictures of her life. He stares in amazement at what he views as lavishness, like a real bed and rolls of toilet paper. Jimmie shows him photos of her father and brother and images of the outside world. She snaps a photo of the two of them, and Subhi hardly recognizes himself.
Subhi begins to read from the notebook again and picks up the story after the soldiers arrive. It begins. After the attack, only Oto and Mirka remain in the town. The soldiers took Anka and beat Oto, leaving him for dead. Mirka, who wears the bone sparrow necklace, which contains a green coin, rescues Oto and cares for him until he is well enough to escape. She gives him the necklace and tells him to travel to a cave in the mountains to the healer Iliya. As Oto travels, each time he touches the necklace, he feels Anka’s presence just as she also feels him as she marches with the soldiers.
Reading Jimmie’s mum’s story makes Subhi feel closer to Ba. Jimmie bids him to touch the Bone Sparrow and says, “Can you feel it? That’s what he’s doing. He’s keeping the clan safe” (148). The necklace feels hot in Subhi’s hands. As Jimmie leaves, she shows Subhi how to find the weak spot in the fence. Terrified Beaver or another Jacket will find him, Subhi is reluctant to follow her. He only pushes his hand through the hole, but this one glimpse of freedom is exhilarating. Jimmie explains how he can find her house if he ever decides to escape. As he watches her go, he imagines she is floating in the wind.
Everyone in the camp becomes sick with gastrointestinal illness, which they assume is from tainted food. The guards blame it on a lack of personal hygiene. Due to long lines for the shared toilets, people resort to becoming sick on the ground. Along with the physical distress, Subhi feels there is a depressing pall hanging over the camp, or what he calls “a kind of sad angry” (156). Despite being sick, Queeny carries on with her photography, making certain to document the suffering. Subhi still doesn’t fully understand her motivations, and she explains to him she is weary of going unnoticed by the world. Subhi thinks about how children arrive at the camp still full of innocence, but not long after they arrive, the camp steals every ounce of joy and optimism from their lives. Jimmie makes Subhi feel less invisible because she listens to him just like Nasir and Eli once did.
The rain comes and washes away the physical evidence of the illness, but the depressing feeling remains. Jimmie sends the flashlight signal, and Subhi goes to meet her. She teaches him a game that uses a spiral drawing and the acronym “P.R.I.V.A.T.E.” to predict his future (160). Part of the exercise involves Subhi listing the jobs he wants. When he tells her he wants to be a storyteller, Jimmie says that isn’t a real job. Based on the game’s prediction, Jimmie says Subhi will live in a van, which he thinks is great because it allows him to travel. The game also predicts he will live with someone whose name begins with “J.” After the game, Jimmie asks how Subhi spent his day, and he says they spend most of their days waiting in lines. They also played the “Lice Racing” game (162), and Subhi describes racing a louse named Itchy. Subhi tells her about Queeny’s pictures and the bad feelings he has. Then he begins reading the story again.
Anka’s baby is born prematurely as a storm rages. She sings a song that travels through the storm across the land. Oto travels through the same storm, still trying to reach Iliya. He can hear Anka’s song on the wind. When he finally arrives at Iliya’s, the old man has been waiting for him, and they immediately set off on another journey. Iliya wears the necklace, and when it comes loose and falls to the ground, he reaches to grab it but steps on a land mine. The explosion kills Iliya, leaving only his dismembered foot behind, and the coin on the necklace is lost. Oto mourns for the loss of Iliya and dons the necklace as he continues his journey.
The story ends abruptly, and Subhi longs to know the end of the tale. It reminds him of his ba trying to reunite with their family. Jimmie says she doesn’t remember this story and worries she is forgetting parts of her mother. Subhi comfortingly holds her hand, and Jimmie gives him some chocolate as they stare at the stars.
Maá is now lethargic from lack of food and water, and the kids can’t wake her up. Though the camp rarely has proper medical attention, the Jackets bring a doctor to examine her, and they put her on “HRAT Watch” (169), which is normally reserved for people who self-harm. Subhi doesn’t think Maá is trying to hurt herself and is just exhausted. Subhi thinks about people like Saleem who died by suicide when they lost all hope inside the camp. Queeny tells Subhi it is the hardest on those who knew what freedom was like and now must live as prisoners. Though it’s usually adults who self-harm, children also hurt themselves, like the boy now sleeping on Nasir’s bed. Subhi tries to comfort his mother by singing to her and refuses to believe she has given up. He thinks to himself, “Maybe her eyes are shut so she doesn’t have to see everything anymore” (172).
When Subhi meets Eli at the fence, he is angrily pacing back and forth. He tells Subhi that Alpha is overcrowded and the Jackets are selecting 50 males to be taken to a “Transport Centre” in an impoverished country that doesn’t want refugees (172). Eli is terrified, and seeing his brave friend so scared worries Subhi. The two friends press their heads together through the fence and weep. A sparrow lands nearby, and Subhi takes it as a good omen of protection over their friendship. Subhi tells Eli where to find the weak spot in the fence and implores him to escape, but Eli refuses, claiming he has nowhere to go and he doesn’t feel right leaving the others behind. Subhi insists that he consider it, so Eli agrees to at least listen to his plan.
A group of men holding string gather near the fence, and Eli leaves to help them. The men sewed their mouths shut and are lying down on a sheet with these words written on it: “WE ARE INNOCENT. PLEASE HELP US TO BE FREE. WE CAN’T LIVE WITHOUT HOPE” (176). Queeny arrives and photographs the demonstration before Eli hangs the sheet on the fence so it is visible to the Outside. That night, a fierce storm rages, and Subhi imagines it is the Night Sea and Eli’s whale slamming against their tent. Everything is soaked, and the storm is so intense it awakens Maá.
Jimmie arrives home from school. Her teacher is happy she attended three days this week and tells her she’s up for an award if she can attend five days in a row. She has reading homework but can’t complete it. Glancing at the newspaper, she spots a photograph from Subhi’s camp of six men with their mouths sewn shut. When she looks at the boy holding the sheet with the message, she wonders if it’s the Eli Subhi talks about so often. The image is disturbing, and Jimmie instinctively knows it foreshadows trouble. Her father walks in and glances at the story, commenting on the sadness of the situation. Jimmie wonders if hunger strikes are necessary, and her father says it is the only way for the people to gain the attention of the outside world. Jimmie longs to know more about the camp and why the people have been imprisoned there so long. Meanwhile, her father moves on to a story about a soccer star. Jimmie wishes her mother was here because she would know how to help.
Three days into the men’s hunger strike, Jimmie visits Subhi and brings him a feast. Subhi stuffs his face with pancakes slathered with cream and jam and meat pies, but his favorite is the fresh strawberries. Jimmie even includes a napkin folded into a swan, like they do in fancy restaurants. She tells Subhi about her mother’s garden, and he wishes the Jackets would let them plant vegetables. After he eats, Jimmie asks Subhi to help her with the assigned reading from school. They both agree it is a terrible story, but Jimmie’s reading is improving. That night, Subhi falls asleep with both his heart and belly full.
Subhi’s 10th birthday brings another fence diamond measurement but also signifies a tone shift in the narrative as tensions mount inside the camp and Subhi can no longer ignore the suffering of himself and the people around him. These chapters carry an overarching motif of sight and visibility, as characters fade into the shadows and others long to be seen and known as human. Nasir represents a character who is forgotten by most in the camp due to his age and growing cognition issues. However, he recognizes something in Subhi and makes an effort to see the young boy and spend time with him. In the same way, Subhi takes the time to see Nasir as a person of value and learn from his wisdom. The friendship warms both of them, helping them maintain their humanity in the conditions of the camp and speaking to The Power of Interpersonal and Cultural Connection Amid Trauma. As Subhi spends time on his birthday with his aged friend Nasir, their conversation and Subhi’s internal monologue reveal new depths of cruelty from the Jackets, too.
The more Nasir speaks of the trauma and hardships of life in the camp, the more the reader witnesses his emotional decline in real time and understands the visceral impact of internment on a person. Once Nasir dies, Subhi feels like he’s lost another part of himself and another part of his heritage that he held so dearly. The outbreak of disease in the camp is yet another example of the horrors of the mass detention of humans, and the scourge not only physically weakens all the residents but also casts a foreboding pall over the narrative. This situation, along with the callousness with which Nasir is treated, speaks to Valuing and Devaluating the Humanity of Refugees, as all of the conditions and administrators dehumanize the Rohingya people. Harvey is indeed the only administrator that values the humanity of the refugees.
As Subhi spends more time with Jimmie reading her mum’s stories, the author develops a story within the narrative that parallels the plight of the characters. The story of Oto and Anka not only reveals the origin story of the bone sparrow necklace but also symbolizes both Jimmie and Subhi’s longing for a complete family, freedom, and safety. The more time Jimmie spends in the camp and the more she sees its harshness through Subhi’s eyes, the more her empathy grows, and she works to tend to his physical and emotional needs. On her visits, she brings hot chocolate, a treat for his senses, and she brings a listening ear, which ministers to his heart. Though she never intentionally makes light of his circumstances, she does find ways to make him laugh and bring joy into his otherwise mundane life. More important than food or laughter, Jimmie gives Subhi knowledge of the outside world and opens his eyes to the severity of his deprivation inside the camp. From Jimmie’s stories and simple snapshots of her home on a phone, Jimmie moves Subhi from innocence to awareness of his plight, and his coping mechanisms no longer work to shield him from the pain.
Although this is difficult for him, ultimately the friendship Jimmie provides speaks to The Power of Interpersonal and Cultural Connection Amid Trauma. They grow stronger through their connection, and although they become aware of the refugees’ horrible situation, the bond makes them strong enough to face this reality. The story of the bone sparrow, too, illuminates The Importance of Stories to Cultural Heritage, as Jimmie becomes closer to her mother and own culture through Subhi’s reading. The experience encourages her to become more active in school, too, as stories will be the way she keeps that connection to her mother and people.
Ironically, as Jimmie lays out a feast for Subhi and gorges himself on rich food, the men of the Alpha tent are preparing to begin a hunger strike to protest the humanitarian violations inside the camp. Jimmie’s friendship becomes a safe place for Subhi to share his life, but it also becomes the crucible for destroying his naivete about the world in which he lives. Jimmie not only metaphorically helps Subhi escape through her photos and food but also physically shows him a way out by directing him to the weak spot in the fence. Her gift of the flashlight, though Subhi initially sees it as dangerous, symbolizes Jimmie shining her light in a dark place and offering hope through friendship. It is their bond that allows Subhi to see a way out of his own situation and the situation of his people overall.
Subhi’s growing friendship with Jimmie parallels a growing distance between him and Eli. Now separated by a fence, the friends must rely on infrequent, short visits, which increasingly reveal Eli’s growing anxiety. Subhi once knew his friend as a fearless protector, but Eli’s time in Alpha among adults has changed him. Just as Eli is changing, Queeny’s resentment grows. Teenagers are often the first catalysts for change in society, and Eli and Queeny work together on a campaign to bring visibility to the center. In the same way that Jimmie’s photos help Subhi see the truth, Queeny hopes her photographs will bring awareness to their plight and the world will finally see them.
The ensuing hunger strike brings a visceral image of Devaluing the Humanity of Refugees, as the men not only go without food and water but also sew their mouths shut as a metaphor for their lack of voice and visibility. Hunger strikes have been used by many protestors and prisoners throughout the years to bring attention to humanitarian crises, the most famous one being with Mahatma Gandhi, who once went 21 days without food to protest British colonization in India. In Subhi’s camp, where there is never enough food and what nourishment they do get is of poor quality, going on a hunger strike is deeply symbolic. The extremity of the men’s actions reveals the depths of the injustices they have endured. The conditions have dehumanized them, but by making the world aware of that process and that dehumanization, they re-humanize themselves and become individuals fighting for the preservation of their culture.