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71 pages 2 hours read

Rick Riordan

The Blood of Olympus

Fiction | Novel | Middle Grade | Published in 2014

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Chapters 17-20Chapter Summaries & Analyses

Chapter 17 Summary: “Piper”

At the port of Pylos, Piper and Frank search for the poison they need to make the physician’s cure. Piper is happy for the distraction from thinking about the conversation she and her mother shared the previous evening, in which Aphrodite offered a bleak vision of the future and made Piper promise not to share it. Frank secures the poison from his shape-shifting distant relatives, though the demigods still don’t know how to brew the physician’s cure.

Back on the Argo II, the demigods discuss their plans. Frank’s relatives told him that “the chained god” they need to find refers to a statue of Ares that the Spartans keep “chained up in their city so the spirit of war would never leave them” (137). When Jason wonders how this will help them, Piper privately recalls Aphrodite’s warning that the threat to Jason isn’t only his sword wound but also “the ugly truth he saw in Ithaca” (138, italics in original). Prompted by Hazel, Piper shares one of the visions she saw in Katoptris: herself and Annabeth in a cave with a statue of a warrior engulfed in flames.

Chapter 18 Summary: “Piper”

Jason admits to Piper that he thought about giving up back on Ithaca. She shares a story with him that her Cherokee father told her about the importance of following one’s instincts. She reminds him that he’s a good person, with good instincts, who always tries to make the right choices. Jason feels comforted. Leo calls him to guard duty, and Piper takes a nap.

She has a nightmare in which she sees a vision at the Parthenon: at least 20 giants and hordes of other monsters assembled around a makeshift throne. The giant Hippolytus reveals that the demigods destroyed Ithaca’s ghosts and captured Nike. King Porphyrion is neither surprised nor concerned, since their brother, Mimas, is waiting for the demigods in Sparta. He reiterates that the demigods “cannot change their fate” (146). When the giantess Periboia questions why Gaea must be awake at the Acropolis, Porphyrion insists that the Parthenon “holds [the gods’] memory best” (147) and that waking Gaea there will bring them the most glory. Periboia argues that it’s unwise to choose a place where the demigods also have allies. Another giant, Enceladus, explains that they’ve driven Apollo out of Olympus, leaving the gods without knowledge of the future. The giant Thoon will kill the Three Fates, leaving the giants to make their own destiny. As the crowd cheers, Piper wakes up. Annabeth tells her that they’ve arrived in Sparta.

Chapter 19 Summary: “Piper”

Piper recalls her dream to Percy and Annabeth before the girls head down to Sparta. As they wander through the city’s ruins, Annabeth confesses her fears, and Piper comforts her. Privately, Piper’s own fears over her mother’s warning worry her. Suddenly, a geyser of flames spews out of a stone-lined pit and then extinguishes. The process repeats from two other pits. Annabeth can find no pattern and determines that it must be an emotional reaction. Ignoring Annabeth’s objection, Piper jumps into one of the pits, quickly unsheathing her sword as she lands, and decapitates a bronze dragon at the bottom and two others as well. The stone cavern is lined with Greek inscriptions. On a dais, a bronze warrior statue wrapped in chains is flanked by two doorways, each topped with the carving of a stone face, reminding Piper of her brothers, the attendants of Ares, Fear and Panic.

Piper calls Annabeth to come down using a rope. They hear a heartbeat from within the Ares statue. The shrine—“a temple of Fear” (155)—is amplifying their fears. The giant Mimas appears.

Chapter 20 Summary: “Piper”

Mimas swings a sledgehammer at Piper, and she ducks, taking Annabeth down with her. Annabeth is paralyzed by fear, which the shrine is designed to cause, and is unable to function. Piper slashes Mimas’s knee, ducking into the nearest tunnel with Annabeth and leading them forward, where the fear feels most acute, explaining that they can’t reason away their emotions. Mimas unwittingly confirms Piper’s belief when he boasts that he was born to kill Hephaestus and is “the breaker of plans,” around whom “[n]othing goes right” (158).

Piper repeats her refrain that they must accept, adapt, and ride their emotions. Like love, fear and hate can’t be reasoned with, which is why Ares and Aphrodite are drawn to each other and why their sons are Fear and Panic: They “were spawned by both war and love” (160). Together, Annabeth and Piper run back into the shrine room and slash at Mimas’s legs. While Annabeth stabs at him, Piper makes a sacrifice—her cornucopia—to the bronze warrior, which contains the spirits of war. Slashing off its head, she releases the spirits, who promise to answer her call and “complete her cure” (161, italics in original), just once when she most needs them. With the spirits’ help, the girls slay Mimas. Piper thanks her brothers and asks for their help to escape the crumbling cavern as the girls plunge through the second doorway.

Chapters 17-20 Analysis

The first set of chapters from Piper’s point of view reintroduces her growth journey, which involves learning to embrace the gifts of her mother, Aphrodite, and to use them to lead. In the past, Piper was embarrassed by her mother’s gifts, regarding them as frivolous. Throughout the series, however, she has been discovering the unique power of Aphrodite’s gifts and their place within the demigod community. The quest with Annabeth on Sparta reinforces Piper’s understanding of this power, as her ability to trust her instincts is what enables her and Annabeth to survive the attack by Mimas and the effects of the Temple of Fear. Also pivotal is Piper being able to integrate her Cherokee and Greek cultures by learning how they intersect and complement one another. She comforts Jason by telling him the story her father told her about trusting one’s instincts. On Sparta, that advice becomes essential for her and Annabeth’s success. Piper’s character arc thus ties together all three main themes—The Makings of a Good Leader, Self-Acceptance and Healing, and Reconciling With and Understanding Others—by showing how self-acceptance, healing, reconciliation, and understanding contribute to becoming a strong leader.

In each of the points of view thus far, including Piper’s, dreams foreshadow events within the novel and weave elements of Greek mythology and history into the story. Sleep seems to have been viewed as a transitional state, a place in between the conscious, mortal world and the divine realm. In ancient mythological texts, dreams are portrayed as a way for gods and mortals to connect and for gods to reveal essential information to mortals. Dreams had a role in cult practices too because sleep was incorporated into ritual.

Piper’s dreams reveal what she must face in Sparta and indicate that she should undertake this part of the quest with Annabeth. The two girls work especially well together because their skills are both oppositional and complementary, reflecting Greek duality. Annabeth correctly determines that an emotional element, rather than a logical pattern, is at work with the geysers. This sets the stage for Piper to take a leadership role since she’s able to confront and embrace fear, while Annabeth’s instinct is to fight it. Their quest reveals the significance of finding the Ares statue: “His power—the spirits of battle, the makhai—should never be unleashed unless you understand how terrible they are,” which can only be understood if “you’ve felt fear” (159). Piper allows herself to feel it, rather than fight it, which makes her more effective.

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