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52 pages 1 hour read

Alessandro Manzoni

The Betrothed: I Promessi Sposi

Fiction | Novel | Adult | Published in 1827

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Chapters 8-15Chapter Summaries & Analyses

Chapter 8 Summary

Agnese distracts Perpetua while Tonio and Gervaso call on Don Abbondio. Tonio claims that he wishes to pay back the money he owes to Don Abbondio; he asks the priest for a receipt. Meanwhile, Lucia and Renzo sneak into the house. As the priest looks up, they begin to announce themselves as man and wife. Don Abbondio, immediately understanding what is happening, leaps across the room, locks himself away, and calls for help. In the town, the sacristan hears him and begins to ring the bells. The ringing bells cause chaos and confusion. Meanwhile, Griso and the bravi have broken into Lucia’s house, only to find no one at home. Amid the confusion of the ringing bells, the bravi flee. Later, Fra Cristoforo invites “the still unmarried couple” (131) to his convent. He has a plan to help them escape and find “temporary refuge” (138). He gives them instructions, and they leave on a boat. They bid farewell to their “childhood home” (141).

Chapter 9 Summary

Renzo, Lucia, and Agnese cross Lake Como by dawn. There, a cart is waiting to take them to Milan. On the way, they will separate: Renzo will continue to Milan, and Agnese and Lucia will go to a convent. The women are taken by the Guardian Father to meet Gertrude, also known as the Signora, who is “a nun, but a nun unlike the others” (145). Gertrude was born to a wealthy family, but her father insisted that his first-born child would inherit everything, and his other children would be sent into the convent. From a young age, Gertrude was taught that she would grow up to be a nun. However, she realized that she did not want to be a nun. During the initiation process at the convent, each woman was permitted to spend time outside the convent to sincerely confirm that they wished to be nuns. Gertrude returned to her family home, only to be “strictly and completely cloistered” (158) until she was ready to offer her confirmation. During this confinement, she became romantically interested in one of the young male servants. The love affair was cut short when her father found out.

Chapter 10 Summary

The boy was fired, and Gertrude was manipulated into becoming a nun. She lied to her interviewers, saying that she wished to be a nun to avoid further confinement and any potential scandal. Inside the convent, she acted differently to the other nuns, whom she “detested” (179). They nicknamed her the Signora, or the Lady, and she lived up to her haughty nickname. Later, she became romantically involved with a man named Egidio, “a criminal by trade” (181) and an associate of a notorious local baron known as the Nameless One. A fellow nun who discovered the relationship was killed by Gertrude and Egidio. In the present, Gertrude is intrigued by Lucia’s story, offering sanctuary to Lucia and Agnese.

Chapter 11 Summary

The narrator returns to the previous evening, when Don Rodrigo learned of the failure of his bravi to kidnap Lucia. Numerous bravi were to wait in her house, as well as others who would scout the town for information. The latter were the men Renzo failed to notice in the tavern. Don Rodrigo admits to his cousin, Count Attilio, that his plan has failed. Attilio resolves to seek help from their powerful uncle. He blames Fra Cristoforo, with his “pussy-cat manners and foolish ideas” (188), for the escape of Renzo and Lucia. Griso speaks to people around the town, including Gervaso and Perpetua, and learns that Renzo and Lucia were heading to Monza; he sends his men to intercept them. Meanwhile, Renzo arrives in Milan, “filled with rage and the desire for revenge” (197) against Don Rodrigo. He discovers that, due to the famine, the city is in the throes of a revolt. He carefully looks for the monastery where Fra Cristoforo told him to seek refuge.

Chapter 12 Summary

After years of bad harvests and “the ravages and waste of the war” (202), the famine in Milan is severe. As politicians, such as Antonio Ferrer, sought to deal with the issue by fixing the price of bread and forcing the bakers to bake, the people of the city have revolted and seized all the available produce. As Renzo walks, he sees the flour-strewn streets and finds loaves of bread on the ground: Bakeries were looted, and the utensils and tools of the bakers are burning in the city’s famous Piazza Duomo. They call out slogans such as “long live bread” (215). Making his way through the protestors, Renzo proceeds to Piazza Cordusio.

Chapter 13 Summary

Renzo witnesses a riot outside the house of the Commissioner of Supply. As the crowd grows violent, Renzo steps in. He helps protect the hated man, and the crowd parts to welcome Ferrer, the Grand Chancellor of Milan. Ferrer says that the Commissioner will be taken to prison, which placates the rioters. Renzo is visible as a key member of the crowd. Ferrer remembers seeing Renzo’s name on a warrant, sent by Professor Argle-Bargle.

Chapter 14 Summary

Renzo, now tired and hungry, searches for an inn. As he searches, however, he finds himself amid another crowd. He loudly declares that he will seek an audience with Ferrer the following day to resolve the bread riots. An undercover police officer seeking to arrest Renzo takes note of Renzo’s prominence. He offers to take Renzo to an inn, but he actually plans to take Renzo to jail. Renzo insists, however, that they stop at the nearest inn. There, Renzo drinks “a good bottle of honest wine” (237). He is not used to the alcohol, and he reveals his identity, which the undercover officer notes. Renzo speaks loudly and drunkenly, despite the landlord’s quiet efforts to shut him up. The other patrons mock the loud-mouthed Renzo.

Chapter 15 Summary

When Renzo is too drunk, the landlord leads him to a room. The landlord immediately goes to a courthouse and sullenly reports all the necessary information. The following day, Renzo wakes up and is immediately arrested. As he is marched along the streets, he whips the crowd into an angry uproar. The chaos allows him an escape, as the police feel threatened by the “stampede” (264).

Chapters 8-15 Analysis

In this section, Renzo’s plan to spring a surprise marriage on Don Abbondio presents one of few disagreements between Renzo and Lucia regarding how they should move forward, highlighting the theme of Navigating Injustice. Renzo wishes to use this trick, which he is assured by Agnese is legal, if not completely moral. This conflict between legality and morality is a recurring issue throughout the novel, with morality and the law not often functioning together. This conflict also intersects with the theme of The Importance of Faith, as morality is key to Lucia’s understanding of faith: Renzo can trick the priest into granting him a legal marriage, but Lucia is concerned that this could be a sin, even if they are adhering to every administrative demand. The conflict illustrates Renzo’s passionate drive and Lucia’s reflective hesitancy, which offers some balance to their relationship. Later, when Lucia insists that she maintain her vow of chastity as a nun, Renzo will again seek out some legal loophole which invalidates her promise. Renzo is driven by love, and he is willing to do whatever it takes to marry Lucia, but she, while also being deeply in love, is simultaneously concerned with the manner in which they express their love. Renzo is beholden to whatever the law will allow him to do, which is ironic, given his later status as a fugitive, while Lucia is beholden to her faith in God. The couple represents two opposite approaches to Navigating Injustice while still working toward the same goal: Through their romance, the idea that different temperaments—and perhaps different societal roles for men and women—influences one’s approach to Navigating Injustice becomes clear. As a man in 17th-century Italy, Renzo can afford to be more impulsive, which is evidenced by his roaming Milan and Lucia’s immediate removal to a convent. These differences further intersect with the people of Milan, who are navigating the injustice of unequal food security during a famine. While many are quick to join angry mobs, they are also easily swayed by promises.

The Signora is one of the novel’s clearest examples of the lack of moral clarity in the real world, this highlighting the theme of The Importance of Faith. After leaving the small town where they grew up, Lucia and Renzo encounter a world where morality is not as clear cut. While they simply viewed Fra Cristoforo as a good man and Don Rodrigo as a bad man, they are now forced to place their trust in more morally dubious figures. The Signora is a nun, ostensibly a devout woman whom they can trust, yet the narrator reveals a backstory filled with doubt and sin, thus complicating the idea of faith in its individual meaning to various characters. The Signora is motivated by bitterness toward institutions and powerful men like her father. She wants to help Lucia to vicariously strike back against the kind of men who drove her into the convent as a form of revenge, not because she feels a genuine desire to do the right thing. Interestingly, this also offers the Signora’s personal approach to Navigating Injustice, or at least her perception of it. Moreover, the Signora is not a good person, but she can perform good acts. She can help Lucia even if she is a murderer and a sinner. A good man like Fra Cristoforo is willing to trust the Signora, suggesting that moral action must have a pragmatic element. However, while the Signora is willing to help Lucia now, she later betrays her. This lack of moral clarity creates a more nuanced portrayal of a world that is not beholden to simple dichotomies such as good versus evil.

Renzo’s entrance to Milan is a chaotic and uproarious stretch of the narrative, but the narrator’s presence is constantly felt, furthering the theme of Framing History Through Literature. The narrator is not content to simply describe the situation in the city. Rather, the narrator editorializes events, providing explanations and criticisms of the governance of Milan during the famine, reaching beyond the demands of the narrative. Renzo’s story is not reliant on the intricacies of government policy in this era. Instead, this editorializing helps to bolster the narrator as a character in his own right. The narrator, whether this is Manzoni himself or a fictional creation, feels an urge to intervene and criticize the actions of the past, which becomes evidence of his temporal detachment from the narrative. The narrator cannot help but inject himself into the story and display his knowledge of history, shaping the narrative around his own interests and prejudices, even as Renzo is swept up in the tides of history, adrift in a big city for the first time. Here, Renzo demonstrates his powers of persuasion and ability to command a crowd, but he also shows a lack of forethought when he drinks too much and reveals his identity, highlighting the challenges of the young country-dwelling couple as they enter new regions outside of Lombardy.

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