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Alessandro ManzoniA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Renzo escapes from his captors and heads to the town of Bergamo, across the border. He believes that his cousin Bortolo can find him a job. Since he will be across the border, in the Republic of Venice, any warrants for his arrest should be invalid. He avoids obvious roads and tries to cover his path. When he stops in a tavern, he is questioned about the revolt in Milan. The questions reiterate that he is wanted, so he decides to travel to the town of Gorgonzola. In another tavern, he hears a merchant talking about the “ruckus” (274) in Milan. One of the ringleaders, the merchant says, is wanted by the authorities. The “foreigners” (278) are blamed for the problems in the city. Renzo quickly heads away in a different direction.
After leaving Gorgonzola at midnight, Renzo travels along back roads to avoid any attention. He feels despondent as he heads for the Adda River—the border between the two states. He pauses to rest in a thatched hut, where he dreams about the people he has met during recent days. He sees visions of Lucia and Fra Cristoforo. Early in the morning, he wakes, says “his morning prayers with a special fervor” (287), and reaches the Adda. There, a fisherman agrees to take Renzo across the water in his boat. Renzo seeks out Bortolo and is given a job in the silk-spinning mill. He learns about the locals’ prejudices against people from across the border, who they call “baggiani, blockheads” (294).
The day that Renzo reaches Bergamo, the police search for him in the place of his birth. When the rumors of the police presence reach Fra Cristoforo, he sends a letter to Padre Bonaventura, whom he had arranged for Renzo to meet. As Fra Cristoforo is deliberating what happened, Griso comes to Don Rodrigo and reveals that he knows where Lucia is hiding. Count Attilio visits his uncle, the Count, who sits on the Secret Council, which is made up of “thirteen leading men of the law and the sword” (306). He describes Don Rodrigo’s difficulties and blames Fra Cristoforo for being disrespectful. The Count will arrange for Fra Cristoforo to be sent to Rimini, far away from Lucia and Renzo.
Count Attilio invites his uncle, the Count, to talk with the Father Provincial so that Fra Cristoforo will be officially sent away. The order is made possible by the Father Provincial negotiating certain conditions with the Count. They debate matters of honor. During this time, Don Rodrigo learns from Griso that Lucia has come under the protection of the Signora. However, Agnese has since returned to Lecco. Don Rodrigo plans to “seek the assistance of a fearsome man” (320), the Nameless One, in kidnapping Lucia. Don Rodrigo and Griso travel to the Nameless One’s castle.
The Nameless One lives in a heavily fortified castle, surrounded by “foul bravi” (328) The narrator discusses the Nameless One’s reputation; he is known for his violence, cruelty, and success in battles. The Nameless One agrees to Don Rodrigo’s terms. As soon as he makes the deal, however, he begins to have doubts. After a lifetime of violence, he suddenly has “an overwhelming sense of loneliness” (330), fearing for the state of his soul. Nevertheless, he summons his deputy, Nibbio, and sends him to Egidio who—through his connection with the Signora—will be able to arrange for a moment when Lucia is not protected. The Signora agrees to her lover’s request, casually sending Lucia out of the monastery. Lucia is immediately kidnapped by the bravi. As she is taken to the Nameless One’s castle, the Nameless One waits with “unusual agitation and ambivalence” (337). He has a servant and a sedan chair sent to meet Lucia.
Lucia is carried into the Nameless One’s castle. Nibbio enters, complaining that Lucia seems sad and distraught. The description of Lucia’s fear compels the Nameless One to pity her. He goes to her room and promises that she will be treated well. Lucia begs to be freed, explaining that she will pray for the Nameless One’s soul in exchange for being released. She does not want to eat, and she refuses to sleep in the bed, which the Nameless One blames on his servant. Lucia prays to the Virgin Mary, promising that she will renounce Renzo and “remain a virgin” (349) if she is released. The next day, the bells begin to toll. After a sleepless night of worrying about the state of his soul, the Nameless One sees people flocking to the church.
The tolling bells and crowds of people are greeting the arrival of the famous Cardinal Federigo Borromeo, the Archbishop of Milan. The Nameless One ventures out of his castle, “without his customary escort” (356) of bravi. As he leaves, he scolds the elderly servant for allowing Lucia to sleep on the floor. The narrator tells the story of the Cardinal, a famously good man. He founded many cultural institutions and uses his personal wealth to help as many people as he can.
The Nameless One is redeemed through a conversation with Cardinal Borromeo, resolving to change his ways. He confesses to kidnapping Lucia, and the Cardinal intervenes, sending a summons to Don Abbondio. The Nameless One prepares for Lucia to be released into comfort and freedom. Don Abbondio is “annoyed, irritated, and bitter” (375). He is also suspicious about the sincerity of the Nameless One’s conversion. In an effort to escape his responsibilities, he summons Agnese. Once they are united, the group heads back to the castle of the Nameless One.
In this section, Renzo quickly loses control of something very important: his reputation, highlighting the risks of Navigating Injustice. Through chance, he is believed to be one of the ringleaders of the riots in Milan. As Renzo travels through the countryside, he realizes how quickly he has become a central figure in the local gossip. He knows what really happened: He arrived after the riots had begun and only involved himself briefly, yet every stranger in every tavern describes the stranger from Lecco as the organizer and instigator of the riots. Furthermore, this false rumor has led to the issuing of a warrant for his arrest. Renzo witnesses the way in which the truth can be adapted by those in power to achieve their aims. He uses this to his advantage, calling on passersby to help him when he is being arrested. He plays on the rumor, rallying the crowd to support him in a way that he did not do the previous day (but which his accusers insist that he did). Renzo weaponizes the malicious rumor, using it to escape from the authorities by playing up to the fictional version of his character that they have propagated, which is consistent with his impulsive, innovative, and self-preserving strategies toward Navigating Injustice.
Once he has escaped from Milan, Renzo slips across the border into Bergamo. Whereas Milan is controlled by the Spanish Empire, Bergamo is a part of the Republic of Venice. These competing states are separated by a short walk and a crossable river, yet, for Renzo, they represent different worlds. In Bergamo, Renzo finds work with ease, and he can elude the authorities that want to capture him. At the same time, however, this level of protection only serves to remind him of his separation from Lucia: The same border that offers him protection is the border that denies him access to his love. The border is a blessing and a curse, providing Renzo with protection and many opportunities but also reminding him of every injustice that he has already suffered.
The Nameless One is introduced to the text at the tail end of his reign of terror. He has a fearsome reputation as a cruel and violent man, as well as someone whose cruelty and violence can be bought as a service. Don Rodrigo turns to the Nameless One as he becomes more desperate, but he does not know that the Nameless One is reassessing The Importance of Faith. The strange melancholy that the Nameless One is experiencing is crystalized when he sees Lucia: On her arrival at his castle, the Nameless One has a change of heart. He cannot bring himself to keep such a good woman as his prisoner, so he turns his back on Don Rodrigo and abandons his old ways. Through his conversion, with the Cardinal’s guidance, the Nameless One shows that there is no one who is beyond redemption. For all the crimes of his past, he can still find the goodness of God. In this Christian text, the potential for redemption is still provided to even the most sinful of characters. The conversion of the Nameless One serves as a reminder that even Don Rodrigo, in spite of his role as the story’s antagonist, may not be wholly evil. Further, the Nameless One’s religious transformation coincides with Lucia’s newfound commitment to the Virgin Mary, offering herself as a nun in exchange for her freedom. Lucia chooses herself over Renzo, demonstrating The Importance of Faith to Lucia, as well as a sense of self-love and self-preservation, which is not unlike Renzo. While Lucia and Renzo take opposite approaches to Navigating Injustice, they both make sacrifices for self-preservation along the way, suggesting that their eventual union is one of absolute choice as two strong-willed individuals who, despite facing many challenges, decide to be together.
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