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47 pages 1 hour read

Dinaw Mengestu

The Beautiful Things That Heaven Bears

Fiction | Novel | Adult | Published in 2007

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Chapters 14-16Chapter Summaries & Analyses

Chapter 14 Summary

Sepha opens the store on Christmas Day when Judith and Naomi are in Connecticut. He knows this is not a day immigrant storekeepers are allowed to take off because so many Americans need last-minute items for their holidays. Sepha describes Christmas Day as his favorite day to work in the store: He likes the quiet and the happy mood of customers who come by.

When he calls Joseph, he learns that Kenneth’s bosses asked him to be in the office that day. The three men meet up at their usual bar, but by the time Kenneth joins them, Sepha and Joseph are already drunk. Joseph decries his position: His dream of getting a PhD never happened, and he still works in the same restaurant serving white people while wearing a tuxedo and pretending it is the 19th century. He accuses Kenneth, still dressed in his work suit, of being the “perfect immigrant” (182) or, according to the perspective of the 1800s, a perfect house slave. Kenneth takes offense and asks, “Which one is it, Joseph? […] The perfect immigrant or the perfect slave? You can’t have it both ways” (182). Joseph replies, “Says who? The engineer? Maybe in your world you can’t. But in mine, everything is that way” (182).

The men move on to discussing how Judith’s ex-husband is from Mauritania, Joseph is ready to launch into their game by naming a coup leader from that country, but Kenneth says he does not consider Mauritania part of Africa but the Middle East, and the inhabitants are Arabs. Stephanos, however, is willing to name someone. Kenneth tires of the game and announces his departure because he has work the next day, but not before reminding the two men that his own father was illiterate and died with nothing. Kenneth insists that all of Africa is like that now, and so he misses nothing about it.

Chapter 15 Summary

For the rest of the month of December, Sepha watches and longs for the return of Judith and Naomi. He has trouble sleeping without them next door. He finishes The Brothers Karamazov without Naomi and writes in the margins so the librarians will not return it to the shelves. In his boredom, he starts making a list of aphorisms for Naomi to spare her any disappointments in life. When he tries to pay his rent at the end of the month, he finds he barely has enough money to do so. Business declined in the last four months since the gentrification began; the newcomers want nothing to do with his store. With Kenneth’s encouragement to adapt to the times, Sepha installs a new deli counter to appeal to the new, respectable, customer base.

Sepha calls his mother on January 7, which is Christmas Day in Ethiopia. Because Sepha let the prostitute take his mother’s gift of perfume, Sepha sends his mother the book of poetry he originally bought for Judith. When his mother asks him why he got her a book of poems, Sepha tells her what he knows about Emily Dickinson, emphasizing the beauty of her solitary life: “She wrote all of those poems entirely alone. She was able to live on just that” (192). Sepha’s mother just thinks they are sad.

The number of evictions increase in Sepha’s neighborhood. Eventually his neighbor, Mrs. Davis, comes by with flyers advertising a neighborhood meeting of the “Logan Circle Community Association,” which Sepha has never heard of before, but he promises to attend. When he goes to the meeting, he sees Judith for the first time since before Christmas. She offers him a seat next to hers, but he just smiles at her and deliberately walks in the other direction to sit down. Except Judith, everyone at the meeting has been in the neighborhood at least as long as Sepha. He quickly realizes there are going to be “sides” in this meeting, and he notices “they” and “them” are used to assign blame for the changes in the neighborhood. When Judith tries to speak, someone in the group tells her to “shut up” (200). After the meeting, Sepha joins Judith on the steps of her front porch. She tells him Naomi is staying in Connecticut to attend boarding school. Naomi wants Sepha to have the typewriter her father gifted her with the hope that he would write to her while she was at school.

The next day, Sepha alerts Judith that someone threw a brick through her car windshield. Much to Sepha’s surprise, Naomi’s father, Ayad, opens the door at Judith’s house when he knocks. Ayad traveled back with Judith from Connecticut. Sepha chastises her ex-husband for leaving her alone to deal with the police. Sepha hears them fighting later that night. In the morning, he finds a brick on the pavement in front of his store. He suspects someone threw it at the grated windows and it bounced off and landed on the sidewalk. He uses it to prop open the door. His first customer is Judith, who tells him her rendezvous with Ayad was a mistake, and he is gone. She hands Sepha a letter from Naomi. He asks for her address so he can write back. He treasures the letter and stashes it under the cash register to read again later. He and Judith make plans to meet for dinner the next evening.

Chapter 16 Summary

Sepha leaves his uncle’s apartment on May 4 and walks home to Logan Circle. On the way, he recalls late afternoon walks with his father in the silence of a small park in Ethiopia. His father would sometimes talk to himself and name dead ancestors as he walked. As Sepha nears his apartment, he wishes he had taken more time to notice the important things along the way.

Sepha’s narrative shifts back to the night of Judith’s house fire; Franklin Henry Thomas, a local resident at the end of his rope, started the fire. Sepha, Kenneth, and Joseph hang out in the store like they often do, and Sepha tells them about the bricks and rumors of men in black marauding through the neighborhood. Joseph relates this to the beginnings of a coup and cautions Sepha that the people of the neighborhood are powerless to prevent the violence. At that moment, the men notice the firetrucks and Judith’s burning house. Judith is at the movies when the fire breaks out. When she returns, Sepha hugs her, says he is sorry, and then leaves her alone to deal with the firefighters while he returns to Kenneth and Joseph at the store. The last time she visits the neighborhood is in April, when she stops by the store and tells Sepha he should come over for dinner once she settles into her new place.

As of May 4, Sepha has never sent the letter he wrote to Naomi, and he never heard from Judith again. As he sits on his stoop and looks down the block at his store, he thinks his store looks “more perfect than ever before” (228).

Chapters 14-16 Analysis

In the final chapters of The Beautiful Things That Heaven Bears, Mengestu further develops and complicates immigrant notions of the American dream. Joseph articulates the absurdity of what he accepts in order to exist in this country. In his position as a waiter serving the affluent white community of DC, his position is imperceptibly different from those of slaves in the 19th century. Being an immigrant and a slave are comparable positions to Joseph because he is not paid nor respected enough to amount to anything more. The absurdity of this position is outside of his control, so he drinks and tries to stay indifferent.

Kenneth, on the other hand, believes he came from nothing, and at least now he is something. Like Joseph, he acquiesces to the roles this society imposes, but he has carved a path of upward mobility. He has a job as an engineer, and when he dies, he will leave possessions behind for his relatives. Compared to what his father achieved, and what he would have achieved if he remained in Africa, he has reached greater success in America. In accepting his role as an American and rejecting Africa, Kenneth compromises his fealty but embodies the American dream.

Joseph measures his success by American standards, Kenneth by African ones, but Sepha does not identify with either country’s standards of success. He is between both worlds, and his contentment—or rather, apathy—lies in the solitude of always being an outsider. He excuses himself from engaging in either narrative of an immigrant, instead choosing to live outside of these expectations. His embrace of this sense of solitude is symbolized in the book of Emily Dickinson poetry. Sepha’s comments about Dickinson reinforce that he will choose a life of solitude rather than make the effort to be an agent in his own life.

Once we learn the fate of Sepha’s father, his figurative ghost appears frequently throughout the text. When Sepha rides the train, he recalls his father’s recommendation to add life to his life whenever possible; in pursuing a life absent of connection or joy, Sepha once again fails his father. When he tries to act in the mold of his father, such as writing down aphorisms for Naomi, he again fails when he never sends her the list or a letter. Sepha feels a sense of guilt for his father’s death and regret for his failure to protect him; in his actions, he repeatedly reenacts this situation, perpetuating his own sense of regret. His father haunts his life in America.

Sepha repeatedly fails to support Judith, despite their apparent connection. At the community meeting, he rebuffs her invitation and does not defend her against the blame of the other residents. Although he notifies Judith of the brick that damages her car, he does not volunteer to act, only chastises her ex-husband for not doing so. And when her house is on fire, he offers an apology but no support. In each case, he consistently maintains his neutral position with Judith. Sepha and his immigrant friends can sense the escalating tensions, even comparing them to a coup, and the violence those tensions will incur. He has lived through such violence before in Addis Ababa, and he cannot confront what that might mean here. While he longs for Judith, the fear of the repercussions he might face if he sustains a connection with her prevents him from acting. He stands aside and lets circumstances dictate what happens next. In neutrality, Sepha believes, lies safety.

In the last lines of the book, Sepha makes clear that the store, no longer his, looks more perfect than ever. Now that his store is a memory, it is something he can relish safely from a temporal and spatial distance. It is in this solitude and without and connections that Sepha feels he belongs. His return to his stoop, however, somewhat contradicts this belief. On his stoop, and therefore in his neighborhood and in DC, Sepha is at home. Although he considered abandoning this place for somewhere new, he returned, providing the reader with some sense of a content, if broken, homecoming.

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