59 pages • 1 hour read
Jennifer WeinerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story jumps back to 1987. In this section, the young Diana returns home after her summer on Cape Cod, bruised and disheartened, and determined to see the world as being colorless and corrupted. Her mother and sisters worry about her, believing that she has left behind a boy she loves. They encourage her to find someone new, but Diana thinks to herself that she will never have sex again. She develops a habit of binge eating and stops caring about school. Her teachers and Dr. Levy worry, too, but Diana claims that she’s just tired. She sees a therapist but refuses to open up to her. She believes that she is broken.
Three years pass and she leaves the academy to go on to university. However, bereft of any academic ambition, she quickly drops out and works a series of temporary jobs. Eventually, she gets a job cleaning offices at the university where Dr. Levy works. At her lowest moments, she considers death by suicide. One morning in April, Dr. Levy visits her, and because she knows that something significant must have happened to Diana during that summer in 1987, she offers Diana the opportunity to stay at her parents’ old cottage on the Cape for the winter. Diana accepts.
Diana travels to the cottage in Truro (Cape Cod) and searches for a job in Provincetown. She is hired as a waitress at a restaurant called the Abbey, where the owner, Reese Jenkins, tells her that the Cape is a special place and brands her a “washashore.”
Diana settles into a happy routine of work and gets to know the other workers at the Abbey. She becomes close with Ryan, the gay host who is estranged from his parents. She adopts a dog that she names Willa. One morning, she is awakened by the arrival of Michael Carmody, a man who has been hired by Dr. Levy as a caretaker for the property. She is suspicious of Michael, but Willa decides that she likes him.
Diana begins to bump into Michael all over Provincetown, and he repeatedly asks her to go on a date with him. Diana refuses his advances even though her coworkers confirm that he is a good man. Meanwhile, Diana learns to gather clams and oysters and decorates the shells by painting them.
In March, the heating in Diana’s cottage breaks, and she is forced to call Michael to refill her oil tank. He sees her decorated oyster shells and suggests that she sell them to tourists in the summer. Diana tells him that she will be gone by the summertime. He can tell that something bad has happened to her in the past and vows that not all men are like whoever hurt her. The two kiss, and Michael bargains with Diana for a date. Diana feels safe and comfortable with him.
The narrative switches back to the present day. Daisy buys bagels in New York and remembers when she first met Hal’s father, Vernon Shoemaker, when she traveled to Bryn Mawr to give him a cooking lesson. She recalls that Vernon’s kitchen was dirty and full of takeaway food boxes. Daisy cleaned up the kitchen and taught Vernon to cook rib eye steak. Vernon was reluctantly impressed and offered Daisy Hal’s phone number. A few weeks later, Daisy and Hal went on their first date.
In the present moment, Daisy travels to the house where her brother Danny lives with his husband Jesse and their various foster children. Danny’s behavior seems strange to Daisy, and she privately discusses it with Jesse, who also is unsure what is wrong with Danny.
Daisy returns home from Danny’s house to find Beatrice in a bad mood. Their house is the same one that Hal grew up in. When Daisy first moved into the house, it was sparsely furnished, and Hal allowed her to choose whatever she wanted to fill the rooms.
Now, Beatrice searches through the freezer for a bag of dead mice that she had been hoping to use to practice her taxidermy skills. Daisy is furious at her daughter for keeping the mice in the kitchen. They argue, and Beatrice accuses her mother of thinking her a disappointment. Soon afterward, Hal returns home from Brad Burlingham’s funeral. Daisy cooks dinner and receives an email from Diana, who is coming to Philadelphia on a work-related assignment. The two agree to meet up.
At school, Beatrice encounters Cade Langley, a popular jock who invites her to eat lunch with his friends. The group discusses parties and asks Beatrice about her experience at boarding school. She tells them that she was expelled for painting the word “rapist” on a boy’s door, and the group reacts badly to this announcement. Cade invites Beatrice to the movies. Beatrice and her friend Doff discuss Cade’s motives, and Beatrice is confused about whether she could grow to like a boy who is the epitome of the privilege and entitlement she hated at Emlen.
Daisy visits the apartment that Diana claims to be renting in Philadelphia and gives her new friend a cooking lesson. Daisy confides in Diana about her problems with Beatrice, and Diana asks her about Hal, whom she remembers went to school with Danny. Daisy relates that Danny doesn’t like to talk about his time at Emlen; Daisy imagines that his reluctance stems from the fact that during his time there, he kept his true sexual identity as a gay man a secret. Daisy invites Diana to dinner at her house.
After Daisy leaves the apartment, Diana hurriedly cleans the entire place. She leaves and goes to the nearby Airbnb that she has actually rented for herself. While there, she wonders about the harm a person can inflict on purpose and by accident. She thinks that because of her own actions here, the other Diana’s life (Daisy’s life) will never be the same.
Part 2 delves more deeply into Diana’s past, both answering old questions and raising new ones as bits and pieces of Diana’s summer on the Cape and subsequent life begin to fill in the details that Weiner has left deliberately vague during the first part of the novel. In its sudden shift into darker waters, this section also places increasing emphasis on both the immediate impact and The Lasting Impact of Sexual Assault. In a moment of dramatic irony, Weiner also reveals just how intensely the reality of Diana’s past contrasts with the image of the perfect life that Daisy imagines her to have. On the contrary, the harsh experiences of her past are filled with sorrow and difficulty, a fact that introduces the novel’s frequent implication that people are not always what they seem to be. Indeed, Diana is not just misunderstood by Daisy; she is actively projecting an entirely different persona in her interactions, even going so far as to stage a false apartment to project the image of affluence, confidence, and competence and hide the fact that her budding friendship with Daisy is just a façade to conceal her personal investigation into the other woman’s life, family, and past—particularly that of her husband and brother.
In the “flashback” chapters of Part 2, Diana’s move to the Cape results in the most profound transformation of her youthful self as both Provincetown and the cottage in Truro become healing locations that allow her to move on from the unspoken trauma that haunts her past. Here, the young Diana is able to escape her identity as a survivor of sexual assault and become someone new. When Reese Jenkins calls her a “washashore,” the epithet serves to symbolically baptize her, washing her clean of her previous life and granting her a new, more wholesome and welcoming existence as a part of a community. Thus, she finds a new family among good people who know nothing about her past and so cannot judge her for the changes in her character after the events of that summer in 1987. In accordance with this new dynamic, Diana indulges in a number of healing practices such as swimming, gathering clams, and decorating oyster shells, each of which is intrinsically tied to the setting on the beach. Ironically, the very location of her trauma is transformed into a curative force, and this pattern is further emphasized in Provincetown when she meets Michael, whose kindness and goodwill allow her to regain a more positive image of men and prove to her that good men do exist in the world. In Michael, she rediscovers the excitement and exuberance she first experienced when she first put on her yellow bikini all those years ago.
With this flashback describing key formative events in Diana’s earlier life, the narrative reveals a crucial gap between the truth that has been revealed and the story that Diana told Daisy in the previous chapter. Although it is clear that Diana is lying and deliberately misrepresenting her intentions to her new friend, her purpose in doing so remains uncertain, and it is within this ambiguity that the novel earns its place in the mystery genre. This aspect of the story is intensified as other strange, foreshadowing elements are introduced around the strange and unexplained behavior of Daisy’s brother Danny. Weiner also indulges in a series of disquieting images and concepts by introducing the death of Hal’s friend Brad and describing the bizarre and unsettling sight of frozen mice, both of which connote untimely death and hint at hidden violence of one kind or another. Similarly, even Beatrice’s new relationship with Cade is couched in debates of consent and sexual assault, reinforcing Weiner’s larger attempts to tackle the ongoing relevance of the #MeToo Movement.
Finally, as the rising action intensifies, Diana’s strange behavior continues without adequate explanation. As she cleans the apartment in which she hosted Daisy and imagines how her actions will impact the other woman’s life, the novel begins to address the theme of Justice Versus Revenge more explicitly, and coupled with the growing theme of sexual assault and violence, Diana’s motivation for seeking retribution for past wrongs becomes just a bit clearer, even if the full details have yet to be fully revealed.
By Jennifer Weiner
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