18 pages • 36 minutes read
Paul Laurence DunbarA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The cage in the poem represents racial oppression. In the first stanza, the cage prevents the bird from living in its natural habitat, which Dunbar makes concrete through descriptions of what it is like outside the cage. The world outside the cage represents the bird’s inherent right to freedom. In the second stanza, the bird wounds itself by crashing against the bars of the cage and finally relents by going back to its static perch. The bars and perch represent the limited opportunities available to Black Americans as a result of racial oppression. The crashing against the bars is the equivalent of directly opposing racial oppression. The bird’s inability to leave the cage is symbolic of the inability of Black Americans to overcome the overwhelming system of racial oppression in the United States.
The bird is a figure for Black Americans who live under a racist system. The bird’s ability to see its natural habitat is representative of Black Americans’ keen awareness of what they lose because of racial oppression. The birds outside the cage represent Americans—white Americans, specifically—who have the full benefits of citizenship because of their race. The fact that there is a bird in the cage and birds outside the cage underscores that only oppression makes Black Americans so different from white Americans. The bird’s injuries are symbols of the wounding that comes from The Psychological Reality of Racism.
The bird’s singing is a symbol of art or other self-expression to communicate the agony of living under racial oppression. There is always the possibility that the listener may hear this song and assume it is an expression of joy, just as readers may misread Black artistic expression; more specifically in Dunbar’s career, his poetry in African American Vernacular English was frequently misread as his and Black people’s contentment with their own oppression.
In the first stanza, the “first bud” (Line 5) represents possibility, specifically, the possibility for true freedom that seemed to exist with the end of slavery in the United States. The bird can smell “the faint perfume from its chalice” (Line 6), a figure for how difficult it was to get only the first hint of freedom and then lose it with the end of Reconstruction, the effort to make good on the new rights included in amendments to the Constitution after the Civil War. A chalice is a cup or goblet used in sacred rituals. The speaker thus recognizes freedom as a sacred right that is stolen from Black Americans.
By Paul Laurence Dunbar